Tag Archive: Matt Reeves


This week two brief videos will leave most people scratching their heads and asking, “Why bother?”  The first, for The Batman, released by writer-director Matt Reeves (who we hold out hope for because he wrote and directed the great vampire love story Let Me In), is a “camera test,” which appears more like an early lighting and costume test where you can glimpse new bat actor Robert Pattinson in his batsuit.  The second is from Netflix, and it’s an overly long scene of a Russian prison work detail resulting in the appearance of David Harbour as a thinner, gaunt, exhausted Jim Hopper, spoiling any surprise that the character was really killed in the final episode of the last season of Stranger Things (C’mon, you knew he wasn’t going to be dead for long).  Some will applaud one or both.  Others will sneer.  Where will you land?  (Psst.  There’s no wrong answer).

What are these things anyway?  Barely teasers, the purported “camera test” for The Batman is more “trial balloon,” an intentional vehicle for starting buzz, good or bad, so potential audiences get accustomed to yet another revamp of the batsuit and actor.  Literally thousands of podcasters have already manipulated the image of Pattinson in many ways to try to glean something worth discussing (not surprisingly with little to say).  We already knew it takes some effort to find an artist that has drawn Bruce Wayne that in any way resembles the co-star of The Lighthouse, Harry Potter and the Goblet of Fire, and the Twilight vampire movies.  And–big surprise–David Crossman and Glyn Dillon′s new costume design looks like another batsuit of the sharp-angled, action figure toy variety (toys = sales = more $) instead of something out of the comics pages.  And current movie go-to composer Michael Giacchino offers another repeated bass line with drum set in the background to back it all up.  Our wish?  We just want Warner Bros. to finally get the voice of Batman right and skip that goofy, dry, smoker voice and coughed-out dialogue.  Let’s hear him say, “I’m Batman.”

The Stranger Things video is out there to whet appetites of fans who won’t see the series return for another year.  But did the fans need to know Hopper wasn’t dead before the fourth season was ready to go?  Here’s an idea:  If you’re going to cast against type, as they’ve done for The Batman, why not really have some fun and give us David Harbour as Batman?  Sure, Harbour is playing a Russian superhero in the summer Black Widow movie from Marvel Comics, but audiences won’t care.  Let’s really have some fun.  Or give Pattinson the role of a superhero he really looks like: Wolverine.  They need a new younger actor for the role in the new Marvel Cinematic Universe, right?

Oh, well.  Watch–or don’t–you’re not missing much!  Here are the two brief, too-brief videos for The Batman and Stranger Things:

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Review by C.J. Bunce

If you have been watching closely, you may notice that streaming platforms, pay channels, and cable networks rely on hit movies for the bulk of their replays.  Try to find some of your favorites outside the mainstream on Netflix, for example, and you’re likely to find mostly films made since streaming itself started to be a thing.  Starz has been one monthly pay channel option that is slowly bringing back more obscure films from the past 50 years, films like Outland and Wolfen.  Another you may have missed is Let Me In from a decade ago, another of those rare genre-bending films that–if you’re lucky enough to just stumble across it–is the kind of film to remind you why you love genre films.  It stars twelve-year-old actors Chloe Grace Moretz and Kodi Smit-McPhee in powerful breakout performances, the same year Moretz would deliver one of the big screen’s best superheroine performances as the cute but foul-mouthed Hit Girl in the movie Kick-Ass with Nicolas Cage, and just after Smit-McPhee would co-star in the dystopian film The Road with Viggo Mortenson.

Is it horror, an early 1980s coming-of-age tale, a love story, crime-suspense, a story of an abusive father, or something more (as Starlord might say, “a bit of both”?).  If you enjoy not knowing what genre of film you’re jumping into, this is for you.  Like Midnight Special, Skeleton Key, 12 Monkeys, and The Others, much of the film will creep by before you even have any certainty as to what is “really” going on.  Writer-director Matt Reeves, who brought audiences the Cloverfield series and the latest Planet of the Apes movies and is working on The Batman for 2021, mixes some truly dramatic moments into Let Me In, while also adding the next must-watch for coming of age movies, suspense-thrillers, horror, and romance.  Just as James Mangold delivered a father-daughter love story in Logan, Reeves puts his own stamp on a compelling tale of a boy and the girl next door.

The clues Reeves delivers along the way will be more obvious to some than others.  Donnie Darko, Fargo, Logan, The Outsiders–Don’t be surprised if Reeves’ deftly drawn scenes evoke feelings from all sorts of big films.  Disturbing, poignant, triumphant, chilling.  You might even get twisted into feeling a certain sympathy for one of the film’s creepier characters.  A police detective played by Elias Koteas (Shooter, Zodiac, Gattaca) will have you think you’re following Mark Ruffalo’s character in another Zodiac movie.

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If you want to see a good argument for enforcing antitrust policy against mega-sized media corporations, here’s one.  Along with so many other change-ups, delays and cancelations, add Fox’s big-(estimated $170 million) budget Mouse Guard movie to the list.  The writer, artist, and visionary creator of the Mouse Guard universe, David Petersen announced the news back in April, two weeks before the scheduled filming date.  Reportedly Disney directed new subsidiary Fox to cancel the film.  No reasons were announced, but it’s difficult to surmise any reason other than a coordinated effort to own the theater box office with its own projects.  Just how much work had already been done?  How big was this film going to be?  Director Wes Ball (The Maze Runner) and Petersen released two videos over social media this week (and more participants have since released even more great pre-production content) that paint a picture that will leave you feeling like audiences have been out-right robbed.

The first video includes a pan of the offices where the pre-production previz work was already completed, including miniatures, maquettes, dioramas, costumes, performance capture and CG-mock-ups, and thousands of pieces of compelling concept art lining the work area walls.  You really get a sense for what audiences will be missing with the second video, another development piece for sure, yet even as a demo or “sizzle reel,” anyone who is a fan of fantasy movies can see this was going to be something entirely new.  Matt Reeves (The Batman, Planet of the Apes reboots) was producing.  Artist Darek Zabrocki was one of many artists who created thousands of pieces of concept art (see above and below) to push the film forward (see Zabrocki’s Instagram account here for several images).  Rogue One: A Star Wars Story screenplay writer Gary Whitta′s script was in-hand (he’s now released it via his Twitter account for everyone to read here).  Composer John Paesano had his first theme in play with a warrior’s quest-evoking theme in a James Horner/Randy Edelman vibe (listen to it here).  It was all just ready for Weta to step in and take over with production, and wham, that House with the Mouse slammed the door.  But it looks like no other mice will suffice for Disney.  So Fox will either sit on the rights, sell them, or the rights will revert in a few years.  All these pre-production pieces will likely get warehoused until they get auctioned off for space reasons down the road as happens with studios (studio storage is expensive!), unless another studio or filmmaker steps in with some money (Peter Jackson?  Guillermo Del Toro?  The Jim Henson Company?).  But we seem to already be past the eleventh hour for that to have happened.  On the one hand, outsiders will never know why the decision was made, corporations make these calls for all sorts of business reasons.  But what is clear is that without the approval of that mega-merger of behemoth media empires, this expression, this idea, this story, this vision, would be coming to your local theaters soon.

Voice actors enlisted for the film included Idris Elba, Thomas Brodie-Sangster, Jack Whitehall, Samson Kayo, and Andy Serkis.  In the meantime, Petersen keeps creating, new Mouse Guard and other worlds.  Petersen’s comics and compilation hardcover editions, along with his version of The Wind and the Willows, are the picture books I have purchased more than any other for gifts–ever.  His artwork is fantastic, fantastical, and magical, and it came as no surprise when he announced a film in the works back in 2016.  Petersen’s Dark Crystal and Teenage Mutant Ninja Turtle comic cover art also has him as a contender for the year’s best cover artist.  Mouse Guard is one of those rare worlds in my lifetime that evokes the wonder of Jim Henson, the creativity of J.R.R. Tolkien, and the gravity and import of Mr. Rogers.

Enjoy the little of the film we get to see, these great videos released by Ball and Petersen:
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The granddaddy of American genre franchises offers up its next entry next week.  Billed as the final chapter, War for the Planet for the Apes at a minimum will bring the reboot universe into a complete trilogy story, focused on star Andy Serkis as Caesar.  The story continues two years after the events in Dawn of the Planet of the Apes (directed by Reeves), the sequel to the first of the reboot series, Rise of the Planet of the Apes (co-produced by Clark).  So unlike many franchises these days, the same people are creating the beginning, the middle, and the end.  Thanks to director Matt Reeves and producer Dylan Clark, we should have some continuity among the films.

War for the Planet for the Apes introduces to the films Woody Harrelson as a military leader bringing mankind’s last stand to the apes.  War for the Planet of the Apes co-stars Karin Konoval (The X-Files, Tru Calling, Fringe, Supernatural, Psych, Arrow), Judy Greer (Ant-Man, Tomorrowland, Jurassic World), Chad Rook (Timeless, Supernatural), Ty Olsson (Continuum, Supernatural, Battlestar Galactica) and Steve Zahn (That Thing You Do!, Sahara).  

The final poster is out (above, top) and a few more trailers revealed.  We have a full scene below featuring the introduction of Zahn, known for his comedic performances, revealed as a new ape referred to as “Bad Ape,” a reference given by humans while he was kept at a zoo.  Quickly we see what all the buzz is about with respect to the show’s special effects and Andy Serkis’s unique acting talent.  Will the Academy of Motion Picture Arts and Sciences award Serkis with a full acting Oscar, breaking the barrier for motion capture performances?  Also, make sure you watch below the very sly teaser of sorts incorporating what looks at first blush to be someone’s YouTube upload from a visit to a zoo.  First up, here is a great look behind the scenes at the motion capture technology and Andy Serkis’s role:

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Theaters in the U.S. and the U.K. will see an opening night triple feature next month leading up to this summer’s blockbuster War for the Planet of the Apes.  AMC and Cinemark have already started selling tickets for their shows beginning this weekend.  The night will begin with 2011’s Rise of the Planet of the Apes followed by 2014’s Dawn of the Planet of the Apes, and end with the premiere of the latest film in the popular franchise that has surprised audiences for 50 years.

The first film will be screened in 2D with the later films screened in Real 3D.  It’s nearly eight hours of damned dirty apes, but we’re thinking you’ll be cheering them on in the newest film, the ninth theatrical release in the series and third of the reboot movies.

The granddaddy of American genre franchises offers up its next entry with star Andy Serkis reprising his role as Caesar, with director Matt Reeves and producer Dylan Clark.  The story continues two years after the events in Dawn of the Planet of the Apes, also directed by Reeves, the sequel to the first of the reboot series, Rise of the Planet of the Apes (Dylan Clark was a producer on that film, too).  The film introduces Woody Harrelson as an arrogant military leader bringing mankind’s last stand to the apes.  War for the Planet of the Apes also stars Karin Konoval (The X-Files, Tru Calling, Fringe, Supernatural, Psych, Arrow), Judy Greer (Ant-Man, Tomorrowland, Jurassic World), Chad Rook (Timeless, Supernatural), Ty Olsson (Continuum, Supernatural, Battlestar Galactica) and Steve Zahn (That Thing You Do!, Sahara).

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WETA’s perfected motion capture technology is sure to drive fans of one of science fiction’s most enduring franchises to the theaters this summer when War for the Planet of the Apes takes the planet by storm.  The third installment of the reboot Planet of the Apes movie series now has a second trailer.  The granddaddy of American genre franchises offers up its next entry with star Andy Serkis reprising his role as Caesar, with director Matt Reeves and producer Dylan Clark.

The story continues two years after the events in 2014’s Dawn of the Planet of the Apes, also directed by Reeves, the sequel to the first of the reboot series, 2011’s Rise of the Planet of the Apes (Dylan Clark was a producer on that film, too).  The film introduces Woody Harrelson as an arrogant, General Custer-esque military leader bringing mankind’s last stand to the apes.  He doesn’t look all that sympathetic, and we’re sure we will be cheering for the apes in this picture.  Caesar and orangutan Maurice (Karin Konoval) lead a raid on a village of humans and it looks like certain doom for the humans.  As fans of the series know, when an outcome is inevitable, it’s quality story telling and effects that will be key to making this a great film.

War for the Planet of the Apes also stars Judy Greer (Ant-Man, Tomorrowland, Jurassic World), Chad Rook (Timeless, Supernatural), Ty Olsson (Continuum, Supernatural, Battlestar Galactica) and Steve Zahn (That Thing You Do!, Sahara).

Here is the second trailer for War for the Planet of the Apes:

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Motion capture fans take note: WETA looks like it has perfected the technology and we have plenty of great special effects to look forward to in War for the Planet of the Apes. The third installment of the reboot Planet of the Apes movie series now has a full trailer. The granddaddy of American genre franchises offers up its next entry with star Andy Serkis, director Matt Reeves, and producer Dylan Clark.  Serkis is again Caesar, the star character of the original movie series.

The story continues two years after the events in 2014’s Dawn of the Planet of the Apes, also directed by Reeves, the sequel to the first of the reboot series, 2011’s Rise of the Planet of the Apes (Dylan Clark was a producer on that film, too).  The film introduces Woody Harrelson as what appears to be an arrogant, General Custer-esque military leader bringing mankind’s last stand to the apes.  He doesn’t look all that sympathetic, and we’re sure we will be cheering for the apes in this picture.  Caesar and orangutan Maurice (Karin Konoval) appear to lead a group of armed apes to raid a village of humans, or it the other way around?

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War for the Planet of the Apes also stars Judy Greer (Ant-Man, Tomorrowland, Jurassic World), Chad Rook (Timeless, Supernatural), Ty Olsson (Continuum, Supernatural, Battlestar Galactica) and Steve Zahn (That Thing You Do!, Sahara).

Here is the first full-length trailer for War for the Planet of the Apes:

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The Jungle Book.  The Hobbit.  Winnie the Pooh.  The Last Unicorn.  Mrs. Frisby and the Rats of NIMH.  The Dark Crystal.  Mouse Guard.

There is an exclusive royalty of fantasy tales featuring non-humans in fantastical realms.  These books and movies should be on the bookshelves of everyone with an imagination.  Strange worlds familiar and yet unfamiliar.  Steeped in tradition, filled with myths and legends and populated by extraordinary creatures.  These are fantasy masterpieces that make us look beyond our humanity.

Based on a world of characters he created in college in 1996, in May 2005 artist and writer David Petersen self-published the first of several stories of his micro-universe called Mouse Guard.  In 2006 Archaia started publishing Mouse Guard issues  books.  Petersen earned the 2007 Russ Manning Award for Most Promising Newcomer, and in 2008 he earned Eisner Awards for Best Publication for Kids (Mouse Guard Fall 1152 & Winter 1152) and Best Graphic Album – Reprint (Mouse Guard Fall 1152 Hardcover).  We at borg.com have been bragging up Petersen’s Mouse Guard series from the beginning.

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This month Archaia is releasing the first Mouse Guard Coloring Book, and we have previews of the book below.  It is a fantastic book to go crazy with crayons or pencils.  But it’s even more.  The more than fifty black and white illustrations in a format larger than what is printed in the Mouse Guard series shows the intricate detail of the environments, cities, and characters from across the Mouse Territories.  Although some images are printed smaller than the original artwork behind these previously published works, this is the closest you may come to getting your hands on an affordable gallery of Petersen’s original pencil and ink drawings.  At a convention commissioned inked 7×7 works from David Petersen go for $500.  Original Mouse Guard pages sold for that amount a decade ago but would sell for at least triple that today.  So this coloring book serves also as a look at what Petersen sees with his original art pages, as well as a great convention sketchbook.  And costs less than $15.

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The third installment of the reboot Planet of the Apes movie series now has a teaser to go with its name.  The wordy-but-consistent with the franchise title War for the Planet of the Apes was featured at New York Comic Con today, with star Andy Serkis, director Matt Reeves, and producer Dylan Clark revealing the teaser plus a scene showcasing Serkis’s lead character Caesar taking on a new nemesis.

Woody Harrelson plays an aggressive ape leader referred to as Colonel.  The film pits the Colonel against lead protagonist ape Caesar, with plenty of sparring over the course of the film.  In the brief clip shown to Con attendees, Caesar and orangutan Maurice (Karin Konoval) lead a group of armed apes to raid a village of humans.  The story continues two years after the events in 2014’s Dawn of the Planet of the Apes, also directed by Reeves, the sequel to the first of the reboot series, 2011’s Rise of the Planet of the Apes (Dylan Clark was a producer on that film, too).

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Matt Reeves, Andy Serkis, and Dylan Clark before the release of the teaser in Times Square Thursday. (Andy Serkis, Twitter)

War for the Planet of the Apes also stars Judy Greer (Ant-Man, Tomorrowland, Jurassic World), Chad Rook (Timeless, Supernatural), Ty Olsson (Continuum, Supernatural, Battlestar Galactica) and Steve Zahn (That Thing You Do!, Sahara).

Here is the teaser for War for the Planet of the Apes:

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Art of the Films Planet of the Apes cover

Review by C.J. Bunce

We all know the apes win and rule the Earth from the original novel and film Planet of the Apes.  But how do they get there?

Not intended as a post-apocalyptic story as much as a chronicle of the birth of an ape civilization, Rise of the Planet of the Apes and its July 2014 sequel Dawn of the Planet of the Apes are films that manage to have no villains–by design–where the viewer can empathize with both the human and ape characters equally based on the characters’ histories and individual viewpoints.  Writers Sharon Gosling and Adam Newell have created a deluxe volume documenting the art and design of both movies with the newly released Planet of the Apes: The Art of the Films Rise of the Planet of the Apes and Dawn of Planet of the Apes.

The Planet of the Apes reboot was an outgrowth of the technologies emerging from Weta New Zealand’s work on The Lord of the Rings franchise, coupled with Andy Serkis’s experience playing Gollum as a motion capture character, and later the giant gorilla King Kong, Serkis was uniquely suited for the role of the sci-fi classic character Caesar from the original novel and film.  The crew credits the acting and chemistry of Serkis and co-star James Franco in part with the success of the reboot of the Planet of the Apes franchise in 2011’s Rise of the Planet of the Apes.

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The challenge for the sequel Dawn of the Planet of the Apes?  For the first time in film history, digital characters finalized in a post-production process would be realized by total performance motion capture of actors initially, and not on a separate green screen soundstage, but alongside live-action characters on a standard movie set as well as on location.

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