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Tag Archive: Mayes Rubeo


 

Fans of director Yimou Zhang′s international mega-production The Great Wall didn’t need to go all the way to the Great Wall of China to have a chance at obtaining a piece of the 2016 film this past week.  Auction house Prop Store′s Los Angeles location joined with Legendary Entertainment to offer 477 lots of both key and background costumes, armor, prop weaponry, and set pieces from the first partnering of the United States and China on a giant blockbuster film.  The Great Wall is a Chinese dynasty fantasy set at the famous landmark, merging giant battles and action with the mega-sized monster genre, pairing China’s biggest stars with an international cast, backed by a crew from 100 countries.  Although the movie received mixed reviews from critics, what can’t be denied are the visual concepts and craftsmanship of New Zealand’s Weta Workshop and Mexican costume designer Mayes Rubeo, who designed imagery for the film never seen before.  Check out our review of the movie here at borg back in 2016, along with Abbie Bernstein’s ground-breaking book The Great Wall: The Art of the Film (reviewed here).

Weta Workshop kitted out the armies of The Great Wall with an arsenal of color.  The workshop design studio rendered more than a thousand concepts for the film, with 6,000 final weapons used by the key cast and 600 extras, including shields, spears, axes, daggers, crossbows, swords, and arrows featured in the auction.  Mayes Rubeo, known for her designs in Thor: Ragnarok and Avatar (and she created costumes for both the original Total Recall and the halted Mouse Guard live-action movie), utilized historic Chinese fabrics, textiles, techniques, hand embroidery and applique, and leathers in each costume with about 18 components per person, all featuring an animal and unique color combination: the blue crane corps, red eagle corps, gold tiger corps, black bear corps, and purple deer corps.

 

It should be no surprise that the top costume sales went for the two stunning, blue, armored costumes worn by the film’s Chinese star Tian Jing as Commander Lin Mae.  Featuring sheathed swords, helmets, leg daggers, feathered suit and hard armor, they sold for slightly more than $9,000 and $17,500 each.  Other hero costumes that sold included Matt Damon as William costume variants ($1,687, $2,625, $4,375 and $5,125), The Mandalorian actor Pedro Pascal′s character Tovar’s costumes ($937, $1,625, and $1,687), Willem Dafoe′s character Ballard ($344, $531, $875, and $1,437), General Shao’s (Zhang Hanyu) black armor ($2,187 and $4,500), Commander Wu’s (Eddie Peng) gold armor ($2,750 and $4,250), Commander Chen’s (Kenny Lin) red armor ($2,250 and $3,875), Commander Deng’s (Xuan Huang) purple armor ($1,625 and $3,875), and Strategist Wang’s (Andy Lau) costumes ($1,000 and $2,500).  A variety of historically-inspired, ornate hero (lead actor-used) swords ranged from $400 to $3,875 for one of the swords unique to Tian Jing.

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Review by C.J. Bunce

Following up on its successful look behind the entire Star Wars saga in The Moviemaking Magic of Star Wars: Creatures and Aliens (reviewed earlier here at borg), Abrams Books is bringing home the characters of Avengers: Endgame and the Marvel Studios long journey to get there in its new release The Moviemaking Magic of Marvel Studios: Heroes and Villains Incorporating its trademark interactive Cinemagic features, including booklets, interactive flaps, and accordion fold-out images of the concept art behind every major Marvel Studios superhero, Abrams has nicely timed this book for fans of the franchise who can’t get enough of the latest MCU film.  Full of color photographs and interviews with the producers, directors, art designers, costume and prop makers, and special effects magic makers behind the 21 films leading up to Avengers: Endgame, writer Eleni Roussos (The Art of Black Panther, The Art of Thor: Ragnarok) has pulled together behind the scenes insights that offer something new for even the most diehard fan.

Which characters wore practical, real-life costumes and armor, and which required motion capture and/or CGI effects?  What was the key element included in Marvel’s Avengers that Joss Whedon required to be added before he agreed to direct the film?  What do the contributors agree was the smartest strategic decision made for the Marvel films?  How did each artist convert the character from the comic book page to the finally constructed costume that appeared on the big screen?  What effects were the most challenging for each film?

Altogether The Moviemaking Magic of Marvel Studios: Heroes and Villains spotlights more than 100 individual superheroes, on-screen support crew, and the most colorful and memorable villains from the series, with significant creative and visionary contributions from Marvel Studios president Kevin Feige, directors Anthony Russo, Joss Whedon, and Peyton Reed, visual development executive Ryan Meinerding and artist Andy Park, and costume designers Rebecca Gregg, Laura Jean Shannon, Mayes Rubeo, Alexandra Byrne, Anna B. Sheppard, Judianna Makovsky, Sheldon Differ, Louise Frogley, and Ruth Carter.

Take a look at this giant preview of The Moviemaking Magic of Marvel Studios: Heroes and Villains below, courtesy of Abrams Books:

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