Tag Archive: Peter Laird


 

Review by C.J. Bunce

It never used to be this way and it didn’t have to end up this way.  Over the years and across the decades, somehow comic book publishers decided comic book readers wanted to see the death of every favorite character.  By the 1990s and 2000s it became more difficult to find a major character that hadn’t been killed off at least once.  But just like you don’t want to watch the final Lassie episode or Benji movie to witness a beloved dog’s last breath (Oh Heavenly Dog doesn’t count), or watch Baby Yoda/Grogu meet his fate at the blade of Kylo Ren’s lightsaber, maybe we don’t want to see the killing off of even one of the Teenage Mutant Ninja Turtles.  But the original creators of the TMNT think you do, so if you do, and for those that do, it’s happening right now in the pages of IDW Publishing’s Teenage Mutant Ninja Turtles: The Last Ronin We’re two issues into the five-issue limited series, and the first issue has already gone to record reprints, thanks in no small part to a huge number of variant covers.  We always love our variant options, but this mini-series has at least 69 covers for Issue #1 and at least 26 covers for Issue #2.  It’s a bit odd, because the subject matter is that last turtle, so don’t expect much variation in content.  Those knowing their turtles by color, never fear: the black mask on the covers does not give anything way.  For TMNT collectors, completists, and fans of future otherworld stories and what ifs like Batman: The Dark Knight Returns, you’ll probably want to at least check out the trade edition for this one.  Take a look at a preview of The Last Ronin below.

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Review by C.J. Bunce

It’s a comic book nearly two years in the making.  Or maybe 27 years.  And it may be the best single comic book issue of the year.  But as strange as the tale between the covers, the story of its creators is stranger still.  What you probably know is this:  In 1984 Kevin Eastman and Peter Laird published a single issue comic called Teenage Mutant Ninja Turtles.  Intended as a spoof-parody-mash-up concoction of Marvel’s Daredevil and The New Mutants, Frank Miller’s Ronin, and Dave Sim’s Cerebus, the book sparked something much bigger for readers, becoming one of the most popular franchises for a few generations of readers and cartoon watchers (not to mention the impact it had via toys and movie tie-ins).  A couple unrelated–short-lived–parody spin-offs of Teenage Mutant Ninja Turtles came and went unrelated to Eastman and Laird, including Pre-Teen Dirty-Gene Kung-Fu Kangaroos and Adolescent Radioactive Black Belt Hamsters.

What you don’t know is that eight years after the Turtles saw their first comic–in 1992–comic creators Shane Bookman and his brother Paul released their scrappy indie creation on the unsuspecting comic book universe: Radically Rearranged Ronin Ragdolls Like Eastman and Laird, the Bookmans had their own share of ups and downs, tales of fame and fortune (evidently Eastman sold off his rights to the Turtles some 20 years ago, etc.).  So in 2017 Eastman and writer David Avallone and artist Ben Bishop (with Troy Little, Brittany Peer, Tomi Varga, and Taylor Esposito) took the Bookmans’ story to Kickstarter, and nearly 1,200 backers brought in more than $100,000.  Now it’s all done, first to tell the Bookmans’ story in a new monthly comic beginning this past week called Drawing Blood, and at the same time with a companion comic they created and discussed in their comic industry exploits, Radically Rearranged Ronin Ragdolls, Issue #1.

 

The result?  Radically Rearranged Ronin Ragdolls is an idea as good as any Turtles tale you’ve read, and as finely crafted an origin story, full of action, top-notch writing, beautiful layouts, and exciting new characters: referred to as the Ragdolls (from the cat breed), they are three female cats who encounter gamma rays, cosmic rays, genetic mutagens, and who knows what other comic book superpower trigger was tapped, to become Tezuka, Otomo, and Miyazaki.  Speaking, Ronin-trained, defender cats.  Otomo is the most fearsome, Miyazaki speaks in Haiku poems, and Tezuka is a master tactician.

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