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Tag Archive: photography


Review by C.J. Bunce

People have been colorizing photographs nearly as far back as the invention of photographs in the early 19th century.  Hand-painted photography took personal photographs from cold and lifeless to something more real, vivid and exciting.  Although methods for actually developing photographs in color existed as far back as the 1860s, it was rarely done.  Mid-twentieth century colorizing became a popular pastime, and so many people can look back to family portraits in color (by hand, with pencil or other coloring) regularly found in the 1940s and 1950s, just as color film became more available to the public.  Attempts of the past to accurately add color to historical images sometimes were made with reference to actual objects or people–such as matching eye color and hair color via reference to paintings or contemporary written descriptions–to ensure the accuracy of color choices.  But no single effort has been made to accurately colorize historical photographs until recent digital technologies made it more possible.  Brazilian artist Marina Amaral has become well-known for her coloring work, and she has teamed up with historian and journalist Dan Jones to create an extraordinary new history text, The Color of Time: A New History of the World, 1850-1960 It is a must-read for history buffs and anyone who could use a brush up on their history knowledge.

Readers first will be attracted to The Color of Time (titled The Colour of Time in European editions) first for Amaral’s 200 colorized images (she has colorized images seen in this book plus many more).  But the book’s value is equaled in Jones’s history text, which stitches together photographs of important subjects from the beginning of the tintype to 1960, when black and white was still prevalent, with a chronology of every major world event and figure in between.  So The Color of Time is, in a sense, a world history textbook (this one is ideal for teaching high school world history or as a supplement to a first year college history survey course) with the added benefit of bringing historical figures to life via color.  Amaral has noted it is nearly impossible to perfectly capture every color correctly (you’d need historical access to every item in the camera’s lens), but Amaral has researched the clothing, objects, and people who are the subjects of this book to get as close as possible.  Historical figures–many presented for the first time in color–include Darwin, Marx, Lincoln, Tolstoy, Edison, Stanley, Schliemann, Pope Pius IX, Sitting Bull, Barton, Twain, Mata Hari, Curie, Einstein, Villa, the Red Baron, Rasputin, Louis Armstrong, Lenin, Stalin, Michael Collins, Elie Wiesel, Hitler, Mussolini, Earhart, FDR, Mau, Gandhi, Churchill, Elvis Presley, JFK, Marilyn Monroe, Castro, Guevara, and Mandela.

A surprising number of these photos take on a new life in color.  A spectrum of color in the Times Square photo of a sailor and a nurse in an embrace on VJ Day brings out the happy dispositions of nearby watchers.  The blue sky in a Wright Flyer image accentuates the fragile, finely geometric balance of the famous inventors’ first airplane.  A colorized image from 1900 of Butch Cassidy and the Sundance Kid makes them look like movie stars of the Golden Age of cinema.  Perhaps nothing compares to the beauty of England’s Crystal Palace in 1854–you can almost smell the clear, blue water in the great pool.  Another image shows the tan wooden infrastructure of the Statue of Liberty’s hand, while being built.  The famous 1895 Montparnasse rail crash is even more jolting in color.  But the strangest jolt may come from an image of a handsome young man that could be a young Clint Eastwood–it is instead of a man days before his hanging, for stabbing President Lincoln’s secretary of state while his co-conspirator killed the President a few streets away.

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Review by C.J. Bunce

In the realm of cool it’s really hard not to begin with something like Bruce Brown’s 1966 surfing documentary The Endless Summer.  Whether or not you’ve ever tried to surf or even been to the beach, the carefree attitude of these 1960s surfers is infectious.  Brown’s follow-up in 1994, The Endless Summer II, showed us what changed–and what hadn’t changed–in the intervening 30 years.  A documentary airing the rest of this year on Starz provides another perspective on catching waves.  It’s Shorebreak: The Clark Little Story, a highly-praised, multiple film festival pick in 2016 and 2017.

Clark “Turbo” Little is “the award-winning photographer with the largest social media following in the world,” who carved his own niche in the coastal photography market.  While other photographers were clogging beaches trying to get the best shot of the most dangerous waves and those attempting to surf them, Little started taking photographs of a world nobody else was paying any attention to: the shorebreak–that zone where the waves hammer the beach, and the photographer takes repeated poundings to get his perfect image.  In the documentary we watch director Peter King film Little as he films the unique natural formations that occur inside the waves as they slam him into the surf.  The result is a wealth of breathtaking photos that have been featured at international museums including the Smithsonian Institution, in advertisements, in outdoor magazines, and even in a memorable National Geographic Magazine spread.  Now a full-time career for Little, his clients include Apple, Nike, Nikon, Facebook, Hewlett-Packard, Toyota, Anheuser Busch, Starbucks, Whole Foods, and more.  Little has filmed both stills and video on the North Shore of Oahu, Maui, Kauai, Big Island, California, Japan, and French Polynesia, and published two books, The Shorebreak Art of Clark Little and Shorebreak

Shorebreak: The Clark Little Story, reveals Little’s pathway to creating his photography subject of choice.  It’s a similar kind of mellow ride as found in Bruce Brown’s surfing documentaries–the kind of movie to meditate to or focus in closely with the benefit of quality HD and Little’s beautiful imagery.  Little’s work can cause some sore muscles or even a broken neck if not done properly, but his work doesn’t have that tense risk factor of the big surf crowd.  Yet he seems to be embraced by the community, walking the walk and talking that very cool vocabulary familiar to the beach community.  Little shoots much of his work from nearby his home in Haleiwa, Hawaii.

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