Tag Archive: Parisa Fitz-Henley


It all comes down to a single maxim:  Be careful what you wish for.

As often as not, in Fantasy Island’s seven seasons and 152 episodes, audiences never could be quite sure what Ricardo Montalban’s exotic island host Mr. Roarke was up to in his attempts to fulfill the desires of his exclusive guests on the remote Fantasy Island.  Sometimes that meant taking guests back to relive their worst nightmares.  So now that horror film company Blumhouse has their mitts on the franchise, it’s anyone’s guess what is in store.  At a minimum, the trailer for the new movie Fantasy Island looks like an easy to cultivate new horror franchise.  The horror movie industry has demonstrated the darker the franchise, the more big money it makes.  But for every The Conjuring, Saw, Paranormal Activity, Halloween, The Ring, Friday the 13th, or Nightmare on Elm Street series of movies, there’s the nearly successful horror sub-genre that includes a little less dark takes, more often with laughs, like Scream, Scary Movie, Final Destination, I Know What You Did Last Summer, and Happy Death Day.  Where will the victims, er, guests of Fantasy Island land?

Michael Peña (Ant Man) steps into the shoes of Montalban as Mr. Roarke.  Don’t look for the sidekick character Tattoo in this reboot–that role seems to have gone to Parisa Fitz-Henley (Luke Cage) as Julia.  Jeff Wadlow, Kick-Ass 2 director, and producer of The Strain and Bates Motel, is directing the picture, billed as a comedy/horror/mystery (putting it in the Scream camp?).  Other cast includes Lucy Hale (Katy Keene, Bionic Woman, Scream 4), Maggie Q (Nikita), Portia Doubleday (Carrie, Mr. ROBOT), Ryan Hansen (Veronica Mars), Charlotte McKinney (Flatliners, Baywatch), and Austin Stowell (Colossal). Michael Rooker (Guardians of the Galaxy, Eight Men Out, Tombstone) is said to be in this, too, but isn’t in the first trailer.

Here’s the first trailer for Fantasy Island:

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cage

In comic books featuring decades old characters, years of monthly stories stack up, build up to allow characters to get fleshed out, defining plots ironed out and redone until they are synonymous with the characters, and those stories sculpt characters and worlds that fans feel they know very well.  Well enough to defend the characters if a modern adaptation doesn’t get it quite right.  Although Marvel Studios adaptations have done well at the movies, its television shows haven’t measured up so well.  Until now.  The Netflix series Marvel’s Luke Cage is full of so many elements that make it a quality series you can expect it to be a contender at next year’s Emmy Awards.  And the successful 13-episode Season One of the famous Power Man of Marvel Comics’ past is readying us for the next Marvel series, featuring Luke Cage’s martial arts partner Iron Fist.  We’re previewing the first trailer for Marvel’s Iron Fist here at borg.com below.

Marvel’s Luke Cage succeeds in two unique ways.  First, Luke Cage is completely loyal to its 1970s origin.  Carl Lucas, played by Mike Colter (reprising the role he began in Marvel’s Jessica Jones), is a man from Harlem, imprisoned for a crime he didn’t commit.  A very Stan Lee-style, comic book experiment gone bad much like that found in the origins of The Incredible Hulk, Spider-man, and Deadpool results in Carl gaining incredible physical strength, cellular changes in organs that allow his skin to deflect bullets, and rapid body repairing, all thanks to a mad scientist named Dr. Noah Burstein (played in the series by Michael Kostroff).  Lucas escapes and changes his name to Luke Cage.  Key characters from the comic books fill in the blanks of his life, including Dr. Claire Temple (a role reprised from the other Netflix Marvel series by Rosario Dawson), Reva Connors (Parisa Fitz-Henley), Misty Knight (played brilliantly by Simone Missick), nemesis Stryker (Erik LaRay Harvey), and a mobster named Shades (played by Theo Rossi).  The story hails from the Blaxploitation era, with Cage similar in cool toughness to Richard Roundtree’s John Shaft, and female characters that could all have been portrayed by Pam Grier if this were a contemporary adaptation.

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The other indicator of success for this adaptation is the ability to update the story to today, for today’s viewers, and to make the story timely.  Set in a New York City neighborhood with a gritty tale like Spike Lee’s Do the Right Thing (with Harlem swapped for Bedford Stuyvesant), the rough-and-tumble Harlem of the series encounters the same class warfare, the same friction between police and minorities, and the same political corruption that is, as once professed by the original Law and Order series, “ripped from the headlines.”  Luke Cage is a mix of plenty of good genre moments we’ve seen before, yet, thanks to the likeable and believable series star Mike Colter, it succeeds on its own merits.  It is at once a mix of the M. Night Shyamalan hooded superhero played by Bruce Willis in Unbreakable, and yet its first season follows a modern mobster-based story much like that of Fox’s current DC Comics-inspired television series Gotham.  And it all starts with that local barber shop we see in so many inner-city-based stories-unlike the typical superhero story the hero is not trying to save the world, he’s trying to save his neighborhood.

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Luke Cage is dark, darker than other Marvel properties, just as it was when the comic book first appeared.  This New York City is not a sparkly comic book Metropolis or even a Batman-grim Gotham City.  It was rough like real life is rough.  And where this adaptation could otherwise land in the PG-13 realm since it lacks the volley of F-bombs from most pay channel series, because of some nudity, Deadpool-level violence, and prevalence of the N-word in street talk, this is one for the adult audience.  That doesn’t mean there isn’t some great fun here, to be found in the viewers’ empathy for this anti-hero/vigilante as he takes his lumps and their subsequent cheers as he “gains justice” from those who wrong both him and those he cares about.  The throwbacks to the original are also quite fun, throwbacks like those used in the G.I. Joe movies, like Cage’s tagline profanity replacement “Sweet Christmas,” a phrase Colter gets exactly right and somehow makes work completely in 2016, plus references to his “Power Man” comic book title as well as his “hero for hire” tagline, and in one scene he disparages his outfit when he finds himself in one of his comic book era outfits.  Woven into the series are Easter eggs to listen for, including many indirect cross-references to Netflix’s previous Marvel series Daredevil and Jessica Jones that are relevant to this story.  This adaptation of a 1970s comic book series reveals the producers can stick to the original elements and still make this story relevant in 2016.

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