Tag Archive: Peter Bogdanovich


Review by C.J. Bunce

For both film buffs and a new generation of a movie fans, a definitive guide to the most influential film directors–spanning a century of Hollywood creativity–will soon be a fixture in libraries everywhere.   Turner Classic Movies/TCM and film writer Sloan De Forest, author of TCM’s Dynamic Dames (reviewed here) and TCM’s Must-See Sci-fi (reviewed here), chronicle 58 directors, their works, and influence on the filmmaking in TCM’s The Essential Directors: The Art and Impact of Cinema’s Most Influential Filmmakers.  From Charlie Chaplin to Steven Spielberg, these are the directors that film aficionados will be unlikely to quibble with.  Some made their marks as household names, others are legendary auteurs, while others provided a singular film or image that has made them synonymous with Hollywood royalty.  From epic dramas, to laugh-out-loud comedies, readers will find TCM’s Essential Directors as the go-to source for the heavy-hitters behind the biggest movies in history.

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Beware the light.

Review by C.J. Bunce

On first viewing of Logan, this year’s most critically acclaimed superhero film, a viewer may love it or leave it.  It’s not your typical Marvel Comics adaptation, full of f-bombs and the bloodiest of action and violence.  Yet it’s also a finely crafted final chapter to the successful X-Men film saga and a tribute to Hugh Jackman’s unprecedented nine-film run as Logan.  Last week 20th Century Fox showed a limited screening arranged by the director of Logan in black and white, called Logan: Noir.  The version is also included on the Blu-ray release available everywhere tomorrow.  If you haven’t seen Logan, skip the theatrical version and go straight to Logan: Noir and if you have seen Logan prepare for a completely different experience with this special edition of the film.

Logan: Noir would be more aptly titled Logan: Black and White, as this is not so much classic noir than a modern Western tale shown in black and white.  Thankfully writer/director James Mangold (Cop Land, 3:10 to Yuma, The Wolverine) carefully and elegantly filmed Logan with an eye for the stark contrasts that black and white film once regularly captured so well.  Parts of the film will reach into your chest and hold you breathless, revealing the full potential of a comic book based film–and more specifically a superhero film.

Its bleak, cold landscapes are evocative of a John Ford (Stagecoach, The Man Who Shot Liberty Valance, The Grapes of Wrath) Western.  Its slow, calculated scenic pans are something Stanley Kubrick (Lolita, Dr. Strangelove) could only have hoped to have achieved in his early work.  Inasmuch as Hugh Jackman is a classic, Western, antihero archetype in his so-far-gone, washed-up, tired and grizzled Logan–former Wolverine of the X-Men–he appears far lonelier and resigned to a dismal, unrelenting future in black and white.  The cold contrasts in this Logan somehow create a vision more true to the Old Man Logan of the comic book source material.

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