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Tag Archive: Patty Jenkins


To celebrate International Women’s Day tomorrow, Mattel previewed two new waves of Barbie dolls intended to inspire and educate kids.  Hinted at as forthcoming in the recent Netflix series The Toys That Made Us, the dolls celebrate three real-life heroines of the past in its entirely new “Inspiring Women” line, and 14 new women of the present have been designed as additions to Mattel’s “Shero” line.  The dolls aim to follow the vision behind the original toys’ creator, Ruth Handler, who once said, “My whole philosophy of Barbie was that, through the doll, the little girl could be anything she wanted to be.  Barbie always represented the fact that a woman has choices.”

The women reflected in the new dolls include heroines of the past: aviation pioneer Amelia Earhart, artist Frida Kahlo, and NASA mathematician and physicist Katherine Johnson.  The 14 new heroines of the present include conservationist and animal rights activist Bindi Irwin, journalist and Seven Summits mountain climber Martyna Wojciechowska, designers Leyla Piedayesh and Vicky Martin Berrocal, athletes Chloe Kim, Çağla Kubat, Nicola Adams, Lorena Ochoa, Hui Ruoqi, and Sara Gama, Chef Héllène Darroze, movie director Patty Jenkins, ballerina Yuan Yuan Tan, and actor Xiaotong Guan.  The new line of Shero dolls adds to the line-up that began in 2015 and already includes actors Emmy Rossum and Kristin Chenoweth, journalist Eva Chen, ballerina Misty Copeland, singer Trisha Yearwood, movie director Ava Duvernay, gymnastics Olympian Gabby Douglas and fencing Olympian Ibtihaj Muhammed, and model Ashley Graham.  Only Douglas, Muhammed, and Graham were made available in wide release, making this new release of 14 figures the first truly expansive Barbie line inspired by real people.

Twelve of the 14 new figures include Vicky Martin Berrocal, Xiaotong Guan, Bindi Irwin, Sara Gama, Chloe Kim, Martyna Wojciechowska, Nicola Adams, Yuan Yuan Tan, Patty Jenkins, Hélène Darroze, Hui Ruoqi, and Leyla Piedayesh. Not shown: Çağla Kubat and Lorena Ochoa.

The dolls feature a broad array of clothing, accessories, hairstyles, size, skintone, and head sculpt detail.  The international selection of new dolls features representatives from Australia, China, France, Germany, Italy, Mexico, Poland, Spain, Turkey, and the United Kingdom, and the United States.

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Perhaps the best part of the film Batman v. Superman: Dawn of Justice were the two behind the scenes books that provided superb coverage of the costumes, props, and vehicles from the film: the Batman v. Superman: Dawn of Justice Tech Manual reviewed here, and Batman v. Superman: Dawn of Justice: The Art of the Film, reviewed here.  These books demonstrate that despite the negative reception of a film by audiences, fans of the beloved characters have some resources to find inspiration for their next cosplay or prop-building project.  The next in the line of books probing behind the scenes of the DC Comics universe created for the big screen is this summer’s Wonder Woman: The Art and Making of the Film by Sharon Gosling (author of Planet of the Apes: The Art of the Films Rise of the Planet of the Apes and Dawn of Planet of the Apes).  Anyone needing good source photographs of Gal Gadot’s Wonder Woman and the Amazon warriors of her origin story for their next cosplay project will find some great references here, including photos of the greatest of the Amazon warriors, Robin Wright’s badass general Antiope, plus swords and shields of key characters developed for the film.

The best section of the book provides interviews with two-time Academy Award-nominated production designer Aline Bonetto (Amélie) and Academy Award-winning costume designer Lindy Hemming (Topsy-Turvy) as they discuss the planning and development of audiences’ first look at Themyscira on film.  Both worked together closely coordinating design elements between their departments as concepts were developed.  You’ll find 192 pages of artwork, marketing images, on-location photographs, and costumes as they were sketched and later finalized for wear, all in quality color photographs on thick paper stock.  Costume designer Lemming notes that the entirety of the Amazon warrior costume components were prepared by hand, without 3-D printers or similar modern techniques, intending for the resulting products to look as the characters themselves might have made them.  Although Gadot’s costume was already set prior to Hemming’s involvement due to Wonder Woman’s introduction in Batman v. Superman: Dawn of Justice–the costume was designed by Academy Award-nominated designer Michael Wilkinson (American Hustle, Tron: Legacy)–Hemming discusses re-designing the boots and attempting to make the rest of the costume more comfortable for Gadot, and this was an element for the other costume designs as well, many of which would be used for stunt and action scenes requiring significant movement.

Two-time Academy Award-winning visual effects supervisor Bill Westenhofer (The Golden Compass, The Life of Pi) managed the film’s significant use of CGI along with practical effects where possible.  Westenhofer discusses stunt sequences (including the end of film fight scenes) and points out where the film required digital rendering to illustrate the story’s grand environments.

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About two months since Warner Bros. and DC Entertainment released its third trailer  for this summer’s big screen Wonder Woman movie, they finally have released another full-length trailer.  Many fans have commented on the seemingly scant marketing for the movie in its final months.  With Monster director Patty Jenkins leading the first big-screen film featuring the most popular superheroine of all–and no Christopher Nolan or Zack Snyder–much is at stake for DC’s latest adaptation.

What is expected to fair well at the box office will also probably be one of the biggest moneymakers for a movie set during World War I.  Taking a cue from the Marvel Universe’s first golden age adaptation Captain America: The First Avenger, DC’s first Wonder Woman solo effort ties back not to World War II but WWI, “the Great War.”

Gal Gadot returns from last year’s Batman v Superman as Wonder Woman with Star Trek’s Chris Pine as the first man the Amazon warrior meets, Colonel Steve Trevor.

The new trailer seems to show a bit of everything.  Check out the latest trailer, trailer #4, for Wonder Woman:

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About three months out and the marketing for the 2017 superhero film Wonder Woman continues as DC Entertainment and Warner Bros. released a third trailer this weekend.  What will likely fair quite well at the box office will also probably be one of the biggest moneymakers for a movie set during World War I.  Taking a cue from the Marvel Universe’s first golden age adaptation Captain America: The First Avenger, DC’s first Wonder Woman solo effort ties back not to World War II but “the Great War.”  With Monster director Patty Jenkins leading the first big-screen film featuring the most popular superheroine of all–and no Christopher Nolan or Zack Snyder–we have much hope for this film, even if the glimpses at its cinematography, camera angles, and action sequences borrow plenty from Snyder’s 300.

Gal Gadot returns from last year’s Batman v Superman as Wonder Woman with Star Trek’s Chris Pine as the first man the Amazon warrior meets, Colonel Steve Trevor.  Gadot tweeted a new poster for the movie Saturday:

The new trailer shows some scenes from the film’s version of Wonder Woman’s origin story.  More humor is infused this time around, too.  Both Gadot and Pine look promising as these classic comic book characters.

Check out the latest trailer, trailer #3, for Wonder Woman:

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Seven months out and the marketing for the 2017 superhero film Wonder Woman is in full force.  DC Entertainment and Warner Bros. have released the next trailer for the 2017 release Wonder Woman, along with three new character posters.

Taking a cue from the Marvel Universe’s first golden age adaptation Captain America: The First Avenger, DC’s first effort at a Wonder Woman ties its first story back not to World War II but World War I.  With Monster director Patty Jenkins helming the first big screen film featuring Wonder Woman–and no Christopher Nolan or Zack Snyder, we may have hope for this film, yet the cinematography, camera angles, and action sequences in the previews unequivocally owe plenty to Zack Snyder’s 300. 

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Gal Gadot returns from this year’s Batman v Superman as Wonder Woman with Star Trek’s Chris Pine back on a motorcycle, this time as Steve Trevor.

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Both Gadot and Pine look promising as these classic comic book characters.

Check out the latest trailer for Wonder Woman:

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