Review by C.J. Bunce
Sometimes you can align the right fan with a project and come up with something great. Add Mark Edlitz to that list and his fascinating, broad look at the James Bond franchise in The Many Lives of James Bond: How the Creators of 007 Have Decoded the Superspy. As audiences get ready for 2020’s No Time to Die, the franchise continues to be as popular as ever, through new fiction and non-fiction books, comics, music, posters, and more. But how do you translate the master British spy from Ian Fleming’s original stories into new stories, or adapt the character to the big screen, to audio books and radio plays, and to spin-off comic books and novels? Mark Edlitz is a long-time fan who took his tape recorder along to Bond conventions over the years and interviewed everyone he could find in front of and behind the camera, then expanded that into people behind the books and everything else he could find. The result is the largest collection of Bond oral histories anywhere. The result is The Many Lives of James Bond, now available for the first time, from Lyons Press.
Supplemented with sketch art (from artist Pat Carbajal) and peppered with black and white photographs of the interview subjects, Edlitz makes up for some of the big creators he was unable to interview by interviewing people close to them. Interviewing people is not easy: Sometimes the subjects aren’t good at being interviewed, and oftentimes subjects are evasive for whatever reason. But most subjects in the book said they felt a certain family connection to the honor of working on a Bond project, and were open with their thoughts. It’s full of all kinds of surprises, and more insights than you can imagination about being Bond, from interviews with Roger Moore and George Lazenby, a stunt double, Hoagy Carmichael and David Niven’s sons (Fleming’s initial visions for Bond), and Glen A. Schofield, who provides his account of working with Sean Connery as voice over actor in a video game 20 years after his last Bond performance. The Many Lives of James Bond also looks back to some early, pre-Bond film era performers.
Edlitz covers casting the role and directing Bond (from movie directors Martin Campbell (GoldenEye, Casino Royale), Roger Spotiswoode (Tomorrow Never Dies), and editor and unit director John Glen (who worked on eight films with four Bond actors)), writing words and working with the famed producers who own the Bond legacy (from interviews with more than a dozen writers, including three-time Bond screenwriter Bruce Feirstein), creating music for Bond (from songwriters Leslie Bricusse (Goldfinger, You Only Live Twice) and Don Black (who wrote songs for five films)), creating clothes for Bond (from Jany Temime (Skyfall, SPECTRE)), and even marketing Bond (in movie posters created by Robert McGinnis (Diamonds are Forever, Live and Let Die), Rudy Obrero (Never Say Never Again), and Dan Goozee (Moonraker, Octopussy, A View to a Kill)), all while trying to be faithful to Fleming’s vision while adapting when necessary to changing times.
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