Review by C.J. Bunce
Oliver Queen was dead, to begin with.
The average superhero fan today probably wouldn’t know Oliver Queen today but for three events: (1) the modernization of the character by writer Dennis O’Neil and artist Neal Adams in the 1970s, (2) his update to urban longbow hunter by writer/artist Mike Grell in the late 1980s and early 1990s, and (3) the literal resurrection of Oliver Queen in the early 2000s by the partnership of writer Kevin Smith, penciller Phil Hester and inker Ande Parks. No TV series would have arrived without the survival of the character thanks to these stories–reprinted and available in a deluxe hardcover for the O’Neil/Adams stories here
Absolute Green Arrow, available here
Hester and Parks did shading and shadows like nobody else. Original art seen in full color as published in Absolute Green Arrow.
The first ten chapters form the “Quiver” story arc, and the last five the “Sounds of Violence” arc. This is the entire run of Kevin Smith’s stories for Green Arrow. Phil Hester took over writing and artistic duties for the next several issues with even better stories than found in these early chapters. But these Smith stories present a Green Arrow in a way a bit like Frank Miller played with Batman’s mythology in The Dark Knight Returns. Smith’s Green Arrow is not as innovative as the seminal Miller work, but it’s plenty fun, and each new chapter feels like Smith saw this opportunity to play with DC Universe characters like a kid in a toy store. You’ll encounter the Justice League, memorable encounters with Aquaman and Hawkman, and even a quirky adventure featuring Stanley and his Monster. Former sidekicks Roy Harper and Connor Hawke are here, too, but most importantly Oliver Queen rebuilds his relationship with long-time love interest Dinah Lance aka Black Canary. Difficult to come back from after being presumed dead.
