Tag Archive: Quirke


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Review by C.J. Bunce

The star of the original Life on Mars is back as a detective solving crimes in the new BritBox original series from IPT, Grace John Simm, also known for his run on Doctor Who, State of Play and other British dramas plays Detective Superintendent Roy Grace, a cop sent down to desk duty a few years ago for embarrassing the bureau by bringing in a psychic to help solve a crime.  When a former colleague rises up the ranks and pulls D.S. Grace in to a high-profile case, viewers get to meet the next great TV detective.  The first episode of Grace is now streaming in the U.S. exclusively here on BritBox via Amazon.

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Review by C.J. Bunce

British television series that make their way to America tend to be refreshing in that each new show is incredibly different from the last.  No matter how many times Americans catch the latest Brit/Irish/Scot police procedural, it’s nearly impossible to follow how each level of government polices, and manages the policing, of its citizenry.  That quirk doesn’t get more pronounced than in the opener to The Salisbury Poisonings, a four-part series airing Monday evenings on AMC.  The series will likely mean less to those on this side of the pond, although the real-life attempt on the lives of a Russian spy and his daughter living in Salisbury was international news in March 2018, victims of Vladimir Putin’s spy network.  But the first episode has the kind of TV writing that should bring the show to the attention of anglophiles.

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Review by C.J. Bunce

We’re always on the lookout for the next great British/Irish/Scottish/UK police procedural or mystery, and the new Hugh Laurie four-part star vehicle Roadkill may not be the Life on Mars or Ashes to Ashes, Hinterland or Shetland, Marchlands or Lightfields, Derry Girls, The Woman in White, Mr. Selfridge, Zen, Quirke, or Sherlock, but it’s better than most of the UK series that have made it to the small screen in the past few years.  Airing in the UK on BBC One this past Fall and first in the U.S. as part of PBS’s Masterpiece series, it is now available on Amazon and DVD (still the PBS choice platform for British productions).  A lucky show that finished production before the pandemic kicked into full force, Roadkill will be a must-see for Laurie fans, and its angle on politics and telling a politician’s personal story should be enough to keep other anglophiles interested.

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Review by C.J. Bunce

We’re always on the lookout for the next great British/Irish/Scottish/UK police procedural or mystery series like Life on Mars or Ashes to Ashes, Hinterland or Shetland, Marchlands or Lightfields, Zen or Quirke, or, of course, Sherlock.  The 2019 British series A Confession is streaming on BritBox in the U.S. via Amazon, and it may not be as good as any of these, but it does eclipse recent series like Dublin Murders, The Silence, The Five, The Missing, Thirteen, Broadchurch, and CollateralIt is based on the real-life story of the murders of two women in 2003 and 2011, so the drama is dark and real.  And it offers up a cast of familiar genre actors that will make you want to take a look.

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Review by C.J. Bunce

We’re always on the lookout for the next great British/Irish/Scottish/UK police procedural or mystery, after the next Life on Mars or Ashes to Ashes, Hinterland or Shetland, Marchlands or Lightfields, Zen or Quirke, or, of course, Sherlock.  So the pay-channel Starz releasing a late-year mystery series called Dublin Murders was going to get our attention.  Filmed in Belfast and Dublin, with a noir sensibility–dark places, mysterious characters, and murder–the series has the potential to be a good detective series.  Billed as an “eight-part mystery series with a taproot that drops deep down into Ireland’s past, foreshadows the present and brings insight to its future,” the story follows Sarah Greene as Cassie Maddox and Killian Scott as Rob Reilly, homicide detectives on the trail of the murderer of a school girl.  The murder was similar–too similar–to a murder in the city’s past.

Maddox and Reilly appear appealing enough at first.  They share a secret of the past that would get them fired had anyone found out: Reilly isn’t really Reilly, but the alter ego of the sole survivor of the crime years ago that resulted in two missing friends, never to be found.  Unfortunately he’s a witness who can’t remember, and by all accounts he shouldn’t be involved with this investigation because of his clear conflict of interest.  Merged with his pursuit of the person behind the missing kids and the recent murder is a story of Maddox’s history catching up with her.  As a child her parents were killed in an auto accident, and to deal with it mentally she invented an imaginary friend she named Lexie.  As an undercover cop, she took on the name Lexie as her alter ego.  Now she and one of her former colleagues stumble upon another murder, a woman who looks just like Cassie.  And surprise: her name is Lexie.  Always waiting for the possibility that we’ve stumbled into an unreliable narrator series, ultimately that’s not the case, the woman was real and not something we’re seeing through Maddox’s imagination.  But the series stumbles for other reasons.

Based on the first two novels of Tana French’s Dublin Murder Squad novels, In the Woods and The Likeness, a key problem is combining the stories from two books to make into one season of television–stories that have little to do with each other.  Both cops have these common stories involving dual personas so it’s easy to see how someone thought it might work.  But it doesn’t.  The first three episodes develop the characters, but suddenly they lose their personalities.  The quiet, likeable, and sympathetic Reilly becomes a jerk, a supremely angry and mean protagonist pushing away Maddox and everyone else and leaving the audience with little to care about from his plot thread.  Maddox has the same collision of character–once admirable and mostly by-the-book, she turns into a nasty character, bitter and horrible to those who care about her.  As Reilly becomes trapped in a development of his own making, Maddox agrees to a job with her former colleague, a preposterous undercover operation impersonating the deceased Lexie in order to discover her murderer.

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Review by C.J. Bunce

The three 90-minute episode television series is one of those staples of the BBC that is both refreshing and infuriating.  It’s refreshing because it avoids all the padding that is so commonplace among those direct-to-binge, 10-episode shows premiering regularly now on Netflix and other streaming providers.  But it’s infuriating to find a series that is so well written and produced, you love the characters and wish there was more.  Much like another great 4.5 hour series we loved, BBC’s 2011 series Zen starring Rufus Sewell (reviewed here at borg), in BBC’s Quirke, Gabriel Byrne inhabits his lead character in one of his best performances, leaving viewers wishing the series would have continued for a few more seasons.  First airing in the UK in 2014, Quirke is now available on the BritBox streaming service, along with Zen.

Byrne (Vikings, Assault on Precinct 13, The Usual Suspects) plays Dr. Quirke, the chief pathologist of the Dublin city morgue in the 1950s.  He has an affinity for alcohol, his brother’s wife, and solving murders, partnering on- and off-the-books with the local police inspector played by Stanley Townsend (Ashes to Ashes, Sherlock, Zen, Galavant).  In what feels like three gritty Irish noir movies, we learn about the doctor’s family struggles as his past and future collide, as he investigates an orphanage siphoning babies from Ireland to Boston, as he connects the deaths of two women found dead from suicides, and as he tracks down the whereabouts of a missing friend of his daughter.

The focus of Dr. Quirke’s life is the well-being of his niece, played by Aisling Franciosi (Game of Thrones, Vera), who is really his biological daughter, raised by his step-brother and his wife when the girl’s birth resulted in the death of Quirke’s wife 20 years ago.  Quirke was adopted into his family, and years later his father (played by Michael Gambon (Harry Potter series, Doctor Who, Cranford)) continues to treat him with disdain, but he hides his own secrets.  Along with the Professor Dumbledore actor, look for the actress behind Harry Potter’s mother (Geraldine Somerville) as Quirke’s sister-in-law, and the actress behind Batman’s mother in Batman Begins (Sara Stewart).  Other genre actors include Rogue One:  A Star Wars Story’s General Dodonna (Ian McElhinney) as an influential politico, Ella Enchanted and Mr. Selfridge’s Aidan McArdle as the politico’s nephew, Harry Potter and the Prisoner of Azkaban, Life on Mars, and Master and Commander’s Lee Ingleby as one of the men attracted to Quirke’s daughter, and Merlin, Doctor Who, and Humans’ Colin Morgan as a journalist.

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