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Tag Archive: Mike Colter


Today we have three fall movies to preview, one from a film long-completed and scheduled to arrive in theaters way back in 2017, another a new look at an old property, and a third featuring a modern crime story about a tough cop.  First up is The Current War, a film we first previewed here at borg way back in January 13, 2018.  Movie studios have fallout, collateral damage–call it what you like– from industry shifts, whether cancelations following mergers or projects braking during sex scandals.  The latter was the reason for the initial delays for The Current War, a late production of The Weinstein Company.  The star factor is nothing to sneeze at, with a slate of stars now popular for their superhero roles leading the way:  Benedict Cumberbatch (Doctor Strange) plays Thomas Alva Edison, Michael Shannon (Man of Steel) is George Westinghouse, Nicholas Hoult (X-Men franchise) is Nikola Tesla, and Tom Holland (Marvel Cinematic Universe) is Samuel Insull, an early General Electric co-founder.  Will this film electrify audiences or were the delays a sign it’s going to have a rough go of it?  The earliest we’ll know is October, when it finally arrives in theaters.

Raise your hand if you loved the first reboot movie adaptation of the 1970s-1980s TV classic series Charlie’s Angels?  No?  That one starred Drew Barrymore, Cameron Diaz, and Lucy Liu.  Unfortunately it was more parody than homage, more wacky than the action drama that made the original such a success with audiences 40 years ago.  Another reboot is on its way, titled again Charlie’s Angels, and somehow this version with its next generation of film stars and removal of melodrama and humor at first blush seems to have more in common with the original.  It stars a very upbeat styled Kristen Stewart (Twilight series) plus newcomer Ella Balinska and Naomi Scott (Power Rangers, Aladdin).  The credits circulating so far list a slate of actors playing Bosley, including the film’s director Elizabeth Banks (Brightburn, Hunger Games series), Patrick Stewart (Star Trek Nemesis), and Djimon Hounsou (Captain Marvel).  Weren’t we just talking about this movie Wednesday?

And last for today is Black and Blue, another October 2019 release, starring James Bond’s Moneypenny, Naomie Harris, as a British rookie cop caught in the wrong place at the wrong time.  The trailer for this film looks like a lot of 1980s cop movies, which might be a good thing.  As with the other films previewed today, look for even more actors in tis film from the superhero spheres, including Luke Cage’s Mike Colter and Captain America: Winter Soldier’s Frank Grillo, plus Fast & Furious regular Tyrese Gibson.

So let’s check out these new trailers:

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Review by C.J. Bunce

What defines the Men in Black the best?  The neuralyzer?  The Noisy Cricket?  The suits?  Or maybe its the sunglasses.  1997, 2002, 2012, and 2019.  Plenty has changed in 22 years since the first Men in Black movie, but readers of a new book on all four films in the MiB franchise will learn a lot hasn’t changed.  As part of the release of the latest entry in the series, Men in Black International, Titan Books partnered with Columbia Pictures to put together Men in Black Films: The Official Visual Companion to the Films, an oversized, chrome, hardcover guide spanning the creation of the MiB universe and each film from the original comic books to the new movie.

Writers Lisa Fitzpatrick and Sharon Gosling interview the directors, writers, visual effects crew, and other artists and actors from each movie to find out why the series has resonated with sci-fi audiences.  Moving between images from the film, the characters, and plots, to what happened behind the scenes to develop the ideas from page to final film, readers will get two views of the films: one in-universe and one real-world.  It’s told chronologically, giving equal treatment to each film.  Along with stars Will Smith, Tommy Lee Jones, James Brolin, and now Chris Hemsworth and Tessa Thompson, you’ll see familiar characters from the past played by Tony Shalhoub (Galaxy Quest), Michael Stuhlbarg (The Shape of Water), Luke Cage stars Rosario Dawson and Mike Colter (Luke Cage), and Rip Torn (Defending Your Life), and you’ll meet new characters played by Emma Thompson and Liam Neeson.

The writers find lots of common threads with the first three films because of the overlap in creators, so look for some deep dives into the moviemaking process from director of the first three films, Barry Sonnenfeld, producers Laurie MacDonald and Walter F. Parkes (and how they coordinated ideas with executive producer Steven Spielberg), production designer Bo Welch, set decorator Cheryl Carasik, and, of course, Rick Baker, monster (and alien) maker, plus dozens more.  It’s all a nostalgic look back to some of the major creators that guided the look of Hollywood in the 1980s and 1990s.  It includes commentary from comic book creator Lowell Cunningham and the several writers that had a hand in the screenplays.  From the great futuristic props to those sunglasses and black suit changes, every major talent behind the camera gets to share where the ideas came from, with full-color photographs documenting the production steps along the way.

Here is a look inside Men in Black Films: The Official Visual Companion to the Films, courtesy of Titan Books:

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Review by C.J. Bunce

The latest big-budget movie that has arrived at Netflix could have been on par with prior Netflix movies The Cloverfield Paradox or Bright.  These are science fiction movies that have something to offer viewers, yet they probably would disappoint most if you paid to see them in the theater.  As much as the marketing for these Netflix films is trying to convince subscribers these are the “real deal,” the new sci-fi movie Extinction brings the discussion home again.  The Cloverfield Paradox had a broad, fairly well-known cast and significant production values.  Bright relied on the charisma of star Will Smith with a solid performance from Joel Edgerton working through some hefty prosthetic make-up.  So they had that minimum quality for first-out-of-the gate films for newcomer movie house Netflix.  But despite the well-known genre star cast of Extinction, the latest Netflix sci-fi movie just isn’t strong enough.  Remember the rack of B-movie sci-fi films at the old movie rental stores?  Sadly, that’s where this one would have been filed.

Michael Peña plays the father of two girls in a future Earth.  He’s having problems dealing with violent nightmares that are too real to merely be in his mind.  His wife, played by Lizzy Caplan, and their friends, all think he’s crazy.  When an invasion on par with War of the Worlds arrives in the middle of a dinner party, the father attempts to use the bits he can recall from the dreams to keep his kids and wife alive, and try to understand the menace approaching from the skies.  Peña and Caplan are not given enough to do, not enough to make us want to cheer them on, as director Ben Young drags the audience through very carefully selected architectural layouts, platforms, pathways, futuristic buildings, all slowly panning and following people walking, doing mundane things that people do.  For an entire hour nothing happens.  Luke Cage’s Mike Colter plays Peña’s boss, and when hell breaks loose you get the feeling that roles once owned by Keith David can now be handed over to Colter, as Colter becomes that take-charge leader.   But his scenes are few.  The standout performance in the film is by British actor Lex Shrapnel (K:19: The Widowmaker, Captain America: The First Avenger) who steps in to assist the family after the first barrage.  His performance brings some much-needed life, albeit too late.  But the actors just aren’t enough to save the film.

You can’t blame the cast for this one.  The slogging story doesn’t gain any momentum until the last 30 minutes, and then it must rely on a gotcha to even get viewers’ attention to stay around for the last act.  The film probably suffers from a young director and an unsalvageable script by the Oscar-nominated writer of the similarly thin and derivative screenplay for Arrival, Eric Heisserer, among others.  And it lacks a much-needed sci-fi or action flick musical score–the one thing that might have given some energy or passion to the first hour (The Nelson Brothers are listed as composers, but someone must have edited out most of their music).  At only an hour and 35 minutes, the movie drags to feel like a full 2 hours, yet the thin story could have been told in a 20 minute episode of a show like Black Mirror.  Worst of all, Extinction is devoid of any humor–an essential element of the best tense sci-fi action thrillers.

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With $2 billion put toward new content, a record stock price, and critical acclaim–this year it leads the Emmy count with 112 nominations–Netflix now dominates television.  In addition to the great new series and its catalog of films, you can’t deny the satisfaction of avoiding theater crowds to watch first-run, cinema-worthy films streaming directly to your living room.  Because the low monthly fee is already locked in, Netflix stands right there with cable TV (whether served via coax, wireless, or your old home phone line), with the largest volume of content up against those hundreds of channels it competes against.  So even if each new first-run movie on Netflix isn’t the next Oscar winner (yet–see Emmy reference above) or even the next pop hit like Avengers: Infinity War, for what feels to many like “practically free new movies,” it’s easy to give the next Netflix movie a try.  So far we’ve liked War Machine, Cloverfield Paradox, and even the strange mash-up Bright.  The next film in the sci-fi variety has the cast and an interesting trailer to make giving it a try a no-brainer.

The movie is director Ben Young’s Extinction.  Normally a plot like this might be the stuff of merely passable made-for-TV movie fare, but now is the perfect time for Michael Peña to be the lead in his own action film, right when audiences are still excited about his great work in Ant-Man and The Wasp.  He’s a future Earth everyman, only in a very Philip K. Dick twist he’s having nightmares that he believes to be premonitions of a dire future.  We get to see Luke Cage himself, Mike Colter, co-starring outside the larger-than-life superhero realm along with Lizzy Caplan, known for her roles in Cloverfield, Tru Calling, Now You See Me 2, Orange County, and Freaks and Geeks.

We always have room for another alien invasion flick, and the method of arrival in the first trailer for the film seems similar at first blush to the falling-from-the-sky visitors in Attack the Block.  But these visitors appear to be the bipedal variety of sci-fi alien.  Whatever else there is to learn we’ll need to wait to find out in the movie.

Check out the trailer for Extinction:

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Review by C.J. Bunce

Marvel has diversified its creations on film and television so much that anyone can find a series or film that grabs them and surprises them with action, drama, strong characters, superheroics and great storytelling.  It’s going to be a subjective call for anyone, but the depth of every storytelling component in two seasons of Marvel’s Luke Cage makes it our nomination for the best superhero series yet.  With all that a comic book fan could want (except maybe supersuits), Season Two of Marvel’s Luke Cage, now on Netflix, rises to the occasion again.  The writers, actors, and other creators of Luke, his partners, and the crimelords of Harlem, could hold their own against any of the entries in the Marvel Cinematic Universe.  A “best of” list of the villains of Marvel adaptations will no doubt have Loki and Killmonger from the movies fighting for top spots, but it also must now have Season One’s Cottonmouth Stokes, and this season’s trifecta of villains:  Bushmaster McIver, Shades Alvarez, and Mariah Stokes.

We compared Season One–which was borg.com’s Best TV Superhero Series of 2016 along with Cage actor Mike Colter and Misty Knight actor Simone Missick taking top acting kudos for the year–to Spike Lee’s Do the Right Thing, and again, Season Two is worthy of that comparison.  All the key social and cultural issues affecting every-day people inside or outside New York City neighborhoods, from the 1960s and today, work their way into the storytelling of the series.  The season kept its fresh approach with a new director at the helm of nearly every episode, while maintaining its focus thanks to Cheo Hodari Coker penning the overall story and leading the series as showrunner.  The show’s style is unique.  Even more than in Season One, nearly each episode featured the setting of the nightclub Harlem’s Paradise with an incredible performer on-stage with a relevant song to the episode.  Where a modern take on 20th century Speakeasy-inspired jazz and blues was the background for Season One, music derived from the roots of hip-hop and the heritage of key show characters in Jamaica defines the style this time.  This was topped off in the last episode with a song performed by Rakim that echoed Adrian Younge and Ali Shaheed Muhammad’s 1970s retro-funk series theme.

Family roots and legacies left behind top the season’s themes.  Along with the drama, the superheroics were present in Cage’s Power Man persona and new villain Bushmaster’s exquisitely choreographed battle scenes.  Charismatic actor Mustafa Shakir, who isn’t Jamaican, is perfectly convincing with the accent as Johnny “Bushmaster” McIver, and like Lou Ferrigno in The Incredible Hulk and series star Colter, Shakir looks like a superhuman with no need for any superhero costume.  And yes, Shakir performed most of the fabulous stunt fights with Colter, with training incorporating capoeira fighting, aptly selected for the series from its focus on power, speed, kicks, and spins.  Looking for the best superhero genre one-on-one battles at the movies or on television?  They can be found in Season Two of Marvel’s Luke Cage.  It’s even more refreshing because the series casts aside the current lazy trope in cinema of slow-motion action sequences, which can pull you out of the momentum of the action every time.

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The best is back next month.  Television’s best comic book adaptation to date, the Emmy-winning Marvel’s Luke Cage, is returning next month as Season 2 arrives on Netflix.  Can Season 2 match the one-two punch of the first season?  It looks like we’re going to get a return of everything fans are after:  More Mike Colter protecting the streets of Harlem as “Power Man” Luke Cage.  The first trailer for the 2018 season is out and we’re learning a lot about what to look for in June as the next season is released on Netflix:  Supercop badass Misty Knight (Simone Missick) is bringing a new weapon to the law with her own cybernetic arm.   Alfre Woodard’s Mariah Dillard is taking her place as leader of the underground criminal element.  Luke’s pal Bobby (Ron Cephas Jones) is back with Rosario Dawson’s Claire Temple to watch over Luke.  And even Theo Rossi’s master manipulator and henchman “Shades” Alvarez makes an appearance in the trailer.

The challenge of all superhero tales ultimately is the same:  How intriguing and compelling is the villain?  Season 1 had Shades and Mariah, Frank Whaley’s cool bad cop Detective Scarfe, Erik LaRay Harvey’s sinister Diamondback, and the awesome and gritty Mahershala Ali’s Cottonmouth.  With Scharfe, Cottonmouth, and Diamondback out of the picture, we’re getting a new villain: Quarry’s Mustafa Shakir is Bushmaster.  Showing Cage there’s always someone bigger and stronger to come along, Bushmaster surprises our hero with equal strength and power.

Does Bushmaster hail from the same mad science that created Cage, or is someone new behind the scenes?

Take a look at this first trailer for Season 2 of Marvel’s Luke Cage:

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That week is here–All the lead-in built up by Marvel’s host of television series created for Netflix finally comes together this weekend.  Marvel’s Daredevil, Jessica Jones, Luke Cage, and Iron Fist become The Defenders.  Netflix has released a final trailer leading up to the series premiere.

We’ve learned in the past few years that combining your A-league superheroes doesn’t guarantee a successful cinematic experience.  How much better than the theatrical Avengers and Justice Leaguers was the B-league team that comprised the Guardians of the Galaxy?  How about the strange success in Deadpool of partnering Colossus, Negasonic Teenage Warhead, and Deadpool?

So far we’ve loved most of what we’ve seen Marvel put together for Netflix.  Luke Cage earned several of our “Best of Television” categories last year here at borg.com.  The core of its new team-up of all the Netflix Marvel superhero stories is a classic Marvel comic book team-up:  Power Man and Iron Fist.  It’s amazing that this team-up has the potential to gain some real traction 40 years later.  And you can’t get much more nostalgic for 1970s comic books than the late, great Steve Gerber run on The Defenders.  So put together Luke “Power Man” Cage, Daredevil, Iron Fist, Jessica Jones, and add in Elodie Yung as Elektra, and give us a villain played by sci-fi queen Sigourney Weaver, and a supporting cast including the incomparable Scott Glenn, and a triple threat of actresses known for their badass roles: Rosario Dawson, Carrie-Anne Moss, and Simone Missick?  What’s not to like?  We asked it earlier with the first previews for the series: Can The Defenders be the best team-up on-screen yet?

Check out this final trailer for Marvel’s The Defenders:

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Everyone keeps trying to stage the best team-up.  And we’re all for it.  Who is the best?  That depends on what you like in a team-up.  Marvel’s Avengers?  Marvel’s X-Men?  DC’s Legends of Tomorrow?  DC’s Justice League?  DC’s Justice League Dark?  What about a smaller group, like, say, made of only two superheroes?  Think back to DC Comics’ The Brave and the Bold, bringing together monthly a duet of every A-league and B-league hero you can think of.

We’ve learned in the past few years that combining your A-league superheroes doesn’t guarantee a successful cinematic experience.  How much better than the theatrical Avengers and Justice Leaguers was the B-league team that comprised the Guardians of the Galaxy?  How about the strange success of partnering Colossus, Negasonic Teenage Warhead, and Deadpool?

So far we’ve loved most of what we’ve seen Marvel put together for Netflix.  Luke Cage earned several of our “Best of Television” categories last year here at borg.com.  The core of its new team-up of all the Netflix Marvel superhero stories, is a classic Marvel comic book team-up:  Power Man and Iron Fist.  It’s amazing that this team-up has the potential to gain some real traction 40 years later.  And you can’t get much more nostalgic for 1970s comic books than the late, great Steve Gerber run on The Defenders.  So put together Luke “Power Man” Cage, Daredevil, Iron Fist, Jessica Jones, and add in Elektra, and give us a villain played by Sigourney Weaver, and a supporting cast including Scott Glenn, Rosario Dawson, Carrie-Anne Moss, and Simone Missick?  What’s not to like?  Can The Defenders be the best team-up on the screen yet?

Check out this trailer for Marvel’s The Defenders:

Marvel’s The Defenders begins streaming on Netflix this summer.

C.J. Bunce
Editor
borg.com

Who is the Iron Fist?

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It all leads into the Netflix series The Defenders coming this September.

First we met Matt “Daredevil” Murdock (Charlie Cox) and Elektra Natchios (Elodie Yung) in Daredevil, then Jessica Jones (Krysten Ritter) and Luke “Power Man” Cage (Mike Colter) in the series Jessica Jones and Luke Cage.  Next month we meet the last member of Marvel’s newest incarnation of the team from the classic comic book series The Defenders.  Danny Rand, the Iron Fist (played by Finn Jones) in next month’s series Iron Fist.

For the most part the Disney-backed Marvel empire has maintained quality storytelling (excluding only a few standalone character sequels along the way) since Jon Favreau and Kevin Feige lit up the franchise with Iron Man in 2008.  Efforts with the networks included good efforts with Agents of S.H.I.E.L.D. and Agent Carter (and a new X-Men series Legion gaining steam), but the real serial success has been seen with the Netflix series.

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So who is this last member of The Defenders?  Netflix sheds some light on Iron Fist in these two previews: Continue reading

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Our borg.com Best of 2016 list continues today with the best in television.  If you missed it, check out our review of the Top Picks and Best Movies of 2016 here and the Kick-Ass Heroines of 2016 yesterday here.

Without further ado, this year’s Best in Television:

Best Borg TV Series, Best TV Borg — Ash vs Evil Dead (Starz), Bruce Campbell.  We searched high and low for the year’s best TV series featuring one or more borg characters, but didn’t really need to go that far.  The brilliantly funny pop culture ace actor Bruce Campbell’s reboot of the borg.com Hall of Famer Ash could have gotten overlooked had it been just another horror series.  Yet underneath this over-the-top, blood and gore-filled demon hunt is a whole lot of silly fun.  And the actors could have been better, with the likes of Lee Majors (pictured above), Lucy Lawless, and Ted Raimi all making appearances.  We couldn’t ask for a better actor than Campbell to take our borg.com TV title this year.

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Best TV Series, Best TV Horror Series – Grimm (NBC).  The fifth season of Grimm was simply fantastic, full of gripping writing and a change-up of character roles in a way we’ve never seen before.  This season we saw the best action, twists and turns, and flat-out excitement, above every other series on television.  Pulling bits and pieces of folklore from Western and Eastern mythologies and everything in between, the writers delivered all season long.  The writing team’s best work was what they have done all along, taking the story in a direction no one could have predicted.

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Best TV Retro Series – Stranger Things (Netflix).  It’s nearly impossible to list all the influences that came together to form our pick for this year’s Best Retro Fix.  Stand By Me, Firestarter, Silver BulletStranger Things could be another coming of age Stephen King tale, but with nicely creepy John Carpenter undertones and the wonder and sci-fi of a Steven Spielberg movie.  Think Close Encounters of the Third Kind, E.T., the Extra-Terrestrial, and Super 8.  Whatever it is, great performances by a lead group of kid actors, teen actors, and a few adults from filmdom’s past made for a fun season one.

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Best New TV Series, Best Re-Imagining on TV  – Wynonna Earp (Syfy).  We knew Syfy had a winner in the first episode of this year’s best new TV series, Wynonna Earp.  A great mash-up of Western, paranormal, and horror, Wynonna Earp took an American legend and made it interesting for today’s viewers.  Melanie Scrofano’s Wynonna is a classic heroine in a supernatural setting.  And her interactions with Tim Rozon’s Doc Holliday include some of the best humor on TV.  Did we mention the villains are basically zombies?  Wynonna’s got a gun–a Peacemaker–and she knows how to use it, giving us a fun, over-the-top shoot ’em up each week to look forward to.

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Best Sci-Fi SeriesThe Man in the High Castle (Amazon).  With the slow start of the first season of the series we had doubts where the show would take us for the second season this year.  But the last half of the season cinched it.  A rare look at science fiction on television that showed what could all be attained with an alternate history story, and a great adaptation of Philip K. Dick’s novel to boot.

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Best Animated TV Series – Star Wars Rebels (DisneyXD).  For the second year in a row, Star Wars Rebels proves that animated shows are just as compelling as big budget theatrical blockbusters.  This season we met the great villain Grand Admiral Thrawn, finally introduced to Star Wars canon.  Every episode gave fans something to be excited about, as in the episode “The Antilles Extraction,” where Sabine goes undercover as a cadet in the Empire’s elite flight academy to bring Imperial pilots over to fight for the Rebellion.  Darth Maul and Captain Rex are also standout characters.  Original trilogy voice actors, compelling visuals, and rousing music, make this one of the best series on TV.

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Best TV Superhero SeriesLuke Cage (Netflix).  Although Marvel Studios adaptations have done well at the movies, its television shows haven’t measured up so well.  Until now.  The Netflix series Marvel’s Luke Cage is full of so many elements that make it a quality series you can expect it to be a contender at next year’s Emmy Awards.  Luke Cage is completely loyal to its 1970s origin.  Carl Lucas, played by Mike Colter (reprising the role he began in Marvel’s Jessica Jones), is a man from Harlem, imprisoned for a crime he didn’t commit.  The writers successfully updated the story to today, for today’s viewers, and to make the story timely.  Set in a New York City neighborhood with a gritty tale like Spike Lee’s Do the Right Thing (with Harlem swapped for Bedford Stuyvesant), the rough-and-tumble Harlem of the series encounters the same class warfare, the same friction between police and minorities, and the same political corruption that is, as once professed by the original Law and Order series, “ripped from the headlines.”  It is at once a mix of the M. Night Shyamalan hooded superhero played by Bruce Willis in Unbreakable, and an updated mobster town story.

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Best TV Fantasy SeriesThe Librarians (TNT).  The Librarians continued its great mix of fantasy and comedy this year with its excellent ensemble cast.  The chemistry of the show’s characters continue to gel, resulting in a fully realized series in the vein of past hits Warehouse 13 and Leverage.  We were excited to see great guest appearances with Sean Astin, Noah Wyle and Jane Curtin.  And we can’t get enough of Rebecca Romijn, John Larroquette, and the rest of the crew.

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Best TV Comedy – Angie Tribeca(TBS).  Angie Tribeca has the perfect setting and ensemble cast for a gritty police procedural.  But it was actually the comedy we all need.  Nothing was written for the screen in any genre this year that made us laugh like this new series.  Every now and then we need someone to try to remake Police Squad! and the sight gags here rivaled that classic.  We just hope the writers can keep the great comedic scripts coming.

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Best TV Writing Baskets (FX).  At first you might not know what to make of Zach Galifianakis, Louis C.K., and Jonathan Krisel’s surreal, black comedy drama Baskets.  How down in the dumps can a rodeo clown possibly get?  And was that really comedian Louie Anderson playing his mother?  Galifianakis was able to play two competing roles as the twin brothers, and Martha Kelly added yet another odd wanderer into the mix to somehow result in a crazy, funny, and strangely poignant series we couldn’t help getting addicted to.

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Best TV Episode – Grimm Season 5 finale “Beginning of the End” (NBC).  Season 5’s finale of Grimm barreled ahead as if the producers believed the show wasn’t going to get renewed, prompting many story threads to be tied-up and a satisfying wrap-up that leaves viewers excited for Season 6.  It’s Black Claw, who caused Sean Renard to rise to become mayor of the city, against Nick and his friends as they work with Eve, Trubel, and Hadrian’s Wall to try to prevent the coming evil that risks the destruction of the barrier between the supernatural and the rest of the world.  Incredibly after all the back and forth over five seasons the original villains are villains again and the good guys back together again.  The season finale left us wondering how this will all play out as the series ends next season.

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Best TV Soundtrack Stranger Things, Michael Stein and Kyle Dixon.  Using 1980s analog synthesizers, the musicians created the perfect sound for a B-movie horror flick that would have fit right in back in the 1980s.  Half the credit for the series success with retro aficionados probably should go to the duo, who helped to fully immerse viewers in this familiar, but strange, look into our own childhoods.

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Best TV Actress – Tatiana Maslany in multiple roles, Orphan Black (BBC America).  In any other year Rose McIver’s weekly new character update on iZombie would have given her the win, but Orphan Black’s Tatiana Maslany came back this year after last season’s so-so stories to prove she has the best dramatic role on television and is well up to the task, further separating and redefining the differences between the ever-increasing number of clone sisters she portrays.  Runner-up Rose McIver as Liv Moore, iZombie (CW).

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Best TV Supporting Actress – Simone Missick as Misty Knight in Luke Cage (Netflix).  With big name actresses like Alfre Woodard and Rosario Dawson co-starring in this year’s new superhero series Luke Cage, it was Simone Missick who broke through to create one of the more interesting characters this year with police officer Misty Knight.  She believes in the justice system and is assigned to go after Luke Cage–too bad she has a past with him.  Missick plays Misty as a modern version of a Pam Grier character–she’s flawed but she’s tough and smart and we know she’ll cut through all the mess and come up on top.  Runner-up: Leanna Lapp as Gilda (iZombie).

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Best TV Actor (TIE) – Mike Colter as Carl Lucas/Luke Cage in Luke Cage (Netflix).  Luke Cage is as mild-mannered as they come.  We first met him in season one of Marvel’s Jessica Jones, but in his own series Mike Colter showed how great this comic book character from the 1970s could be, and how relevant he is today.  The problem with networks dropping an entire series on us at once is that with a day long binge session we don’t get the sense of the work that goes into building a character like Cage over a full season like we’re accustomed to.  Hopefully the studio will realize how great the series is and how its lead actor can provide us with a real, gritty hero that the world needs.  We just can’t wait to see more of what Colter has in store for us next season.

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Best TV Actor (TIE) – Cary-Hiroyuki Tagawa as Ambassador Tagomi in The Man in the High Castle (Amazon).  Tagawa has played in countless TV series and films but his role as a trade ambassador of an alternate world where Japan controls the western United States may be the most stunning work of his career.  His expressions are understated and yet the audience can read so much in his simple looks.  His character’s surprise as he maneuvered a parallel world to his own–our real world–was some of the best acting of the genre and among the best performances of the year.

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Best TV Supporting Actor (TIE) – Louie Anderson as Mrs. Baskets in Baskets(FX).  Louie Anderson has been priming us for this role for decades now.  His impersonations of relatives helped make him one of the greatest stand-up comedians of all time.  Bringing him in to play to mom to Zack Galifianakis’s Chip Baskets was one of those inspired moves that doesn’t happen very often.  And the result was TV gold.

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Best TV Supporting Actor (TIE) – Tim Rozon as Doc Holliday in Wynonna Earp (Syfy).  Rozon brilliantly played the ghost of Doc Holliday this year in the new series Wynonna Earp, sporting a lazy drawl and unclear motives that make him absolutely captivating.  He was mysterious as Wynonna’s questionable love interest, an intermediary between Wynonna and the vile Revenants.  He’s a man out of his time, an anti-hero we hope to see more of next season.

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Best TV Villain – Vaughn Du Clark (Steven Weber, iZombie (CW)).  What kind of sick bastard throws his daughter to the wolves to become a zombie, and then laughs about it?  That’s Vaughn Du Clark, whose barbs with daughter Gilda (Leanne Lapp) provided some of the best quick-witted writing we’ve seen since Veronica Mars and Buffy the Vampire Slayer.  Du Clark was the ultimate corporate villain, and we watched his rise with great interest all season long.  Runners-up: Mariah Dillard (Alfre Woodard, Luke Cage), The Demogorgon (Stranger Things), Grand Admiral Thrawn (Lars Mikkelsen, Star Wars Rebels). 

Best YouTube Video – “Seagulls (Stop it Now),” A Bad Lip Reading of The Empire Strikes Back.  You know you haven’t seen this Fall’s funniest Star Wars fan video enough, with that catchy, goofy tune.  Go ahead, watch it one more time.

Come back tomorrow as we reveal more of the borg.com Best of 2016!

C.J. Bunce
Editor
borg.com