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Tag Archive: Matt Bomer


magnificent-seven-banner-2016

Review by C.J. Bunce

It’s almost more useful to critique the critics than the new movie The Magnificent Seven, released in theaters this weekend.  You’ll find the whole lot so predictable.  The Magnificent Seven is a reboot or a remake (call it what you want) and so the best that critics are willing to do is provide the phoned-in, knee-jerk dismissal of it being something less than the original and therefore not worth the time it takes them to write a thoughtful review.  Or they will compare it to the best Westerns of all time, and tell you why it falls short.  The better reviews will point out that it’s a remake of the 1960 classic Western starring Yul Brynner and Steve McQueen.  The smarter ones will remind you that even that version was based on the original Japanese version, Akira Kurosawa’s Seven Samurai.  Paycheck earned.  Existence justified.  But that’s all too easy.

Yes, the original 1960 John Sturges version is both a great Western and quite fun (it’s on my top ten list).  The darker original Japanese film is more dramatic, brilliant in its simplicity, and not so much a rousing popcorn movie.  Is the 2016 remake among the best Westerns of all time?  Maybe not.  But is it a good Western?  Absolutely.  Do we always want to see the best picture nominee when we go to the theater?  I don’t.  I want to have fun.  And The Magnificent Seven is a blast.  In fact, critics are looking at it wrong.  It’s actually the year’s best superhero movie.

I understand the modern film critic’s dilemma, especially when Hollywood seems to have lost its imagination, churning out remake after remake.  It’s the same old song:  If you were a fan of–or better yet–love the original, you’re more likely than not to brush off the remake altogether, or at least not give it the attention it deserves.  Those who never saw the original or those who can view a remake as its own incarnation–those who can tell themselves their feelings for the remake will not “ruin” their feelings about the original–probably enjoyed the Star Trek reboot from 2009, or Always, or Assault on Precinct 13, or The Flight of the Phoenix, The Fog, The Jackal, The Man from U.N.C.L.E., The Money Pit, Ocean’s Eleven, RoboCop, The Taking of Pelham 1 2 3, or Walking Tall.  Each of these, viewed on their own merits is a great film.  They may even be good remakes.  Those who avoid The Magnificent Seven are missing out on a fun outing.  And a good remake.

sensmeier-magnificent-seven-scene

Today’s ensemble movie is mostly found in the superhero genre.  Stack up The Magnificent Seven against The Avengers, The Avengers 2, or Captain America: Civil War, or any DC Comics superhero film of the past 20 years, and it leaves them all in its dust in its success in introducing a team, getting them to work together, and MacGyver the situation into some giant climactic battles.  Each of the titular seven stars of the movie have their own extraordinary abilities, they just don’t wear capes.  It’s an ensemble piece.  A superhero team-up.  So why don’t we have a casting Oscar?  The three casting directors knew what they were doing–they created the teams for Suicide Squad, Batman v. Superman, No Country for Old Men, True Grit, Sin City, and Star Wars Episode VIII.

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Mag 7

Sony has finally released the first trailer for the remake of The Magnificent Seven, which we first previewed here at borg.com last May.  Based on a reworked script by Nic Pizzolatto (True Detective) and John Lee Hancock (Snow White And The Huntsman) from the classic John Sturges film starring Yul Brynner and Steve McQueen, the new version will be directed by Antoine Fuqua (The Equalizer, Shooter, King Arthur, Training Day). 

The list of leading actors is promising: Denzel Washington (2 Guns, Unstoppable, The Manchurian Candidate, Training Day, Philadelphia, Much Ado About Nothing), Chris Pratt (Guardians of the Galaxy, Jurassic World, Moneyball, Everwood), Vincent D’Onofrio (Men in Black, Jurassic World, Daredevil), Byung-hun Lee (Terminator Genisys, G.I. Joe: Retaliation, G.I. Joe: The Rise of Cobra, RED 2), Matt Bomer (White Collar, Tru Calling, Chuck), and Ethan Hawke (Gattaca, Dead Poet’s Society, White Fang, Alive, Training Day, Assault on Precinct 13) should come together to form an interesting ensemble cast.

The 1960 cast was as gritty as they come: Brynner and McQueen were joined by Charles Bronson, James Coburn, and Robert Vaughn with Brad Dexter and Horst Buchholz.

Magnificent Seven clip

If you think a remake of one of the greatest Westerns of all time is a bad idea, recall that The Magnificent Seven itself was a remake of Akira Kurasawa’s equally superb The Seven Samurai from 1954, starring Takashi Shimura and Toshirô Mifune.  We’d also count Washington, Bomer, Hawke, Lee, and Pratt among our favorite actors in Hollywood, so this is promising.  Other actors slated for the remake include Peter Sarsgaard, Luke Grimes, and Haley Bennett (who is a ringer for Bryce Dallas Howard in the previews).

Check out this first trailer for The Magnificent Seven:

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Rogue One clip

Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year.  So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2016 as have been disclosed.  Usually we select the 24 that look like the biggest hits, but we’re going all out for 2016.  The result is a whopping 48 movies, many you’ll probably want to see in the theater or catch on video.  We bet you’ll find a bunch below you’ve never heard of.  Bookmark this now for your 2016 calendar!

Most coming out in the second half of 2016 don’t even have posters released yet, but many do.  We’ve included descriptions and key cast so you can start planning accordingly.

Star Trek Beyond clip

What do we think will be the biggest hits of the year?  How about Star Wars: Rogue One?  Or Star Trek Beyond?  You’ve heard endlessly about Batman v Superman: Dawn of Justice, but 2016 will also see Doctor Strange, Captain America: Civil War, and X-Men: Apocalypse.  There’s even a handful of Westerns, with The Hateful 8, Jane Got a Gun, and another remake of The Magnificent Seven heading our way.

01 Hateful Eight poster

The Hateful Eight – January 1

Tarentino’s Western!  Ennio Morricone score!  Kurt Russell, Samuel L. Jackson, Jennifer Jason Leigh, and Channing Tatum!

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The 5th Wave – January 8

Chloe Grace Moretz and Liev Schreiber in an alien invasion.

03 400 days poster

400 Days – January 12

The CW’s Brandon Routh, Caity Lotz, and Tom Cavanaugh in a movie about astronauts that seems to be a play on Ender’s Game.

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THE MAN FROM U.N.C.L.E.

Review by C.J. Bunce

It’s almost a shame this weekend’s big screen release The Man from U.N.C.L.E. is a retelling of the 1960s television series.  It’s an adaptation in that it takes the framework of the show—an American and a Russian working together as Cold War era spies—yet director Guy Ritchie makes this work stand completely by itself.  The fact that it’s based on a classic series may turn away viewers who may be tired of other remakes of 1960s shows like Get Smart and The Avengers (both of which were good standalone films).  But that would be a great loss, as The Man from U.N.C.L.E. is not only as stylish as advertised in our favorite trailer of the year, it’s a classy and smart story and a superb re-creation of the early 1960s.

It’s no surprise that this film relishes its Bond influences–Henry Cavill’s character Napoleon Solo was created by Ian Fleming, the same Ian Fleming that created Bond.  Yet the movie is fresh and new.  The story and Cavill’s performance evoke Matt Bomer’s role of stylish and cocky ex-art thief-turned government man on TV’s White Collar.  In fact Cavill is a dead ringer for Bomer.  Likely it’s just a coincidence but if you loved White Collar you’ll love this film.  And any doubts you may have as to Cavill’s acting because of the poorly written part he was stuck with in Man of Steel will be wiped away with his confident and suave Solo.  Even better is Armie Hammer’s performance as Illya Kuryakin.  Any doubts you may have as to Hammer’s acting from his lead role in The Lone Ranger will also be wiped away.  Hammer’s performance as a KGB agent in need of some anger management is nuanced and layered.  The idea of putting some Ennio Morricone musical queues behind Hammer and adding a Clint Eastwood Dirty Harry twitch are simply inspired.  This is a great team and a film that sets itself up for an exciting sequel.

Cavill Debicki Man from UNCLE

As commanding a presence as Cavill and Hammer have, they are almost upstaged by the equally important roles played by Alicia Vikander as the German daughter of a rocket scientist and Elizabeth Debicki as the ultimate Bond villain.  The villainy in The Man from U.N.C.L.E. is surprisingly as powerful, seething, and fun as any 1960s Bond film.  All of this is a credit to Ritchie’s bankable directorial and writing prowess.  A fan of Butch Cassidy and the Sundance Kid, Ritchie knows how to get the best out of partnerships here, just as he did with his Sherlock Holmes movie series.

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The Magnificent Seven(1960) James Coburn and Steve McQueen

With Quentin Tarentino’s The Hateful Eight due in theaters in November, we can only hope Westerns have another shot at making a comeback.  Will a remake of one of the all-time, best-reviewed classic Westerns indicate other studios jumping on the bandwagon?

Actor Peter Sarsgaard (Green Lantern, Orphan, The Skeleton Key) is the latest addition to the cast of a remake of The Magnificent Seven being finalized for a 2017 release by MGM and Sony.  Based on a reworked script by Nic Pizzolatto (True Detective) and John Lee Hancock (Snow White And The Huntsman) from the classic John Sturges film starring Yul Brynner and Steve McQueen, the new version will be directed by Antoine Fuqua (The Equalizer, Shooter, King Arthur, Training Day).  The villain in the original 1960 story of an oppressed Mexican farming village seeking a small band of mercenaries for protection was played by Eli Wallach.

The only actor we think is missing from this remake is Dwayne “The Rock” Johnson, who we would cast as Brynner’s badass hero.  Still, the list of leading actors revealed so far is promising: Denzel Washington (2 Guns, Unstoppable, The Manchurian Candidate, Training Day, Philadelphia, Much Ado About Nothing), Chris Pratt (Guardians of the Galaxy, Jurassic World, Moneyball, Everwood), Vincent D’Onofrio (Men in Black, Jurassic World, Daredevil), Byung-hun Lee (Terminator Genisys, G.I. Joe: Retaliation, G.I. Joe: The Rise of Cobra, RED 2), Matt Bomer (White Collar, Tru Calling, Chuck), and Ethan Hawke (Gattaca, Dead Poet’s Society, White Fang, Alive, Training Day, Assault on Precinct 13) should come together to form an interesting ensemble cast.

Byung-Hun Lee in I Saw the Devil

Byung-Hun Lee on horseback in I Saw the Devil.

The 1960 cast was as gritty as they come:  Brynner and McQueen were joined by Charles Bronson, James Coburn, and Robert Vaughn with Brad Dexter and Horst Buchholz.

If you think a remake of one of the greatest Westerns of all time is a bad idea, recall that The Magnificent Seven itself was a remake of Akira Kurasawa’s equally superb The Seven Samurai from 1954, starring Takashi Shimura and Toshirô Mifune.  We’d also count Washington, Bomer, Hawke, Lee, and Pratt among our favorite actors in Hollywood, so this will be worth a shot.

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Gruffudd star of ABC Forever

We love good TV.  Nothing is better than looking forward each week to a show you can trust to have great writing and great acting.  We’ve made our way through several series again this year, trying out pilots for new shows and adding them into the DVR queue–if they made the cut.  Many didn’t.  We also re-try series that didn’t prompt us to watch in prior years.  Most lose out because they rely on shock over substance and storytelling.  Where we ended up was a list of what we love, and what we have recommended all year.  These series are our Best of the Best for 2014.

Our biggest disappointments?  The cancellations of the brilliant, futuristic Almost Human and the reboot of the TV classic Dallas–these shows were written by the best script writers around and will be sorely missed.  We hope you’ll give some of the following shows a try next year, or catch them on streaming media, if you’re not watching already.

Forever De la Garza and Gruffudd

ForeverBest TV Series, Best TV Fantasy Fix, Best Actor (Ioan Gruffudd), Best Actress (Alana de la Garza), Best Supporting Actor (Judd Hirsch), Best Villain (Burn Gorman).  Contenders for the year’s best series were easy to spot:  ABC’s Forever or NBC’s Gotham.  In years past at borg.com we have favored cable programming, yet this year the networks surged ahead with these two superb series.  Forever nudged out Gotham for top prize because of its straightforward storytelling, small talented cast, superb dialogue, and fun situations.  Ioan Gruffudd (Horatio Hornblower, Ringer, Fantastic Four) and Alana de la Garza (Law and Order) were perfect foils for each other in the lead roles, and each created compelling characters.  Judd Hirsch played son to younger Gruffudd’s unsinkable doctor and gave us the best father and son team on TV in years.  Burn Gorman’s chilling performances toward the end of this season were a great addition, setting us up for more fun next year.

Gotham clip

GothamBest TV Series Runner-up, Best Supporting Actress (Jada Pinkett Smith as Fish Mooney), Best Supporting Actor Runner-up (Donal Logue as Harvey Bullock).  NBC’s Gotham did many things we normally wouldn’t like, including taking source material and standing it on end and adding new characters to a classic story’s established cast.  Yet it all worked somehow with this intriguing re-imagining of Bruce Wayne’s backstory.  Catwoman and Batman were friends as kids?  The Penguin was a mole and stooge for key crime families?  Commissioner Gordon took Bruce Wayne under his wing as a child?  All of this worked, yet the best view into Gotham life was provided by Gordon’s partner, played by Donal Logue (Life, Vikings), and Jada Pinkett Smith’s sultry and ruthless gangster Fish Mooney.

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Eliza Dushku Tru Calling

Between 2003 and 2005, Fox aired one of the best supernatural thrillers to date. Fans of Eliza Dushku, missing her superb performance as vampire slayer Faith on Buffy the Vampire Slayer, could get their fix with Tru Calling.  After years of sitting on the shelf Tru Calling is finally being re-broadcast Wednesday nights on the Chiller cable network.

Eliza Dushku’s first starring vehicle of her post-Buffy days, Tru Calling had an excellent sci-fi premise, Medium meets Groundhog Day.  Medical student Tru (Dushku) gets a part-time job in the morgue and discovers that the recently deceased can ask for her help, causing her to relive their final days, in the hopes of saving their lives or solving their murders.

Tru Calling is one of those forgotten series that made our borg.com10 TV series that didn’t make it (but should have)” list back in 2011.   Lots better than Dushku’s role on Dollhouse, Tru Calling also was the first time we noticed many current genre favorites.  Tru’s co-worker mentor in the morgue was played by The Hangover‘s Zach GalifianakisMatt Bomer (White Collar, Chuck, Space Station 76) played Tru’s boyfriend.  But several more actors were barely known then, and featured in guest spots on the show.

Tru Calling

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Space Station 76 poster

It all looks good on paper: Patrick Wilson, star of Watchmen and Phantom of the Opera, Liv Tyler, star of The Lord of the Rings trilogy, Armaggedon, and The Incredible Hulk, and Matt Bomer, star of White Collar, all in a new sci-fi flick called Space Station 76.  The poster looks great.  Something is not quite selling it for me with the promotional blurb: A character-driven, domestic dramedy, which takes place in a 1970s version of the future, where personalities and asteroids collide.  With the success of Guardians of the Galaxy, which pulls a lot of its humor from 1970s music and references, you’d think this could be the right time for a national release.

Despite some pretty impressive early release images of 1970s-influenced sets, wardrobe, and space props, Space Station 76 is starting to look less like a campy Spaceballs or Galaxy Quest and more like the 2012 re-look at the past’s future Dark Shadows.

Space Station 76 clip

I’ve learned from enough reviews of films I didn’t like that buzzwords “black comedy” and “full frontal nudity” tend to refer to movies I wish I would have passed over.  Then I see a word like “dramedy” tacked on and it makes me question whether this is all supposed to be funny or serious.  I love a good mash-up, but a combination of too many disparate components can be like too many cooks in the kitchen.  I’m happy to fork over cash to see solid actors like Wilson, or Tyler, or Bomer in the theater–especially for a science fiction film, but I need to know more.

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White Collar wrapped its best run yet last night with a exciting cat and mouse story guest starring Beau Bridges as Agent Peter Burke’s mentor from the DC FBI office, in town to help Burke prove a missing treasure of lost art and artifacts was stolen by his friend and confidential informant, Neil Caffrey.  The treasure served as the back story for each of the episodes in this summer run, the first part of the third season of this USA network series.  But it is the relationship between the characters, and more than that the clear chemistry between Tim Dekay (Peter) and Matt Bomer (Neil Caffrey), DeKay and Tiffani Thiessen (Neil’s wife Ellie), Thiessen and Willie Garson (Mozzie), Bomer and Hilarie Burton (Caffrey’s girlfriend Sara), and Thiessen, Garson, Bomer and Dekay together that made a good first two seasons finally catapult this year into a sharp, witty, and intriguing spy and cop show.  For finally hitting its stride and achieving the potential we knew this show had in it, White Collar has become the best TV series this year.

Highlights of the season include the episode “Dentist of Detroit,” where a feared crime boss from Mozzie’s Detroit past is rumored to have surfaced in Manhattan, and we learn the details of Mozzie’s secret past.  What kind of name is Dentist of Detroit for a mob boss?  What’s scarier than a dentist?  Mozzie’s past is traced from his youth to today, and we get to see how this strange, little paranoid fellow became the savvy thief and con man we know and love.

In the penultimate episode of the season, “On the Fence,” Matt Bomer paired up with his former co-star of Tru Calling, Eliza Dushku, in her first solidly mature, adult television role, where she proved to stand on equal ground with every other actor on the show.  She played a stylish and “spicy” Egyptologist, who may or may not be a part of a shady underworld of trade in illegal artifacts.  A stolen amulet, the possible end to Neil’s best relationship to date, Neil wrestling with holding back from Mozzie the fact he has a copy of the manifest, the return of Peter’s kidnapper (Keller) from earlier in the series, and Mozzie’s steely tough decision to put a $6 million bounty on Keller’s head to protect Caffrey, all adds up to great TV watching.

In the second episode of the season, “Where There’s a Will,” Peter and Neil followed a treasure map to uncover the kidnapper of a little girl.  The team sleuths out a dead man who forged signatures on his own wills, Mozzie introduces the idea to sell the Degas out of the warehouse treasure, Mozzie brings in Peter’s dog Satchmo to an art gallery to create a diversion, the show introduces Anna Chlumsky as an art crimes expert coming to look at the partial treasure manifest who succombs to Caffrey’s charms, and clue after clue to determine who the kidnapper is makes this a standout episode for the series.

But the most enjoyable episode so far goes to the seventh episode of the season, “Taking Account,” where a computer hacker empties the entirety of a bank’s customer accounts, causing Caffrey and Sara to track down the hacker and steal the money back.  Sara and Neil then go on a crazy extravagant spending spree, and we get to go along for the ride.  Sara and Neil get to live it up, albeit briefly, as they predictably get found out by Peter.  A rousing and funny episode with all the characters and actors in top form.  The relationship between Neil and Sara seems to have definitively replaced the less interesting relationship between Neil and Kate, and hopefully we will see Neil and Sara rekindle their partnership in future episodes.

While its first two seasons were fresh and new, more episodes than not were just not memorable and the characters and story were struggling to find their footings.  But this year the producers, writers and cast finally amped up their game.  With any luck White Collar will hopefully continue its newly found momentum when it continues the 2011 season this winter.

C.J. Bunce

Editor

borg.com

By Elizabeth C. Bunce

Our DVR broke this week.  I won’t go into the trauma of missing the last installment of Zen on Masterpiece Mystery, or of losing the final three (still unwatched) episodes of the now cancelled Men of a Certain Age.  The upside of this technological crisis, however, was that it spurred us to unearth old TV favorites on streaming video from Netflix and break out some DVDs.  There’s always something kind of bittersweet about that, though, especially running across old friends that were cancelled well before their prime, and in some cases even before they quite hit their stride.  And so, in memoriam, tonight borg.com will spotlight a few of our genre favorites that were cancelled too soon.

Life (2007-2009/NBC/21 episodes)
NBC’s short-lived quirky police procedural about a mild-mannered homicide detective wrongfully convicted of murdering his partner’s entire family starred English actor Damian Lewis (Assassin in Love, Showtime’s new series Homeland) and Sarah Shahi (USA’s Fairly Legal).  Its offbeat mix of gruesome murders and weird-but-lovable cast members was probably a little too offbeat for most viewers, but we loved Lewis’s Zen-meditating Charlie Crews and his efforts to fit back into his life and job after eleven years in prison and an undisclosed multimillion dollar settlement with the LAPD.  An intriguing series-long mystery plot (who really killed Crews’s partner?) might have made it more difficult for new viewers to join mid-season (although we had no trouble getting hooked after just one episode), but was thoughtfully resolved in the series finale.  Standout performances by Donal Logue and Adam Arkin only compound our sense of loss for this series.

The Riches (2007-2008/FX/19 episodes)
Before the days of Breaking Bad and Sons of Anarchy, FX broke every rule of tasteless TV in this outrageous series about a family of Travellers trying to make it as “buffers” in an upscale suburban neighborhood, after assuming the identities of a family killed in a car accident.  Starring standup comic Eddie Izzard as title character “Doug Rich,” and Minnie Driver (Phantom of the Opera), The Riches featured scams, drug abuse, murders, robbery, and a host of other illicit goings-on–and that’s just by the heroes!  Alternately appalling and hilarious, ultimately The Riches just couldn’t hold on to its early impressive ratings, and was cancelled after only 19 episodes, leaving loyal viewers without even a semblance of closure to the Riches’ compelling storyline.

Tru Calling (2003-2005/Fox/26 episodes)
Eliza Dushku’s first starring vehicle of her post-Buffy days, Tru Calling had an excellent sci-fi premise, sort of Medium meets Groundhog Day.  Medical student Tru (Dushku) gets a part-time job in the morgue and discovers that the recently deceased can ask for her help, causing her to relive their final days, in the hopes of saving their lives or solving their murders.  Co-starring The Hangover‘s Zach Galafianakis in a wonderful role as Tru’s morgue mentor, and White Collar’s and Chuck’s Matt Bomer as Tru’s love interest, Tru Calling was gearing up for great things, the mysteries surrounding Tru’s power only building, just as the series was unceremoniously axed by Fox.

Eleventh Hour (2008-2009/CBS/18 episodes)
This American adaptation of the even-shorter-lived BBC medical thriller (with Patrick Stewart) starred accomplished English actor Rufus Sewell (Zen, Knight’s Tale, Pillars of the Earth) as Dr. Jacob Hood, FBI consultant solving baffling scientific crimes.  Not an outstanding series by any standards, Eleventh Hour was nevertheless competent and entertaining, and one had the feeling that the performers were better than the material they had to work with.  I firmly believe the show could have gotten even better, but it was trapped in a dead-end timeslot (Thursdays at 10 pm) and ultimately failed to interest the CSI viewership the network hoped would bolster ratings.

The Dresden Files (2007/SyFy/12 episodes)
I’m still stinging from the cancellation of this great adaptation of Jim Butcher’s bestselling urban fantasy series. Starring the always-solid Paul Blackthorne (guest appearances in Burn Notice, Monk, Leverage, Warehouse 13, and others), the show featured excellent writing, engaging paranormal storylines, and an absolutely winning cast, but wasn’t given the same network or fan support of later SyFy hits like Warehouse 13 or Eureka. Fortunately, all twelve episodes are currently available via streaming video on Netflix.

Tomorrow, C.J. Bunce will continue the list with the rest of our list of TV series that ended too soon.