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Tag Archive: Nathaniel Hawthorne


Review by C.J. Bunce

This month sees the bicentenary of acclaimed American author Herman Melville′s birthday, August 1, 1819.  If you were an artist and asked to draw a defining interpretation of the author’s creations, what would you draw?  Ahab, Ishmael, Queequeg, the Pequod, the whale, or some other inspiration from Moby-Dick, right?  So the fascination for many of a new book of artwork interpreting and saluting the 19th century American author will be searching out how the 1851 classic novel Moby-Dick; or The Whale is interpreted, and what other creative ideas found their way to paper recalling his other, lesser-known works.  This Wednesday comic book publisher A Wave Blue World/AWBW will be releasing such an assemblage, From Hell’s Heart, a full-color, hardcover volume featuring the works of 57 artists.

Most readers today will look at the title and first recall Ricardo Montalban uttering the title as the villain Khan in Star Trek II: The Wrath of Khan, part of his many monologues pulled by screenwriter Nicholas Meyer from the likes of Melville and Shakespeare.   But you might also recall from grade school days the short story of Bartleby, the Scrivener, a character study of the early poster boy for the modern office’s work-averse workforce.  Artist Nacho Yunis provides a superb mock retro-style comic cover for his entry honoring that story, and Fernando Blanco’s contribution is perhaps the most evocative snippet in the book from the mind of Melville.  The artists stepped up to create imagery more interesting than the Melville excerpts you were have likely to been force fed-in junior high American literature class.  Surprisingly, most of the artists conjured images taking on the feel of H.P. Lovecraft in their haunting beauty, including the image of psychological horror on the cover by the artist known as Well-Bee.

Comic book readers will find renderings from some familiar artists in these pages, including Andrea Mutti, Maxim Simic, Ryan Sook, Denis Medri, and Brandon Graham.  As expected, the bulk of the artwork is devoted to the great whale.  Bjarne Hensen provides a strikingly colored street scene from Moby-Dick.  Victoria Maderna and Federico Piatti contributed a fantasy image that begs for an entire reprint of the novel with their artwork peppered throughout.  Steve Baker opted for fun, depicting the whale as a dog and kids playing Moby-Dick as they might play Cowboys and Indians.  Cosimo Miorelli gets the mood in his image just right.

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Review by C.J. Bunce

It’s a fantasy novella that reads like a classic Louis L’Amour Western, full of legend and lore, a book for readers that enjoy every word by an author who really knows how to pen sweeping, artful prose.  And don’t let the fact that it comes at the end of a series stop you from giving it a try.  It’s Peter V. Brett’s Barren, part of his Demon Cycle series, just released by Harper Voyager.  It’s a rather epic story of the past catching up to the present for Selia, a woman warrior in her late sixties.  She’s the leader of a community with its own religion and a dialect that could double for the speech of colonists from the Firefly ‘verse.  It’s also a community that has a variety of demon attacks it must fend off each nightfall.  And while this warrior wrestles with managing the village problems and her own personal relationships, the attacks are only getting worse.

Brett, known for writing his first fantasy novel on his telephone during commutes on the subway, writes his world of the village of Tibbet’s Brook quite eloquently.  Unlike most fiction these days, every sentence is not simply about rushing the reader to the gotcha at story’s end.  Brett fully immerses the reader in this unfamiliar place, with struggles that parallel those of our own world in any decade.  At times Barren feels as classic and on-point as Nathaniel Hawthorne’s Scarlet Letter, with a bit of the unexpected a la Shirley Jackson’s The Lottery.  The fear in the story isn’t some uncertain future or neighboring army, but both themes are part of the story–the fear comes from the trust and prejudices of those that surround Selia.  The Western feel comes from the relationships of Brett’s characters with an interconnected past, a close-knit group of recently united but competitive chieftains akin to the culture in the World of Warcraft realm.  In this regard you could drop the fantastical elements and swap spears for rifles and these characters, and this story would hold up as a L’Amour novel (Selia is a grown-up Echo Sackett from Ride the River).

Told from two stages of Selia’s life, we meet the young woman learning from her mother and father, the tribal leader, and then as the older woman who has taken on her father’s role.   She gains and loses her most significant personal relationships along the way with only the support of those who are closest to her.  She’s an inspiring, strong heroine lead, respected by many in Tibbet’s Brook, the kind of leader who is first into the battle–she gets some nicely choregraphed action scenes to prove her physical prowess.  For the short page count there are a surprising number of good supporting characters.  If Brett’s other stories include such fascinating female leads, then this would be a series for fans of the fantasy genre to reach out for.

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