Anyone who grew up with the original Star Wars trilogy also grew up with the Kenner line of action figures and other toys. Eagerly awaiting kids learned about each new figure and each new ship and playset via commercials during Saturday morning cartoons. They also learned about them in the Sears and JC Penney Christmas catalogs and mini-catalogs that accompanied certain ships, games and playsets–making checklists from the catalog for Santa was a key component of being a kid. Over the next two days an auction house in Valencia, California is selling off a Star Wars fan’s ultimate dream collection. At its Vintage Toys and Collectibles Live Auction, auction house Prop Store is auctioning off a spectacular collection of the Star Wars toys most kids from the era are familiar with, plus many of the rarer toys and prototypes that were known for decades to exist only through rumor and occasional obscure references. Among the collection is a high-quality collection of nearly 100 pieces from Lucasfilm executive Howard Kazanjian.
Long before the latest Star Wars trilogy, Luke Skywalker actor Mark Hamill mentioned in interviews that certain Lucasfilm professionals received the line of new tie-in toy products as they were rolled out. He mentioned that his kids enjoyed most of them, and he’s joked about wishing he’d saved some in the original boxes because of the sale prices some achieve today. Kazanjian was also on that distribution list, and he maintained the toys he received in the mail for 40 years, some boxes were never opened and remain in near mint condition. Prop Store’s auction catalog is incredible, a full color book of photographs and descriptive information almost as exciting as the auction itself–an extraordinary trip back through time even if you’re not able to drop $5,000–minimum–on a rare vinyl-caped Jawa or Yak Face variant action figure.
Bop bags, a Luke headset radio, Give-a-Show projectors, all the ships and action figures you remember, and trading cards are just the beginning, The auction is featuring the rare Cloud City cardboard playset kids first saw in the Sears catalog–the only early playset that included four action figures (currently bidding at $400). There’s the radio-controlled Sandcrawler (currently at $2,500), rare plush toys each starting at bids in the thousands of dollars, and all but the rare IG-88 figure in the large-sized version that was created for the key characters to match up with G.I. Joe and The Six Million Dollar Man.
But the 3.75-inch action figures make up the bulk of the toys hitting the auction block today. The rare vinyl-caped Jawa even before the auction starts is already bid up to $6,000 (all bidders must pay the strike price plus more than 20% of the price for now-standard auction house fees). An original R2-D2 is at $4,000, and if you want one of the rare “Power of the Force” Yak Face figures, it’s going to cost you more than $8,000. At the end of the initial run of The Empire Strikes Back, I remember an entire wall of Yoda figures at my Target store being sold on clearance at fifty cents apiece. That action figure type in this auction has already been bid up to $1,000. In hindsight the figures on that clearance display were worth a small fortune.
In light of Michael Keaton’s Academy Award nomination for best actor in the new film Birdman, we’re launching Michael Keaton Week here at borg.com. Last year Keaton played a dramatic role as a business executive trying to sell America on bipedal drone security and law enforcement that led to the creation of a well-known cyborg in the remake of RoboCop, reviewed here at borg.com. Everyone first thinks of Keaton from his role as Batman in the original superhero film that re-launched modern superhero blockbusters. Before that there was his over-the-top, ghost-with-the-most in Beetlejuice. But how did he get here and what steps helped him become the beloved actor he is today?
Born Michael Douglas, he would use the stage name Michael Keaton on-screen in light of potential confusion with Academy Award-winning actor/producer Michael Douglas (Wall Street, One Flew Over the Cuckoo’s Nest, Coma, The China Syndrome, Romancing the Stone) and TV show host Mike Douglas (if Keaton wins this year for Birdman, he’ll be the second Michael Douglas to win the coveted prize). The year 1982 was a perfect time for the entry of someone like Michael Keaton into popular culture. A young Tom Hanks was on TV in Bosom Buddies and Robin William’s Mork & Mindy was in its final season–these kind of zany comedies were just what early 1980s audiences were after.
With the passing Thursday and public announcement yesterday of classic movie and TV comedian Jonathan Winters, we thought we’d post a few clips of some our favorite bits of his unique humor. In countless interviews Robin Williams counted Winters as his comedic inspiration, both men at the top of the world of improvisation. Born in Dayton, Ohio in 1925, Winters went on to serve in the Marines in World War II. His first TV appearance was on Chance of a Lifetime in 1954, and his 15-minute variety show The Jonathan Winters Show on October 23, 1956, sponsored by Tums for RCA on the NBC network included the first color video ever to appear on television. That’s right, it was Jonathan Winters who brought color to the TV-viewing world.
Every generation who watched TV encountered Winters in some way. He led the second generation of modern American comedic actors, following The Marx Brothers and Laurel and Hardy. He was known by some as the Hefty garbage man and by others for his recurring bit as Maude Frickert. Like many comedians in his and later generations, he released many comedy albums on LPs. In 1961 Winters first entered the world of sci-fi TV in The Twilight Zone episode “A Game of Pool” with Jack Klugman. He appeared in more than 50 movies and guest starred and starred on many TV shows in his 60 years as an actor, including repeated appearances in every major variety and talk show over the years.
Outer space looks so peaceful and tranquil from the images we have received over the years from NASA astronauts. Yet the reality of space is that it is an unforgiving place, and impossible to survive in without adequate protective gear. Without a space suit you would lose consciousness within seconds because there is no oxygen. Blood boils and then freezes because of the lack of air pressure. Extreme changes in temperature would kill you one way or the other: In sunlight temperatures reach 248 degrees Fahrenheit and in shade temperatures drop to -148 Fahrenheit. And you’d be exposed to radiation. Basically, no spacesuit… and you’re done for.
Above is an image of the actual space suits used by American astronauts in the 1960s and 1970s. I grew up with stories from my dad about being on one of the recovery ships for John Glenn’s (first!) historic space flight. I was fortunate to have worked with a NASA spacesuit on display at the National Air and Space Museum at the Smithsonian Institution on the Moon Landing’s 20th anniversary, and witnessed the three Apollo 11 astronauts speaking of their journey. Since then I have met two other men who went to the moon. On the one hand they are just people like everyone else. On the other, they all realize they have done something incredible.
Harrison H. Schmitt, the 12th and last man to walk on the moon, at book launch with Elizabeth C. Bunce and C.J. Bunce.
I’ve also been lucky enough to see in person not only the several space capsules in Washington, DC, but something I never thought I’d see when I was a kid–Gus Grissom’s Liberty Bell 7 capsule, cleaned up after being found at the bottom of the Atlantic resulting from his controversial flight. Real life space travel carries a special kind of magic, and to try to match it, Hollywood has its work cut out for it.
Gus Grissom’s restored Liberty Bell 7 module, now at the Kansas Cosmosphere and Space Center.
More than a century of science fiction has recognized the need for some travel suit or the other for space travelers of the future. As reflected in science fiction films, costumers in Hollywood have adapted to the cutting edge science of the day to perfect the look and feel of the future for their science fiction fan audience. But it wasn’t until the space race that the modern real space suit look was established as the standard, when costumers realized that realistic travel in space required pressurized suits, including what is obvious today, components like gloves and airtight helmets.
Whether film producers are making TV series or movies, space suits end up as a large chunk of the production budget. Looking right costs money. Leading the way in the future of dress in outer space was the original Star Trek series and subsequent Star Trek series. But because of budget constraints there was a surprising lack of actual space suits on each of these series. Even though the cast of Star Trek: The Next Generation referred to their shipwear as “space suits” on a daily basis on set, that’s not the type of gear we’re discussing here. A chronicle of those types of suits would fill a book, from Star Trek to Babylon 5 to all the other science fiction TV series made by the Syfy Network alone. Those typically form-fitting and more military styled suits were a much cheaper way to make a TV series that could survive financially. Likewise, we’ll save for another day space pilot suits, like Luke Skywalker’s X-Wing fighter flight suit from Star Wars and Apollo’s Viper flight suit from Battlestar Galactica. But even Star Trek was able to spend budget dollars on space “outer wear” over the years from time to time.
The following is a look at the change of the design of the space suit in film over the years. Literally thousands of artists’ renderings of space suits can be found in countless covers to pulp novels, comic books, and other works, too. Many of them influenced or mirrored the designs below, and ultimately the costume designers rarely stray from reflecting the forward looking vision of their time. Note: Please send us your updates, new images and old, suits we missed and those published since this article was written, care of editor@borg.com.
In the 1902’s A Trip to the Moon, probably the first real science fiction film, they didn’t even bother with a space suit, just the explorer’s formal dress of the day.
The dawn of sci-fi serials arrived. In the 1950s serial Captain Video, the heroes wore basically modified football helmets and contemporary air force gear.
But Captain Video also had more futuristic garb.
In 1950’s Destination Moon, we see the first of the color-coded space walkers, a concept used as recently as in Star Trek 2009.
In 1950’s Space Patrol we begin to see a costuming theme–the multiple cuff rolls–an element that makes it to the Star Trek movies in the form of the radiological suits.
In 1951, serious science fiction comes of age with The Day the Earth Stood Still, and with it we get a peak at not what Earthlings might wear in space, but what the aliens already there wear.
In Cat-Women of the Moon (1953) we see more of the rolled armwear that would become typical of 1950s TV and film, and the glass globe found in many lesser sci-fi works.
More cuff rolls! With the comedy Have Rocket Will Travel (1959) the Three Stooges enter the Space Age.
Throughout the span of the series, The Twilight Zone featured several episodes focusing on astronauts, and made the best of a small budget, including these costumes in the episode Elegy…
… and Little People, again with the football helmet.
In 1961, no “costume” was necessary as Earth witnessed the first astronaut donning a space suit in outer space, with Yuri Gagarin’s epic flightas the first human in space.
In 1965 Lost in Space not only featured John Williams’ first sci-fi soundtrack, but cutting edge, cool space stories and characters filled the TV screen, including Dr. John Robinson’s space suit.
The TV series The Outer Limits offered up various versions of spacesuits in the early 1960s, but no performance in-suit was as memorable as that of William Shatner in the episode “Cold Hands, Warm Heart,” a realistic space suit like those worn by real astronauts.
In the 1970s one of my favorite comedic actors was Jerry Lewis. Being a kid I laughed at everything he did, and I remember not quite understanding more of the risque bits of his 1966 film with Connie Stevens about bringing both sexes together in space: Way, Way Out. It also makes me think this was the start of me thinking all space suits should be made of aluminum fabric.
My love of the silver space suits, of course, may also be because of the Mercury program space suits…
… and of the great astronaut G.I. Joe.
In 1966 the original Star Trek arrived. I’m not sure if it is truly a space suit or more of protective wear, but here is Spock sporting full gear in the episode The Naked Time.
1967 saw the first of the James Bond films addressing outer space with You Only Live Twice, with Russians in space.
In the bawdy comedy In Like Flint, James Coburn ends up in space with a silver suit… and good company
The typical bumbling Don Knotts role was even more fun in space, as seen in 1967’s The Reluctant Astronaut.
In 1968 Star Trek got real space suits instead of velour shirts, as seen here worn by the Enterprise crew in the classic episode The Tholian Web.
Upping the ante, Stanley Kubrick spared no expense to create multiple space suit variants for 2001: A Space Odyssey in 1968. Here we have that color-coding concept again.
Here is David’s red-orange suit close-up.
And the yellow version of the suit.
And 1960s camp participated in the Space Race as well, as seen in 1968’s Barbarella.
But it didn’t stay on long.
In the same year, Charlton Heston & Co. soar off in space gear to a very familar planet in The Planet of the Apes.
Tons of Doctor Who shows featured often bizarre space travel outfits. One Doctor Who special had its own take on the space suit, here in the 1968 film Doctor Who and the Wheel in Space. (Watch out for those Cybermen!)
In 1971, Earthlings saw Heston’s character leave in a rocket and apes return in Escape from the Planet of the Apes.
Strange goings-on for Sean Connery’s James Bond in 1971’s Diamonds are Forever.
As a big John Carpenter fan, I was surprised his early film Dark Star was so hard to watch. And he used very odd space suits.
In 1975, Space: 1999 had Martin Landau and even women astronauts in these great, orange suits, similar to the Star Wars X-Wing pilot suits filmed around the same time.
I’ve heard that NASA loaned real space suits to The Six Million Dollar Man series for at least one episode. I wouldn’t be surprised, as they look perfect.
Here Jenny Agutter is shown guest starring on an episode of The Six Million Dollar Man in a great suit.
In 1977 Capricorn One showed us what conspiracy theorists thought all along, that even the real astronauts were wearing costumes. Waterston, Brolin, and Simpson.
Strangely enough there are not a lot of space suits used in the Star Wars series since, like Star Trek, they didn’t have pressurization or other environmental concerns with their vehicles. One standout is an astronaut hanging at the Mos Eisley spaceport cantina. This photo is actually from the Superbowl ad from this year, creatures created by Tom Spina Design.
The original cantina guy in space suit.
Between 1978 and 1982, Mork & Mindy catapulted Robin Williams career. He arrived in a space suit complete with strange helmet. The series had access to the Star Trek archives and was able to use original series costumes and props.
In this episode of Mork & Mindy, Mindy’s dad wears a space suit consisting of the Star Trek original series Tholian Web space helmet mismatched with The Naked Time protective suit!
Come back tomorrow and we will continue with part 2–42 more uses of space suits in TV and movies, from 1979 to today.
The ultimate in original borg technology could be yours. For the right price.
Auction house Profiles in History‘s Icons of Hollywood auction is December 15-16, 2011, and it offers another round of some of the best props and costumes Hollywood has to offer, from a set of Dorothy’s actual screen-used slippers from Wizard of Oz to Mork’s outfit from Mork & Mindy to Steve McQueen’s naval uniform from The Sand Pebbles to one of the cars used as the General Lee in Dukes of Hazzard to a DeLorean from Back to the Future III we discussed here this summer, to an original Dalek from Doctor Who. There’s something at the coming auction for everyone.
But for fans of cybernetics, cyborgs, and bionics, and other early borg technologies, and fans of the Six Million Dollar Man and Bionic Woman, nothing is cooler than the special effects arm modeled off of Lindsay Wagner as the Bionic Woman. Next to one of the Bionic Man’s red jumpsuits (anyone have one for sale? let me know!) this is a great prop that gets to the heart of what the series was about.
It is a special effects arm made of latex, wires, springs, a circuit board and circuitry, used to show the implanting of an “evil programming chip” used as a key story element in the 1994 TV movie Bionic Ever After?, the show where Steve Austin and Jaime Sommers finally tie the knot. It includes clamps, syringes and tubing that is reminiscent of the popular toy repair center from the 1970s.
The prop was used in a scene where the bad guys perform surgery on a drugged Jaime, implanting a chip with a computer virus in it to make her bionics go haywire.
It is estimated to sell for at least $2,000-$3,000. It comes from the collection of movie makeup guru Jeff Goodwin, as discussed on this website, where you can see photos of other items he consigned to the coming Profiles in History auction.
More information on the auction can be found at the Profiles in History website.
