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We’re back today with the second part of my interview with Nicholas Meyer, director, screenwriter, and storyteller, as we celebrate the 35th anniversary of Star Trek II: The Wrath of Khan, and its return to theaters next month as part of the Fathom Events series.  Meyer directed Star Trek II and Star Trek VI: The Undiscovered Country, and he was a screenwriter on both movies as well as Star Trek IV: The Voyage Home.  He chatted with me about his films and more this past week.  If you missed part one of the interview, check it out here.

CB:  You’ve written words spoken on-screen by Lawrence Olivier (The Seven-Per-Cent Solution), David Warner (Time After Time, Star Trek VI), and Christopher Plummer (Star Trek VI).  Are there any other great actors you maybe fantasize, or would like to write, dialogue for?

NM:  I’ve also worked with Jason Robards and John Lithgow (both in The Day After).  I’ve worked with some really wonderful actors.  Fantasizing about working with actors is interesting.  When I listened to the Chandos recording of the music from Henry V–the Olivier film with Christopher Plummer reciting or acting out the various Shakespeare vocal parts–I thought, “Wow, I’d really love to work with this man.”  And I wrote the part of Chang in Star Trek VI specifically for him.  That’s the first time I’ve ever written for an actor other than the Star Trek cast.  I said to my casting director Mary Jo Slater, “Whatever you do, don’t come back without him.  Because there’s no movie unless it’s him.”  It would take me longer than this conversation to rustle around in my brain other actors I’d love to work with–Benedict Cumberbatch–sure, of course.

Nicholas Meyer directing the production crew, with Christopher Plummer as General Chang, on the Klingon courtroom set of Star Trek VI: The Undiscovered Country.

CB:  Your Time After Time co-star Malcolm McDowell joined Star Trek in the seventh movie in the series, Star Trek Generations, after you were no longer with the franchise, and it always seemed to me to be an obvious choice to get him into the Star Trek universe.  Did he ever contact you about taking on a Star Trek role?

NM:  No… we never discussed it.  David Warner, who actually has been in two Star Trek movies (as Chancellor Gorkon in The Undiscovered Country and St. John Talbot in Star Trek V: The Final Fronter), was the great post-war Hamlet with the RSC (Royal Shakespeare Company), and I think Malcolm at one point was a spear carrier in that company at the time when David was this huge star.  In Time After Time they used to kid each other about those times.  Something about carrying a pack of cigarettes under your costume.

CB:  You have said you see yourself first as a writer and have been writing and telling stories since you were five years old.  Are you as excited today to sit down and craft a story as you were in 1982?

NM:  I think when I get going the answer is yes, and if it’s going well the answer is yes, and the hours can go by and I look up and it’s a week later.  But as I’ve gotten older, the process of actually starting, of facing what used to be a blank page, which is now a blank screen, having done it again and again and again…  Most of the stuff I’ve written has never been produced.  Most of the stuff I’ve written for books I’m happy to say has been published, but I haven’t written that many books.  But most of my screenplays–including probably my best screenplays–have never been done.  So as you get older and you embark on this again and again and again there is a kind of a weariness of picking up the yoke and putting it on your shoulders.  That said, getting paid for telling stories beats work any day.

On the Star Trek II: The Wrath of Khan Engineering set, that’s Catherine E. Coulson (later Twin Peaks’ Log Lady) with the camera, director Nicholas Meyer (in Starfleet captain’s jacket) and James Doohan as Scotty, filming the emotional finale.

CB:  In your memoir The View From the Bridge, you mentioned some of your best ideas or solutions when writing come while doing laundry, while in the tub, or even building a model boat.  What was your biggest revelation and strangest place you found it?

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