We’re continuing our ten-year celebration of borg today with our favorite comic books. If you missed them, check out our Top 40 movies here and our Top 40 TV series here.
We reviewed thousands of books and comics that we recommended to our readers since June 2011, and some even made it onto our favorites shelf. We don’t publish reviews of comic books that we read and don’t recommend, so this shortlist reflects 21 comics and creators we view as the Best of the Best.
So let’s get going!
Review by C.J. Bunce
One of the 21st century’s best comic book artists with a singular style brings her heroine back to the comics pages. Writer-artist Cynthia von Buhler is know for her sensationalism, both in story concepts, artwork, and marketing, merging real-world events and time travel tours to the past via her comic book work, as seen in her striking The Illuminati Ball. We first met her heroine Minky Woodcock in Minky Woodcock: The Girl Who Handcuffed Houdini (reviewed here), as she recounted the 20 days leading up to the famed magician’s death on October 31, 1926. Her next Minky adventure is now available in single monthly issues, Minky Woodcock: The Girl Who Electrified Tesla. If you like the idea of a girl Friday coming into her own, then Minky Woodcock is for you.
Review by C.J. Bunce
Screenwriter Sarah Phelps (EastEnders, Dublin Murders) is back with her next project, another adaptation of a well-known Agatha Christie work, a year from release of her first Amazon Studios project, The ABC Murders (reviewed here at borg), which starred John Malkovich and Rupert Grint. The new series is Christie’s creepy tale The Pale Horse, a supernatural mystery from 1961, directed by Leonora Lonsdale (Beast). The series stars Rufus Sewell (The Man in the High Castle, Zen, A Knight’s Tale) as Mark Easterbrook, a man of questionable character whose wife dies in the bathtub at the beginning of the story. Remember his name, because it is included last on a list found in the shoe of another dead woman. Why women are ending up dead found on the list, and why Easterbrook’s name was included, is the key mystery of this two-part series.
As Easterbrook is hounded by the local police led by Sean Pertwee (Gotham, Doctor Who) as Inspector Stanley Lejeune–who is investigating the string of deaths. Easterbrook decides to investigate himself, to beat the inspector to the answer, which takes him to the small town of Much Deeping. Much Deeping has an inn, an inn that is home to three witches, and he figures that somehow they are connected. Easterbrook’s second wife, a key player in the story, is played by Kaya Scodelario (Pirates of the Caribbean: Dead Men Tell No Tales, The Maze Runner). This is another Christie story of lies, and the lying liars that tell them, with the oddball, quirky twists we saw in both The ABC Murders and Murder on the Orient Express.
Rounding out the cast are familiar genre faces Georgina Campbell (His Dark Materials, Krypton, Broadchurch, Black Mirror) as the first Mrs. Easterbrook and Bertie Carvel (Jonathan Strange & Mr. Norrell, Sherlock, Doctor Who) as another man interviewed in relation to the deaths.
A celebrated Agatha Christie supernatural mystery from 1961, The Pale Horse has been adapted into a mini-series, and it’s coming to Amazon next month. The series stars Rufus Sewell (The Man in the High Castle, Zen, A Knight’s Tale) as Mark Easterbrook, the story’s main protagonist, a historian who accompanies a celebrated mystery author named Ariadne Oliver to a small town called Much Deeping (Oliver was based on Christie, but may or may not be a player in the Amazon adaptation). The story’s title comes from the Revelations story from The Bible: “Then I looked and saw a pale horse. Its rider’s name was Death…” In the novel the Pale Horse is the local inn. An inn that houses three witches.
Sean Pertwee (Gotham, Doctor Who) is Inspector Stanley Lejeune, responsible for tracking down a series of murders. He approaches Easterbrook when his name is found on a list hidden in a shoe of one victim. This adaptation comes from Sarah Phelps, who adapted Christie’s The ABC Murders (reviewed here) and Dublin Murders (reviewed here). Easterbrook’s wife, a key player in the story, is played by Kaya Scodelario (Pirates of the Caribbean: Dead Men Tell No Tales, The Maze Runner).
Will this adaptation be typical Christie cozy mystery or one of her more over-the-top tales? (The witches are probably a hint). It looks to have some of the flair of Minky Woodcock and The Wicker Man. Take a look at this trailer for Agatha Christie’s The Pale Horse:
Our borg Best of 2018 list continues today with the Best in Print. If you missed them, check out our review of the Best Movies of 2018 here, the Kick-Ass Heroines of 2018 here, and the Best in Television 2018 here.
So let’s get going. Here are our selections for this year’s Best in Print:
Best Read, Best Sci-fi Read – The Synapse Sequence by Daniel Godfrey (Titan Books). The Synapse Sequence is one of those standout reads that reflects why we all flock to the latest new book in the first place. The detective mystery, the future mind travel tech, the twists, and the successful use of multiple perspectives made this one of the most engaging sci-fi reads since Michael Crichton’s Jurassic Park. Honorable mention: Solo: A Star Wars Story novelization by Mur Lafferty (Del Rey).
Best Retro Read – Killing Town by Mickey Spillane and Max Allan Collins (Hard Case Crime). The lost, first Mike Hammer novel released for the 100th anniversary of Mickey Spillane’s birth was gold for noir crime fans. This first Hammer story introduced an origin for a character that had never been released, in fact never finished, but Spillane’s late career partner on his work made a seamless read. This was the event of the year for the genre, and a fun ride for his famous character. Honorable mention: Help, I Am Being Held Prisoner, by Donald E. Westlake.
Best Tie-In Book – Solo: A Star Wars Story–Expanded Edition novelization by Mur Lafferty (Del Rey). Not since Donald Glut’s novelization of The Empire Strikes Back had we encountered a Star Wars story as engaging as this one. Lafferty took the final film version and Lawrence and Jon Kasdan’s script to weave together something fuller than the film on-screen. Surprises and details moviegoers may have overlooked were revealed, and characters were introduced that didn’t make the final film cut. Better yet, the writing itself was exciting. We read more franchise tie-ins than ever before this year, and many were great reads, but this book had it all. Honorable Mention: Big Damn Hero by James Lovegrove (Titan).
Best Genre Non-fiction – Hitchcock’s Heroines by Caroline Young (Insight Editions). A compelling look at the director and his relationship with the leading women in his films, this new work on Hitchcock was filled with information diehard fans of Hitchcock will not have seen before. Young incorporated behind-the-scenes images, costume sketches, and a detailed history of the circumstances behind key films of the master of suspense and his work with some of Hollywood’s finest performers.
There’s much more of our selections for 2018’s Best in Print to go…
Review by C.J. Bunce
We first previewed the new series back in January here at borg.com. The Minky Woodcock story The Girl Who Handcuffed Houdini is as much a showcase of the creator’s various talents as a mash-up of great story concepts. Cynthia von Buhler is an artist, performer, playwright, and author. Her fictionalized tale of the last days of Houdini draws a bit from the modern mainstream shock drama (think The Girl With the Dragon Tattoo), her unique provocative art style (fans of Stjepan Šejić will love it), her affinity for crime noir, and her own investigation into the death of a relative in the 1930s. The result is a new, crafty, shrewd, and fiery private detective, the fictional Minky Woodcock, a character who proves she can hold her own against Arthur Conan Doyle, and would make a good lead in an ongoing noir series (in fact a follow-up story is in the works for next year, with Minky investigating the mysterious poisoning death of Ziegfeld Girl Olive Thomas). The complete The Man Who Handcuffed Houdini is now available in a colorful hardcover edition from Titan Comics and Hard Case Crime.
The life of master magician Harry Houdini intersected with many other celebrities of the day, and a few of them come into play in von Buhler’s story (she both wrote and illustrated the story). The Girl Who Handcuffed Houdini tracks the magician in the 20 days leading up to his death on October 31, 1926. Incredibly enough the strangest elements of von Buhler’s series are real. Minky Woodcock is the writer’s creation–the daughter of a private investigator who is hired first by Arthur Conan Doyle to help him discredit Houdini, she is later hired by Houdini’s wife as a magician’s assistant to keep tabs on the magician (a purported philanderer). The blend of the true and the fabricated is artfully drawn into an impressive tale of 1920s debauchery, fraud, celebrity, and spectacle.
The new hardcover compilation edition includes the main cover artwork and variants for the four issues of the series. Von Buhler balances realism with the surreal. Her choice of color has the nostalgic flair of Matt Kindt’s DeptH series, her images of real people (like Houdini) are spot-on, and she particularly excels at skintones, which appear almost photo-real in contrast to the book’s comic page designs.
Review by C.J. Bunce
The life of master magician Harry Houdini intersected with many other celebrities of the day, and a few of them come into play in a new four-issue comic book series by writer and artist Cynthia von Buhler. A new addition to Titan Comics’ Hard Case Crime works, Minky Woodcock: The Girl Who Handcuffed Houdini tracks the magician in the 20 days leading up to his death on October 31, 1926. Incredibly enough only the strangest elements of von Buhler’s series are real. Minky Woodcock is the writer’s creation–the daughter of a private investigator who is hired first by Arthur Conan Doyle to help him discredit Houdini, she is then hired by Houdini’s wife as a magician’s assistant to keep tabs on him. The blend of the true and the fabricated is smoothly drawn together into an impressive tale of 1920s debauchery, fraud, celebrity, and spectacle.
Yes, Houdini and Doyle were once friends, and their relationship fell apart over their views on spiritualism. Doyle employed a bizarre spiritualist for Houdini (appearing in the comic) who conducted séances in the nude (who knew the 1920s had such characters?). When Houdini’s mother was summoned, communicating through the medium in the form of a letter, Houdini was quickly able to see the fraud as an image of a cross appeared and the language was written in English. Houdini’s mother was Jewish and spoke no English.
Von Buhler writes and illustrates both her heroine Minky Woodcock and Houdini’s wife Bess as fascinating women of the 1920s. Von Buhler’s artistic style is perfectly suited for the story–her women look like they emerged from 16mm film from the Golden Age of cinema–she uses pen and ink with a watercolor method that makes the issues of the series look like they’re printed on classic pulp paper. And her renderings of Harry and Bess Houdini look like their photographs.
