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Tag Archive: Private Eyes


Review by C.J. Bunce

After the 2019 Academy Awards recognized genre films Black Panther, Bohemian Rhapsody, and Spider-Man: Into the Spider-Verse, and gave top awards to Green Book and Roma, ABC aired the pilot for a new series.  Whiskey Cavalier begins with a solid pilot episode, and you can find it in its weekly timeslot beginning Wednesday evening on ABC.  It borrows from two familiar sources for network TV: the spy genre, like Mission: Impossible, iSpy, The Man from U.N.C.L.E., Avengers, and Chuck, and the “will they or won’t they” investigation shows like Moonlighting, The X-Files, Bones, Castle, and Private Eyes.  Whiskey Cavalier–the military/NATO spy call sign for FBI agent Will Chase (yes, that’s his name), stars Scott Foley opposite CIA Agent Francesca “Frankie” Trowbridge, played by Lauren Cohan.  It’s more action and fun than drama–a good thing that works for this offbeat new series.

The first episode finds Agent Chase as a sad sack agent, recently dumped by his French girlfriend, crying as he listens to songs from his break-up mix tape, assembled from recommendations from other FBI agents.  Those familiar with Michael Dorman’s lead character in Amazon Studio’s series Patriot will see much in common between the leads.  Chase doesn’t have his heart in his job until he’s in action, and then he becomes full-on Jack Ryan (actor Scott Foley has a vibe crossing Jack Ryan series star John Krasinski and White Collar co-star Tim DeKay, and the pilot includes a humorous reference to his Chris Evans’ Captain America appearance).

As Chase tries to intercept an alleged hacker/thief/traitor, CIA Agent Trowbridge steps in, and that’s when the chemistry begins.  You can almost hear the 1970s movie trailer voice-over: “What can happen when we combine this sensitive FBI agent and this tough-as-nails CIA spy?  Can they work together to save the world without killing each other?”  And yet, the pilot was edited into a fast-paced drama, not at all bogged down in origin story, and it supplies a supporting cast of characters that seem to gel from the start, played by Ana Ortiz, Vir Das, and Tyler James Williams.  In brief, it’s fun and it works.

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Our borg Best of 2018 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2018 here and the Kick-Ass Heroines of 2018 here.

Without further ado, this year’s Best in Television:

Best Borg TV Series, Best TV BorgHumans (AMC).  No other series touches on the ramifications of technology, specifically the perils of an onslaught of real-world cyborg technology, like AMC’s Humans.  This year three characters stood out, including Gemma Chan’s Mia, the cyborg Synth from past seasons, who sacrificed everything for the liberty of cyborgs in the UK.  Then there was Ruth Bradley’s Karen Voss, a Synth who refused to live segregated from the humans, opting instead for a normal life for the cyborg son she assumed care for.  And Katherine Parkinson’s Laura Hawkins, a human lawyer who fought so hard for the cause of the Synths all year, only to throw away all the good she had done, failing the first real challenge that was presented to her.  This year’s best TV borg is shared by Synths Mia and Karen, as each showed the uphill battle any future outsider must overcome when faced with humans.

Best Sci-fi TV SeriesThe Man in the High Castle (Amazon).  What had been a two-season build-up all came together in the series’ third season with the audacity of killing off key characters, wisely adhering to the framework of the source Philip K. Dick novel.  The use of science fiction to tell an often gut-wrenching array of subplots and unique characters has set up a fourth season with plenty to address.  Exciting, smart, scary, and even fun, it is an unusual science fiction show that isn’t merely trigger-happy sci-fi.  Honorable mention: Humans (AMC), Counterpart (Starz).

Best New TV Series, Best Reboot, Best Ensemble CastMagnum PI (CBS).  If you would have told us a year ago our favorite show this year would be a reboot of Magnum, p.i. starring Suicide Squad’s Jay Hernandez and an actress in the iconic role of John Hillerman’s Higgins, we wouldn’t have believed it.  And yet, even as diehard fans of the original, we had to acknowledge that many elements of the reboot series were even better in the new series.  With the dangerous risk of taking on a beloved property, the production maintained loyalty to the original while making it fresh, scoring Magnum PI high marks on all counts.  Every character was smartly written–suave and confident Magnum, energetic Rick and TC, and a savvy Higgins–every actor was perfectly cast, and each show was another round of nostalgic fun for fans of the original.  Best New TV Series Honorable mention for Best New TV Series: Counterpart (Starz), Lodge 49 (AMC).

Best Series, Best Drama, Best ComedyLodge 49 (AMC).  Lodge 49 told two stories: a darkly serious drama of real people dealing with real-life 2018 adversity, and the other a comedy farce like no other.  Hanging over our heads was the idea that this was going to be a fantasy show, complete with secret codes, hidden rooms, and psychic visions.  If you’re looking for all the elements of great fantasy the hint of it all could be found throughout this series.  And yet it wasn’t fantasy at all.  An oddball Cheers?  A southern Twin Peaks without the Lynchian weirdness?  Star Wyatt Russell’s hero Dud could be dismissed as a typical young man with no vision, or maybe he’s that idealist that everyone needs to strive to be.  Maybe we’ll learn more about that next season.  Honorable mention for Best Drama: Counterpart (Starz).  Honorable mention for Best Comedy: Baskets (FX).
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