Michelle Pfeiffer

Tag Archive: Michelle Pfeiffer

Barbarella –New series continues the intergalactic adventures of Jean-Claude Forest’s 1960s heroine

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July 6, 2021

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Review by C.J. Bunce

After an earlier, year-long reboot series, a holiday special, and a great mash-up with Edgar Rice Burroughs’ Dejah Thoris, space vixen Barbarella gets a new monthly series at Dynamite Entertainment beginning this month. Following writers Mike Carey, Jean-Marc Lofficier, and Leah Williams, the future of the cult sci-fi icon in the new series Barbarella is in the hands of Portuguese-American sci-fi writer Sarah Hoyt in her first comic book series with artwork supplied by Madibek Musabekov. The big news comic book collectors will want to be aware of is a variant cover by Brian Bolland, his first for Dynamite. Despite the prior, more adult-themed incarnations of Barbarella, the monthly series is targeted at teen+ audiences, and the racy bits are only suggestive. But that doesn’t stop Musabekov from creating some daring–and goofy–futurist artwork, and a host of cover artists stepping up to give sci-fi fans something for everyone.

Check out covers for the first three issues of the new Barbarella series below.

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DC, Warner Brothers, and Fathom Events launch marathon to celebrate 30th anniversary of Tim Burton’s Batman, 80 years of the caped crusader

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April 8, 2019

It’s a twofold celebration: It’s not only the 80th anniversary of the first appearance of Batman, it’s also the 30th anniversary of director Tim Burton’s visionary film, 1989’s Batman, starring Michael Keaton, Jack Nicholson, and Kim Basinger. On this year’s Free Comic Book Day, May 4, Fathom Events has pulled together the first of the four original Warner Brothers Batman movies: Burton’s Batman and Batman Returns, and Joel Schumacher’s Batman Forever and Batman and Robin. The four Bat-films will screen over four days as part of Fathom Events’ Batman 80th anniversary marathon.

My sister and I saw Batman on its opening night in June 1989, and stayed in our seats to watch it again. The crowd erupted at every scene that revealed something iconic from the comics, but nothing compared to the ovation with the first appearance of the new Batmobile. The excitement makes sense–audiences hadn’t been dazzled with superheroes on the screen in this way since Christopher Reeve appeared in 1977’s Superman, more than a decade before. On the heels of Frank Miller’s success with the surprisingly dark and gritty four-issue mini-series The Dark Knight Returns in 1986, it was still a surprise when audiences got their first glimpses at Burton’s similarly dark, Gothic vision for the film. His choice of then comedic actor Michael Keaton for Bruce Wayne and Batman drew the same kind of ire as any outside-the-box announcement today. But Keaton was trying to show he had a different side, as demonstrated by his recent dark and outrageous role in Beetlejuice followed by his dramatic film Clean and Sober. As for Jack Nicholson, everyone just wanted to seem him play the role his smile was made for, as the crazed, maniacal, murderous jokester The Joker.

So if you missed them the first time, you get Danny Elfman′s defining theme, plus Michael Keaton, Val Kilmer, and George Clooney as Batman, Alicia Silverstone as Batgirl, Chris O’Donnell as Robin, plus an arsenal of villains: Jack Nicholson as The Joker plus Michelle Pfeiffer as Catwoman, Danny DeVito as The Penguin, Jim Carrey as The Riddler, Tommy Lee Jones as Two-Face, Uma Thurman as Poison Ivy, and Arnold Schwarzenegger as Mr. Freeze. And all four movies have in common Michael Gough as Alfred and Pat Hingle as Commissioner Gordon.

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Ant-Man and the Wasp–Ant-Man sequel brings the fun, laughs, and heart back to the MCU

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July 7, 2018

Review by C.J. Bunce

Iron Man, Spider-Man, and the Hulk haven’t done it. Along with Captain America and Thor, now Ant-Man adds another Marvel Cinematic universe film that matches the spirit of its first solo film. That’s Ant-Man and the Wasp, premiering this weekend in theaters across the U.S. If you count Ant-Man as one of your favorite films of the MCU, you won’t be disappointed in the sequel. As with the original, Ant-Man and the Wasp is the rare superhero movie that will appeal to all ages of moviegoers–not a single scene will pollute the minds of the littlest kid, and for the older generation that loved that classic sci-fi trope from The Incredible Shrinking Man, moviegoers don’t need to follow the MCU to jump right into this film. Better yet, Ant-Man and the Wasp has heart like nothing else on the big screen from Marvel, except for Paul Rudd’s first adventure as Ant-Man only three years ago.

For those not paying close attention, this film takes place before the events of Avengers: Infinity War, and two years following the events of Captain America: Civil War. Each of the character-led superhero films have those elements special to that character. The trademarks of Ant-Man return for this sequel: a slightly daft and bumbling hero (played by Rudd) enjoying his superpowers, a friend whose rapid-fire banter steals every scene (played by Michael Peña), a romantic co-lead ready to bust out and make her own name (played by Evangeline Lilly), even more cutting edge special effects that show today’s actors playing scenes looking just as they did 20 years ago, and the return of the great Michael Douglas with every bit the acting chops he had back in his The China Syndrome, Coma, and Romancing the Stone days as the incomparable Dr. Hank Pym, the original Ant-Man. Rudd’s Scott Lang has only three days left under house arrest before regaining his freedom, as Dr. Pym and daughter Hope (Lilly) attempt to secure the last piece of technology required to try to reach Pym’s wife, long ago left in the quantum realm. But they aren’t the only ones after this new technology.

The film doesn’t stop at mere fan service, bringing in three new characters that take the quantum universe story arc from the first film into new territory. That’s Michelle Pfeiffer as Dr. Janet Van Dyne–the original Wasp, Laurence Fishburne as former Pym colleague Dr. Bill Foster, and a stunningly good MCU debut by Hannah John-Kamen–at last in a major big screen role after playing supporting characters this year in Tomb Raider and Ready Player One. John-Kamen’s character has the same fierce grit and badass determination as Tessa Thompson’s Valkyrie in Thor: Ragnarok, and like Valkyrie, we hope she’s back in the sequel to Avengers: Infinity War next year. As with Thor: Ragnarok, Ant-Man and the Wasp brings the comic book page to life, and like Black Panther, the film has an antagonist you may find yourself rooting for. And make no mistake, Lilly’s Wasp could take over the reins from Black Widow as Marvel’s lead superheroine.

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First look–New poster and trailer for Ant-Man and The Wasp

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May 1, 2018

One more Marvel Studios film is still on its way in 2018, and with the success of Avengers: Infinity War breaking the best weekend opening box office record, moviegoers will be ready to dive back in for more. Ant-Man and The Wasp will take a step back, at least in part, before the events in Infinity War, with Ant-Man Scott Lang (Paul Rudd) on house arrest after damaging the airport as Giant Man during that spectacular action sequence in Captain America: Civil War. Lang was enlisted to help Team Cap by The Falcon (Anthony Mackey) after his run-in with The Falcon in 2015’s Ant-Man. That movie is also where we last saw Michael Douglas’s original Ant-Man, Dr. Hank Pym, and his daughter, Evangeline Lilly’s Hope van Dyne.

The first full trailer (previewed here) gave us a look at Ghost, portrayed by Hannah John-Kamen (Ready Player One, Tomb Raider), but with her mask, and we now see her without the mask in the official movie poster (above), just released. We also now have our first look at Michelle Pfeiffer (Murder on the Orient Express, Wolf, Batman Returns) as Hank Pym’s wife, Dr. Janet van Dyne, the original superheroine who was lost in the Quantum Realm decades ago.

And Marvel Studios just released a second trailer for Ant-Man and The Wasp, and all signs point to another hit for Marvel. We met the characters in the first film and now, origin story behind us, audiences will get to watch them take off. So with no more ado, check out the new trailer (plus the teaser) for Ant-Man and The Wasp:

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The borg.com Best of 2017–The Year’s Best Movies

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December 27, 2017

When we created last year’s preview of 2017 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best. All year we tried to keep up with what Hollywood had to offer and honed in on the genre content we thought was worth examining. We went back and looked at it all and pulled together our picks for our borg.com annual Best Movies of 2017.

As always, we’re after the best genre content of 2017–with our top categories from the Best in Movies. There are thousands of other places that cover plain vanilla dramas and the rest, but here we’re looking for movies we want to watch. What do all of this year’s selections have in common? In addition to those elements that define each genre, each has a good story. Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.

Come back later this week for our TV and print media picks, and our annual borg.com Hall of Fame inductees. Wait no further, here are our picks for 2017:

Best Sci-Fi Fix, Best Sci-fi Movie, Best Costume Design – Valerian and the City of a Thousand Planets. The Valerian and Laureline comic books turned 50 and brought a big-screen adaptation to theaters. Director Luc Besson handled the material as a labor of love, and that could be marveled at in every scene, and each nook and cranny of the gigantic visual spectacle he created. More new wonders, more futuristic ideas that had never been seen on film before, bold otherworldly costumes, and incredible special effects made this film a masterpiece science fiction fans will stumble upon in the future and wonder how it was so overlooked by audiences this summer. Epic space battles, aliens, and loads of sci-fi technology, while all the other science fiction of the year kept to their familiar territories. A gripping story about a team just doing their job, but that job is saving an entire race of a doomed planet. Besson was going for something like Avatar, but he far surpassed it. Valerian and the City of a Thousand Planets was everything a sci-fi fan could want.

Best Fantasy Fix, Best Fantasy Movie, Best Comedy Movie – Thor: Ragnarok. As much as Thor: Ragnarok was a natural progression for Chris Hemsworth’s Thor and Mark Ruffalo’s Hulk, it was amazing how much the film busted genres, becoming more of a Flash Gordon space fantasy like the Guardians of the Galaxy movies than the rest of the Avengers series. Just like watching classic Flash Gordon and Conan movies, we saw superheroes on a legendary hero’s journey rise and encounter obstacles and make sacrifices, across a landscape of fabulous worlds and colorful characters, and scenes that looked like they were ripped out of your favorite Jack Kirby comic pages. Another film about family, it incorporated that always fun plot device of having good guy and bad guy join forces, as Tom Hiddleston’s Loki redeemed himself with his brother and their people, if only temporarily. We met one of the fiercest warriors in Tessa Thompson’s Valkyrie and they all faced off against a trio of well-developed villains. A great superhero story, too, this was the ultimate fantasy fix.

Best Superhero Fix, Best Superhero Movie, Best Easter Eggs – The LEGO Batman Movie. Even as a spoof of superhero movies and the DC Universe, The LEGO Batman Movie created a genuine story full of heart that any fan of comic books could love. Will Arnett became our second favorite Batman actor this year behind Michael Keaton, and his Batman reminded us why we can’t wait for the DC Universe to get fun and exciting again. Hilarious, laugh-out-loud funny with a smart script, full of derring-do and super-powered heroics, and better than this year’s and the last decade of live-action DC at the movies, the animated The LEGO Batman Movie proved more good DC movies are out there just waiting to be made. Honorable mention: Spider-man: Homecoming.

Best Retro Fix – Classic Genre Films Return to Theaters. With all the new releases in 2017 we were lucky enough to witness the 90th anniversary of Fritz Lang’s Metropolis, while Disney’s The Jungle Book, The Dirty Dozen, and the original Casino Royale turned 50. Along with Star Wars, Close Encounters of the Third Kind turned 40. E.T. the Extra-Terrestrial, Star Trek II: The Wrath of Khan, Blade Runner, Tron, and The Dark Crystal turned 35. Predator, The Princess Bride, and Robocop turned 30. Many of these made it back into theaters this year, giving us the best Retro Fix we could hope for all year long. But E.T. the Extra-Terrestrial, Star Trek II: The Wrath of Khan (we even interviewed the best Star Trek director of them all here this year), Close Encounters of the Third Kind, The Princess Bride, and Nausicaa of the Valley of the Wind, on the big screen over only a few weeks? We can only hope for more in 2018!

Check out the rest of the year’s Best Film and the rest of our picks for the year’s best movies, after the cut…

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Review–Branagh’s Orient Express a faithful, exciting remake full of genre greats

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November 17, 2017

Review by C.J. Bunce

Many have asked: Why make another Agatha Christie’s Murder on the Orient Express? You could just as easily ask: Why adapt another Shakespeare play? Or Why make another Sherlock Holmes series? When your story is great, and becomes as classic as Agatha Christie’s famous, timeless 1934 novel, it’s sort of the point of cinema, isn’t it? From an actor standpoint, being in one of the film versions of Murder on the Orient Express, and portraying such iconic roles, is something like being cast as King Lear. And who better than Kenneth Branagh to inject his own vision of the story into a new snapshot of acting greats for a new era of audience members? Of Branagh’s twenty directorial pursuits, you must go back to the early era of Dead Again and Peter’s Friends to find Branagh not serving as puppetmaster of someone else’s well-known world, whether it’s Shakespeare in Henry V, Much Ado About Nothing, Hamlet (and the list goes on), or adaptations of Mary Shelley’s Frankenstein, Marvel Comics’ Thor, Mozart’s The Magic Flute, Tom Clancy’s Jack Ryan, Branagh is the king of directing adaptations and remakes. Add Murder on the Orient Express to that list, a faithful adaptation of the book, stylishly filmed with lavish, sweeping sets and landscapes courtesy of cinematographer Haris Zambarloukos, Branagh’s choice cameraman on four of his past films.

The year’s casting award goes to Lucy Bevan for bring filmgoers back to the age of the all-star cast, where you’d look to 1970s disaster movies (Airport ’76, Towering Inferno, Earthquake) or the odd comedy (think It’s a Mad, Mad, Mad, Mad, Mad World) for a pantheon of stars like that found in Orient Express. Branagh as Hercule Poirot sports that classic era moustache with confidence (Christie herself called Poirot’s moustache “magnificent” and “immense”) and he adds his own quirks and humor to Christie’s legendary greatest detective, providing a new twist on the Holmes/Monk/House, M.D. frustrated genius detective archetype. So many of the cast members appear every bit like Golden Age film stars here, including Branagh, Johnny Depp, Michelle Pfeiffer, Josh Gad, Daisy Ridley, Willem Dafoe, Judi Dench, Penélope Cruz, Derek Jacobi, and Leslie Odom, Jr., with a particularly engaging performance by Tom Bateman as Poirot’s friend Bouc, in what will no doubt be seen as a great breakout role for the actor.

The film will be best for those unfamiliar with the story. A famous detective receives a message requiring him to squeeze onto a full train at the last minute with a little more than a dozen passengers aboard. When one passenger who fears for his life and requests assistance from the detective winds up dead in a brutal, bloody murder, the whodunit begins. Once a snowy avalanche blocks the path of the train, the game is afoot as the delay provides enough time for Detective Poirot to begin interviewing the passengers. The mystery is laid out with several clues, including just enough to allow the viewer to figure out who killed the victim if he/she is paying close attention. And Branagh stages the investigation like a game of Clue/Cluedo–including overhead angles that at times make the viewer feel like Murder on the Orient Express is indeed a virtual reality version of the board game. We know the murder weapons and the location, but who is responsible for the death and why?

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New trailer–Murder on the Orient Express a showcase of talent

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September 23, 2017

So long as you have a compelling story to tell, sometimes having all the right people on the big screen is enough of a reason to sit through a movie. But Agathie Christie’s Murder on the Orient Express is like watching a play by Shakespeare. You already know the story is excellent, and the challenge is how creatively the latest director will manipulate the strings and how deftly the actors will portray the characters.

The latest adaptation of Murder on the Orient Express has all the right components for a movie-lover’s two hours of bliss. How will Kenneth Branagh orchestrate his next opus? Like the magnificent Henry V or Much Ado About Nothing? We can hope. How will this room full of master thespians of the British and American schools play off each other? Aren’t you inkling to find out?

This latest trailer for the film (see the first here if you missed it) expands the reach of the first, giving us a good look at Johnny Depp, Michelle Pfeiffer, Daisy Ridley, and Branagh directing Branagh as Inspector Poirot. Other stars include Derek Jacobi, Judi Dench, Leslie Odom, Jr., Willem Dafoe, Penélope Cruz, Josh Gad, and Olivia Colman. And don’t forget, publicity for the film has indicated that the clues of the crime are everywhere, including in posters and the trailers for the film.

Here is the second trailer for Murder on the Orient Express:

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Tags: Daisy Ridley, Derek Jacobi, Johnny Depp, Josh Gad, Jr., Judi Dench, Kenneth Branagh, Leslie Odom, Michelle Pfeiffer, Murder on the Orient Express, Murder on the Orient Express trailer, Olivia Colman, Penelope Cruz, Thanksgiving 2017, Willem Dafoe

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SDCC 2017–A new team assembles in Comic-Con trailer for Thor: Ragnarok

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July 22, 2017

Thor poster comic-con 2017

In today’s Marvel panel in Hall H at the San Diego Convention Center for San Diego Comic-Con 2017, fans first learned details about Ant-Man and The Wasp. Michelle Pieffer was confirmed to be playing Janet Van Dyne, Laurence Fishburne will be Bill Foster, Killjoys’ Hannah John-Kamen will be Ghost, and Walter Goggins will be Sonny Burch. And we will get to see Michael Douglas don the Ant-Man suit. Hopefully this footage will be made public soon.

Next, Chris Hemsworth, Mark Ruffalo, Cate Blanchett, Tom Hiddleston, Tessa Thompson, and Karl Urban all were on the panel for Thor: Ragnarok, introducing a great new trailer for the film. In Marvel Studios third film in the Marvel Cinematic Universe featuring Thor, Thor: Ragnarok, we catch up with Hemsworth’s Thor–absent from last year’s Captain America: Civil War. Where’s the (now short) golden-haired hammer-wielder been? In the first trailer for the film we see him imprisoned on the other side of the universe without his hammer and struggling to return to ward off the destruction of his homeworld and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela, played by Cate Blanchett.

Directed by Taika Waititi, produced by Kevin Feige, Thor: Ragnarok. The movie includes newcomers Jeff Goldblum (Grandmaster), Tessa Thompson (Valkyrie), and Karl Urban (Skurge).

Check out this new trailer for Thor: Ragnarok:

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First look–Kenneth Branagh and all-star cast bring Christie’s Poirot back to the big screen

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June 2, 2017

Everyone is a suspect. The clues are everywhere. For mystery lovers, it’s a staple. It’s Agatha Christie’s most well-known 1934 novel come to life, Murder on the Orient Express, the fourth major production for film or television of the classic whodunit in the English language–the 1974 Academy Award winning Sidney Lumet film being the best known. For the older generation the story is known, but for a new generation the stage is set for a big screen version of Clue/Cluedo. As with the 1974 version, the cast of the 2017 version is extraordinary.

So how do you cast a film against the last generation of film greats? Leading a bevy of thespian knights and dames, Sir Kenneth Branagh both directs and stars as master detective Hercule Poirot, the world’s greatest detective, played previously by Albert Finney (who refused a knighthood in the year 2000). Sir Derek Jacobi plays the butler Edward Henry Masterman in a role played by Sir John Gielgud in the earlier version. Dame Judi Dench plays Princess Natalia Dragomiroff, formerly played by Dame Wendy Hiller. In an update for the new version, American actor Leslie Odom, Jr. (Supernatural, Gotham) takes on the role of Doctor (formerly Colonel) Arbuthnott, played previously by Sir Sean Connery. Star Wars: The Force Awakens star Daisy Ridley as governess Mary Debenham, formerly played by Dame Vanessa Redgrave.

The list of American actors includes a fascinating mix of genre favorites old and new. Academy Award nominee Johnny Depp takes on the role played before by Richard Widmark as the debonair businessman Edward Ratchett. Academy Award nominee Michelle Pfeiffer is widow Harriet Hubbard, a role played in the 1974 film by Lauren Bacall. Academy Award nominee Willem Dafoe is Professor Gerhard Hardman, played earlier by Colin Blakely. Academy Award winner Penélope Cruz plays a newly named character, Pilar Estravados, a missionary, in the part played before by Ingrid Bergman. Rounding out the cast is Josh Gad (Frozen) as Ratchett’s assistant Hector McQueen (played before by Anthony Perkins), and British TV regular Olivia Colman (Broadchurch, The Night Manager) plays the maid Hildegarde Schmidt (previously played by Rachel Roberts).

Take a look at this first trailer for the new Murder on the Orient Express:

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All the Movies You’ll Want to See in 2017

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December 24, 2016

Our annual “All the Movies You’ll Want to See…” series has been one of the most viewed of all of our entries at borg.com each year. So this year we again scoured Hollywood and its publicity machine for as many genre films coming out in 2017 that have been disclosed. The result is a whopping 58 movies, many you’ll probably want to see in the theater or catch on video (and some you may want to skip). We bet you’ll find a bunch below you’ve never heard of. Bookmark this now for your 2017 calendar!

Most coming out in the second half of 2017 don’t even have posters released yet. We’ve included descriptions and key cast so you can start planning accordingly.

What do we think will be the biggest hits of the year? How about Star Wars: Episode VIII or Wonder Woman? Luc Besson’s Valerian and the City of 1,000 Planets? Ghost in the Shell? Or Beauty and the Beast?

You’ve heard endlessly about Logan and Justice League, but 2017 will also see numerous other sequels, like Alien: Covenant, Blade Runner 2049, Thor: Ragnarok, and sequels for Underworld, Resident Evil, Planet of the Apes, Pirates of the Caribbean, XXX, John Wick, King Kong, The Fast and the Furious, Cars, The Kingsman, Transformers, Despicable Me. And The Six Billion Dollar Man is finally on its way. Look for plenty of Dwayne Johnson, Tom Cruise, Vin Diesel, Ben Affleck, Samuel L. Jackson, Zoe Saldana, Hugh Jackman, John Goodman, Michael Peña, Ryan Reynolds, Sofia Boutella, and Elle Fanning in theaters this year.

So wait no further, here are your genre films for 2017:

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