Tag Archive: Milo Manara


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One of the best artists around has shut down critics of his past works with his latest–and possibly most enduring–project yet.  The artist is the celebrated Italian painter Milo Manara.  Known as much for his brilliant depictions of women as superheroines–sometimes idealized, often powerful, and in countless fantasy scenarios–Manara from time to time is the target of naysayers maligning him for his talent (even labeling him sexist), specifically with respect to his depictions of beautiful women.  In many ways Manara’s latest project is more of the same, only his superheroines with capes have been replaced with real-life masked superheroines, further demonstrating why he is the real deal.

On his social media Manara has shared these stunning paintings as an homage along with notes of thanks for those countlesspeople who have created a broad, worldwide new “front lines” superteam in response to the COVID-19 pandemic.  In so doing Manara joins artists like Bill Sienkiewicz as one of the 21st century iconic artists who takes a break from the business craft from time to time to picture for his fans and followers the beauty and truth that lies around us in places both familiar and unfamiliar.

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Beginning March 15 and continuing into this weekend, Manara has depicted essential, indispensable, risk-taking women on the job in his native Italy, one of the most ravaged of nations by the virus, including a truck driver, an emergency response technician, a grocery store clerk, a delivery service worker, cleaning workers, a police officer, security/traffic guard, and a doctor confronting the virus head-on in a multimedia video (all viewable on his Facebook page here).  He added to his collection this weekend with the image of a postal carrier.  The biggest surprise that many haven’t noticed?  A fascinating response to his paintings can be found on Facebook, where people have been tagging his artwork with the names of their own real-life friends and family reflected in the drawings.  His own comments on his works include simple thanks in many ways, including, “Thank you to those who work putting themselves in danger for our safety,” “Thanks to the invisible, hoping we’ll remember them even later,” and “These days, if Italy keeps working, it’s also thanks to them. — Milo.”

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Review by C.J. Bunce

Few comic book stories this year presented both a unique idea and a perfect pairing of writer and artist.  Previewed here earlier this year, IDW’s limited mini-series Ghost Tree is coming to comic book and book stores this week for the first time in a single, collected, graphic novel edition.  Prepare yourself for a refreshingly slow-paced supernatural journey into the past for a young Japanese expatriate.  His name is Brandt, and he is returning to the home of his youth because of a promise made to his grandfather a decade ago.  He is drawn from the U.S. to his grandmother’s home in Japan, and a fated meeting in the woods nearby.

Evoking folk tales like Momotarō and Bao, writer Bobby Curnow (Teenage Mutant Ninja Turtles) and artist Simon Gane (Godzilla) painted a touching, engaging, and haunting snippet from Japanese culture, bridging two generations, with a tale steeped in the otherworldly realm of so many Asian legends.  Like Kim Eun-hee’s Kingdom, it bridges genresThis is not horror, despite some mildly shocking imagery, but a story of possibility, connections, and learning from the past.  It’s a journey of self-discovery for grown-up Brandt, but what more can he learn from his grandfather now that his grandfather is gone?  Who is waiting for him in the woods and what does his grandmother know of it?  Learning from mistakes and regret, a haunted tree, and an assembly of souls that are drawn to it, plus monsters, an old girlfriend, and disembodied samurai?  It sounds strange, but it works.

  

The great color work is provided by colorist Ian Herring.  If shades of green are your thing, this series is for you.  Herring’s choices make for a great combination with Gane, whose artwork frequently pulls readers into a myriad of fascinating cultural settings.  Herring’s limited palette of colors is the perfect soothing addition to Bobby Curnow’s story–all three combining to make a perfect book.  Gane’s beautiful style is his own, but it evokes works we’ve seen from great comic artists like Moebius, Milo Manara, and 1980s Frank Miller.

Here is a preview of the new trade edition of Ghost Tree, courtesy of IDW Publishing:

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