A new TV series is coming to USA Network this Fall that looks very similar to the claustrophobic, post-apocalypse Wayward Pines, but without all the Pacific Northwest charm. Colony, previewed last weekend at San Diego Comic-Con is a look at a family trying to escape from Los Angeles when the future of America goes bad.
Call it dystopian, call it post-apocalyptic, it also looks to pull from past science fiction themes found in Alien Nation, Haven, Red Dawn, Wicker Man, and Under the Dome. Oh, yeah, and Lost. And speaking of Lost, the draw for many will be star Josh Holloway, known for his role as Sawyer on Lost and Mission Impossible: Ghost Protocol.
Another actor co-starring in Colony is The Lost Room and House, M.D.’s Peter Jacobson, who looks particularly good as the apparent puppetmaster of the show.
Here is the trailer released at Comic-Con for USA Network’s Colony:
They are three very different series, one an 11 season megahit, one a five season struggling hit, and the other a one-season series that missed its audience and hardly had a chance at all. Fox’s House, M.D. finished its eleventh season Monday with a Hugh Laurie retrospective (where actors Hugh Laurie and Robert Sean Leonard end by trashing the production set) and a textbook finale episode. USA Network’s In Plain Sight pulled itself together in the final two seasons and ended with a satisfying conclusion earlier this month–the best finale of the three series reviewed here. NBC’s one season series Awake, a series inexplicably cut short when NBC continues other much weaker, tired programming, provided a rare opportunity to wrap a cancelled series, bookending a stunningly well written series with a clean finish in Thursday night’s finale.
If you haven’t seen these finales you’d do yourself a favor to stop, watch them online or elsewhere, and come back, as there be spoilers ahead here.
House, M.D. had some powerhouse seasons and a superb cast that was ever-changing. That change took the series to a new level. With Doctors Chase (Jesse Spencer), Cameron (Jennifer Morrison), and Foreman (Omar Epps) one-upping each other over the first seasons, and an ongoing “will they or won’t they” storyline between Hugh Laurie’s Dr. Greg House and Cuddy (Lisa Edelstein), it took the break-up of the team and a room full of candidates for House’s team to really show the series’ potential. Enter Doctors Taub (Peter Jacobson), Kutner (Kal Penn), and the Doctors we knew as Cutthroat Bitch (Anne Dudek) and Thirteen (Olivia Wilde) in competition for House’s praise and a place on staff. Only when the writers finally gave in and put House and Cuddy together did the show fall apart, but then a minor character named Martha Masters played by Amber Tamblyn turned the show around and it sailed in for a strong finish this season as we got to see House with his ideal wife, Dominika, played by Karolina Wydra.
But the writers always returned to what really gave the series heart–House’s friend Wilson (Robert Sean Leonard)–and creator David Shore all but admitted the inspiration for House in the finale’s retrospective. As we’d always expected the House/Holmes (pronounce it “Homes” if you need to) and Wilson/Watson was intentional, including the House/Holmes brilliant analytical mind and antisocial nature, and to highlight it further the season finale mirrored the famous Sherlock Holmes case, “The Reichenbach Fall.” Ultimately House, M.D. was a weekly buddy series, and the creators gave us the last scene we all needed. A big plus for the finale was the return of past cast members, except the glaringly missing Cuddy, with even Kal Penn’s Kutner returning from the dead for an appearance. And we knew that Doctor Chase would ultimately come out on top in the battle to replace House. Taking the chair of House’s desk leaves us with the thought that the “show will go on” if not on TV then, by analogy, in real life.
In Plain Sight started almost unsure of what it wanted to be with star Mary McCormack playing an ever-irritable witness relocation program U.S. Marshal who was the bad end of a relationship with cool and (almost) decent boyfriend Raph (Cristian de la Fuente). Then we began to understand her more as we met her disaster of a family, mom Jinx (Leslie Ann Warren) and sister Brandi (Nichole Hiltz). Jinx and Brandi got so bad at points you felt bad for the actresses having to play these roles. But Mary had the best support team you could wish on a person: partner Marshal Marshall Mann (played by Frederick Weller) (a strange character name that worked anyway) who was smart and full of brainy curiosities, and boss Stan McQueen (Paul Ben-Victor), a gruff but perfect-for-Mary leader of the Albuquerque federal office. Creative differences almost lost the audience at the end of season two, but a re-focus on Mary prompted the series to pick itself up in time for actress Mary McCormack’s real-life pregnancy that the producers smartly just adapted for her character in season four, one of the best seasons of writing an acting for any actress on any television series.
As for the finale, the “will they or won’t they” angst we saw botched by allowing House and Cuddy get together, kept us guessing until almost the last scene for Mary Shannon and Marshall Mann. When Marshall finally professes his love for Mary in the finale you could hear a collective sigh of relief across the viewing audience. But it wasn’t what the passing viewer might think–it was true to both characters and simply a perfect climax to the relationship between these two partners, resulting in Marshall taking over the Albuquerque office where he could finally take care of Mary and still marry his fiancée Detective Chaffee (Rachel Boston), while Mary ends up with a new beau and boss Stan gets promoted to the Washington, DC office with new girlfriend Lia (Tia Carrere in the final season’s most refreshing new role). As satisfying endings go, In Plain Sight simply was a winner.
As standalone episodes, the Awake finale packed a rollercoaster of action, twists, and emotion, with all the important plot threads nicely tied up. The only problem with Awake likely was that it aired in a primetime slot on a major network. On any other network–Fox, CW, USA, AMC–Awake would have found its audience and been a smash hit. But NBC’s typical viewer does not like the clever supernatural drama as NBC has proven with prior cancellations year after year. Awake was exciting, and included a cast of brilliant actors headlined by British actor Jason Isaacs, who, like fellow Brit Hugh Laurie, offered up a pitch perfect American accent. Preparing for the worst, the creators readied a season finale that could stand strong as a series finale should the show get cancelled, and low viewership resulted in just that end. Isaacs’ character Detective Britten never got any rest in season one–every time he awakened he was in a different reality–and it seemed as if Isaacs himself had a heavy burden playing this challenging character in an Emmy-worthy performance. In fact, if Emmys nominees were being considered right now, you could bet Laurie, McCormack, and Isaacs would be strong contenders.
Awake’s finale allowed the supporting cast to shine–Detective Freeman (Steve Harris), Detective Vega (Wilmer Valderrama), and Dr. Evans (Cherry Jones) and Dr. Lee (BD Wong) only scratched the surface of what future seasons could have revealed. Missed opportunities, such as what was to happen between Detective Britten and Tara (Michaela McManus), will never be known. Although we will never learn the “why” of the series, the unravelling of the car crash that got Britten into the entire mess gave viewers what we wanted in the end–a way for Britten to undo the past, or at least move forward as if the crash never ruined his life.
Sadly, we likely will never see the one-season Awake characters again other than on DVD, but House, M.D. and In Plain Sight will likely visit us again and again forever in syndication. The good news is that these great actors are now freed up to give us something else. What will Hugh Laurie, Robert Sean Leonard, Mary McCormack, Peter Jacobson, Jesse Spencer and Jason Isaacs do next?
