Review by C.J. Bunce

Every now and then a movie truly keeps you riveted to your seat.  You can usually bank on a movie co-starring Ethan Hawke to be good.  This year’s “coming of age, supernatural horror thriller” The Black Phone is much better than good.  It’s the best movie I’ve seen in a few years of any genre.  Following a brother in sister in a small Denver suburb in 1978 as the town is shocked by a criminal dubbed the Grabber, who is kidnapping and killing young boys, a few years before pictures of missing kids would be the subject of milk cartons across the nation.  Based on a Joe Hill short story, the subject matter is not something audiences are expected to be comfortable with, and yet the handling of it, as well as the incorporation of supernatural elements, makes for a movie as stunning as David Fincher’s Zodiac, grounded so much in reality anyone who lived through the era will certainly find elements from their own memories as director Scott Derrickson delivers one of the finest re-creations of the 1970s ever put on film.

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