Hayao Miyazaki’s Whisper of the Heart may be the anime master’s most heart-warming story. Based on the 1989 manga by artist Aoi Hiiragi, Whisper of the Heart is a 1995 romance and drama about a teenage girl who wants to be a writer, and with the determination and self-discipline necessary, she is successful at completing her first novel. The story within a story that she writes is about an ornamental cat in a store window that she names The Baron. In a fun twist, Hiiragi wrote the girl’s story into another manga, titled The Cat’s Repayment, and that story was adapted into Studio Ghibli’s 2002 anime film The Cat Returns. “The Cat” returns to theaters today (June 26) and tomorrow (June 27) as part of the Fathom Events series to launch Studio Ghibli Fest 2022, which wraps next April with the 25th anniversary screenings of Hayao Miyazaki’s sprawling fantasy Princess Mononoke.
The most infamous, notorious, and maybe most beloved of toymakers, Marty Abrams returned to the toy biz in 2018 (after a stint in prison for fraud and the bankruptcy of his famous toy company–get the whole story on Netflix’sThe Toys That Made Us). The company he made famous–MEGO–gave kids a memorable 1970s line of licensed 8-inch (1:9 scale) action figures, and it has been adding more figures–often in limited supplies–the past few years. Abrams has pulled in a diverse cross-section of licensed properties to get his foot back in the door with kids and collectors. Look around at Wal-Mart and Target and you’ll find an eclectic mix of pop culture nostalgia, some figures resembling sculpts and costumes from the original MEGO figures, others representing characters that may leave you scratching your head, wondering who has been eagerly waiting to see this show in an action figure line. Finally it seems MEGO may be giving its licensors the look they deserve design-wise, as you’ll find with the Young Frankenstein and Universal Monsters line. Check out some of the new and recent figures available below.
For every new movie you watch, you need to go back and see a classic, right? If The Hunt for Red October is Star Trek in the ocean, then Outland is The Sand Pebbles in outer space. A predecessor to science fiction staples like Total Recall, Blade Runner, and Firefly, Outland is still one of the best depictions of what life actually may be like working aboard a space vessel, once modern technology figures out how to get past that zero gravity issue. Isolation rarely has been portrayed as believably as directed here by Peter Hyams(Timecop, 2010: The Year We Make Contact, The Star Chamber, Amazing Stories). The 1981 Academy Award-nominated classic, Outland is now streaming on Starz, Hulu, Amazon, and Vudu.
Audiences never saw Sean Connery so average as he was playing Marshal William T. O’Niel. In a very low-key role more frequently seen played by someone like Steve McQueen, Connery is a federal cop in space, assigned to the titanium ore mining outpost Con-Am 27. He was selected because he was likely to phone in his job, and not ruffle feathers. But he finds himself when he learns the outpost is a haven for drug smuggling and worse, using drugs to work crews to their deaths, all part of a cover-up. The film’s own predecessors were any number of cop shows, and it has themes from Westerns, too, especially High Noon, another lone lawman trying to take out a local band of ruffians–and another man with marital problems. Critics accused the film of being thin, but it’s exactly why the film works so well and holds up well still today. In many ways the film is better, and even scarier, than Alien and Total Recall, proving you don’t need monsters to be truly alone and unprotected from life-threatening elements in space.
O’Niel’s only help is from Frances Sternhagen(Doc Hollywood, Cheers, The Closer) as Dr. Marian Lazarus, a no-nonsense crewman who is sympathetic to O’Niel as the newbie having to dodge the unfamiliar “way things are done.” Dr. Lazarus is one of sci-fi’s least known but toughest sci-fi heroines, and her chemistry with Connery as comrade-at-arms is superb. Another crew member is played by sci-fi and Western veteran James Sikking(Star Trek III: The Search for Spock, Hill Street Blues, Doogie Howser, MD), who would continue for decades to play similar roles. And the baddie of the bunch is played by your favorite film Frankenstein, Peter Boyle(Young Frankenstein, Johnny Dangerously, The X-Files, Everybody Loves Raymond).
Hayao Miyazaki’s Whisper of the Heart may be the anime master’s most heart-warming story. Based on the 1989 manga by artist Aoi Hiiragi, Whisper of the Heart is a 1995 romance and drama about a teenage girl who wants to be a writer, and with the determination and self-discipline necessary, she is successful at completing her first novel. The story within a story that she writes is about an ornamental cat in a store window that she names The Baron. In a fun twist, Hiiragi wrote the girl’s story into another manga, titled The Cat’s Repayment, and that story was adapted into Studio Ghibli’s 2002 anime film The Cat Returns. “The Cat” returned to theaters this week as part of the Fathom Events series and Studio Ghibli Fest 2018, and has its final screening at theaters nationwide Wednesday evening, April 25, 2018, at 7 p.m. local time. Find theater information and order tickets here.
This month’s release of Wes Anderson’s Isle of Dogs was inspired by the anime films of Studio Ghibli, and you can see the influences from The Cat Returns in particular. The Cat Returns is a much lighter film with none of the violence of Isle of Dogs. It has rightly been referred to as “delightful,” “sweet,” and “cute.” Its appeal for cat fans is the sincerity and authenticity of director Hiroyuki Morita (Akira, Perfect Blue, My Neighbors the Yamadas), and his use of real cats for some of the cat dialogue. The story centers on a high school student named Haru. When Haru rescues a cat in the road from an oncoming truck, the cat stands upright and speaks to thank her, and she soon learns he is a cat prince whose father the Cat King grants her the blessing of total happiness. She finds she could always hear and communicate with cats, but lost that sense years ago. Cats from the kingdom pile on the gifts, not realizing people don’t like mice and catnip as much as cats, and when the gifts and rewards get too great and the Cat King goes overboard, she is helped by a well-dressed cat at the Cat Business Office–The Baron.
Haru meets a rather skeptical, rotund, white cat along the way named Muta, who is possibly the finest, most realistic cat ever translated to film. Soon the Cat King determines Haru should marry his son, and Haru, The Baron, and Muta embark on an escape from the palace through a labyrinthine maze. Studio Ghibli, with creators Miyazaki and Morita, have visually presented the most believable cats in their numerous productions over the decades. In The Cat Returns the characters are not so much photo-real as in Miyazaki’s directorial efforts (here he serves as executive producer), yet the charming story is truly everything any cat lover will love. It is also filled with good humor, an engaging fantasy story, and lots of silliness that both kids and adults will appreciate.
Universally acknowledged as one of the best comedy, parody, science fiction, and monster movies of all time, Young Frankenstein is back tonight for one showing in theaters across the country. Following on this past August’s news of Gene Wilder’s death, this month’s release of the first major behind-the-scenes look at the film (previewed here at borg.com), and being the prime month for monster movies, it’s the perfect time to view Young Frankenstein like audiences did when it premiered back in 1974.
Even as a young kid I laughed out loud at the Mel Brooks classic, whether I knew the meaning of all the jokes or not–it’s one of those films with clever writing that results in good fun for all audiences. Five years ago this month it made my top 10 list of best films for Halloween viewing. My own nephews are big fans as well–the humor still holds up more than four decades later. And, heck, Peter Boyle’s monster is even in our own borg.comHall of Fame!
If you go, be prepared to witness a dream team of comedy: Actors no longer with us including Wilder, Madeline Kahn, Marty Feldman, and Boyle, and those still with us, including the great Cloris Leachman and Teri Garr, all at the top of their game. Plus a bonus–one of the best cameos ever–by Gene Hackman.
Mel Brooks is finally letting us peek behind the curtain of the original cyborg send-up. Forty-two years after its release Young Frankenstein is still a classic–a horror comedy like no other. An homage that is every bit as cinematic in quality as its source material, Young Frankenstein is coming to a bookstore near you.
Young Frankenstein: The Story of the Making of the Film is Mel Brooks’ own look back at the film he was the most proud of. Full of anecdotes and more than 225 photos, many rarely seen, plus cast interviews, this new work will be a must read for Mel Brooks fans.
Brooks is of course a comedy genius. Three of Brooks’ films have been featured on the American Film Institute’s 100 best comedies of all-time: Blazing Saddles at number 6, The Producers at number 11, and Young Frankenstein at number 13. Brooks is also famous for The Twelve Chairs, Silent Movie, High Anxiety, History of the World, Part I, Spaceballs, and Robin Hood: Men in Tights.
Young Frankenstein starred a dream team of comedic actors: Gene Wilder, Cloris Leachman, Teri Garr, and the late Madeline Kahn, Peter Boyle, and Marty Feldman. And Gene Hackman.
