Tag Archive: Richard Anderson


By C.J. Bunce

You can spend your weekend at Comic-Con wandering the exhibit floor looking for mass market collectibles, talking with dealers of original art, talking with writers and artists of current and classic comic books, attend panels and see comic and other creators, TV and movie stars and get the low-down on coming projects, go offsite for parties and studio and publisher events–the biggest problem is doing all you want when there is nowhere close to enough time to do it in.  If you’re in for only a few days, you really have to pick up your pace and narrow down what you want to see.  Since I spent a whole day in panels and did not stay for the entire weekend, any encounters I had with creators and studio celebrities were pretty much based on happenstance this year.  Many creators are now friends, others I gawk at like everyone else from afar.  So who did I see?

First of all, in panels I saw the cast of Community, Firefly, and the new series Arrow, including guys I’d love to talk in person someday–Alan Tudyk and Adam Baldwin, David Boreanaz and Emily Deschanel from Bones, and the guy you may know as Bud from Married with Children, David Faustino, who is doing voice work now for Nickelodeon, and he voiced the character Mako as part of the Legends of Korra panel.  As I mentioned earlier in the week, waiting in line allowed me to meet and get a photo with Joss Whedon.

The Soup host Joel McHale, Firefly star Nathan Fillion, former Angel star David Boreanaz and Korra’s David Faustino really stood out as funny guys in these panels–surprisingly quick-witted people who got the crowd cheering with everything they said.

I saw the main cast of the Syfy Channel series Haven during their signing session.  They really looked like they were having a good time–like they really get along with each other.  Also signing in the Sails Pavilion were Richard Anderson, who was the classic character Oscar Goldman from one of borg.com’s favorite borg shows: The Six Million Dollar Man, and Cindy Morgan from the original Tron and Caddyshack.  I hoped to run into Bruce Boxleitner, JK Woodward and Scott and David Tipton but my panel schedule caused me to miss meeting them.

On the exhibit floor I watched Lou Ferrigno (The Incredible Hulk) and Kevin Sorbo (Hercules) talk with fans and sign autographs.

Arnold Schwartzenegger was coming into the hall and I staked out a photo op location but his handlers moved him out of the hall so I missed seeing him.

As a Star Trek fan, I was very happy to finally meet and have a nice conversation with Brent Spiner.  He was a great guy who was as nice in person as you’d hope him to be from years of watching his lovable character Data.  I also had a brief chat at day’s end with Levar Burton, also a friendly guy, signing photos of Geordi LaForge for fans.  I’d met Marina Sirtis before so I didn’t chat with her this round, but she was also signing Counselor Deanna Troi photos in the hall.

Earlier this year I reviewed Table Top, a new, fun Web series hosted by Wil Wheaton with the Geek and Sundry creators.  I met him near a Starbucks and shared my feedback with him on his show.  We talked about some of the games and he graciously introduced me to his wife and friends.

Wheaton is truly “one of us” and a really personable guy.  Of everyone at the Con, he is probably my first pick of someone you’d like to wander the Con halls and chat with.  Another show host, Blair Butler was attending the Con from the popular genre cable channel G4.

Of the comic book realm, I met Cat Skaggs, a well-known comic book artist who was signing cover prints to Smallville Season 11 #1 and she sketched a great Green Arrow bust for me.

I also met Neal Adams–a comic book legend who created the look of the Silver Age Green Arrow and I finally was able to add one of his sketches to my folio.  Neal was sketching non-stop for fans just like the newer, younger artists in Artist Alley–a real “working artist” even after all these years.

I ran into my friend Freddie Williams II also, and he also was busy sketching for fans throughout the Con and selling original art from his various DC Comics series.

David Petersen, known best for his Mouse Guard work, was working on commissions for attendees and selling shirts and art at his booth in Artist Alley.  I also lucked into getting a sketch from him and enjoyed talking with his wife, who manned the booth when he was doing signings elsewhere.

I ran into Frank Cho again this year and he said he is still expecting to get Guns & Dinos out soon.  He was selling a great pin-up calendar featuring Brandy and the Liberty Meadows gang.  More on that in future posts.  A nominee for the Eisner in two categories this year, Rachel Rising creator Terry Moore was busy talking with fans.

As with last year, Jim Lee could be found at several panels and signing throughout Comic-Con.

As with Freddie Williams, I met up with several folks from back in the Midwest.  I ran into artist Ande Parks and met his wife, while hanging with Sean and William from Elite Comics and Chris Jackson who runs Planet Comicon.  Parks was chatting with his frequent cover artist Francesco Francavilla, this year’s Eisner cover artist of the year winner, and someone we have talked about here at borg.com all year long for his great cover art.  I ran into Star Trek author Kevin Dilmore twice on the exhibit floor–my third year seeing Kevin at the Con.  It’s crazy how you can be in your hometown and never run into anyone, and then fly to San Diego and see so many people from back home.

Review by C.J. Bunce

The highly anticipated adaptation of the Six Million Dollar Man TV series in comic book from Dynamite Comics was released this Wednesday and was not surprisingly sold out in its first print run.  Titled The Bionic Man, the adaptation was written by Kevin Smith (Green Arrow, Jay and Silent Bob) with Phil Hester (Green Arrow, Green Hornet, Ant Man), based upon a screenplay Smith had written for a never-produced 1990s motion picture version of The Six Million Dollar Man.  Over all, I’d say issue one is a good launch.

Starting with the numerous covers, which you cannot tell a book by, they all look great, and the ten variant covers based on four original works are all pictured inside the back page.  Alex Ross provided the main cover, with Paul Renaud, Stephen Segovia and series artist Jonathan Lau providing the rarer incentive covers.  I posted the covers in a prior article.

The interior art, with pencils by Jonathan Lau and coloring by Ivan Nunes, also looks great.  This is an appealing looking book.  Steve Austin looks pretty close to Scott Bakula as he looks today, as opposed to original series actor Lee Majors, making me think he’d be fun to watch as this updated character.  Oscar Goldman, on the other hand, looks younger than Richard Anderson from the TV series, but has similar facial features to the actor and a more rumpled look about him.  Recall Goldman’s incredible arsenal of suits and the inexplicable checkered suit on the action figure.  Yet check out how similar they look…

   

Clearly this is not about adapting the original but updating it a bit.  The story starts out with an apparent cyborg character gone astray, something like Rambo with a sword, yet some slasher flick stylings…

If there is anything I didn’t care for with the art in issue one, it was this over the top scene, which reminded me of the disturbing opener of Ghost Ship (not a recommended flick).  All other visuals are interesting, with good continuity, and the scene of Austin’s test pilot trip of the experimental Daedalus Mach 8-capable aircraft is definitely nostalgic.

As to the story, there are minor changes to update the character, an already existing relationship with future Bionic Woman Jamie Summers, for example, but otherwise the book’s main story is tracking with the TV series pilot.  Which begs the question, why does Kevin Smith’s name need to be so big on the cover?  And if this is based on a screenplay by Smith, how much of the resulting story reflects Smith and how much reflects co-writer Phil Hester?  At least for this first issue, I think the answer might reflect Smith a bit, based on his modern aka umm, too personal (?) look at Austin discussing a negative bathroom experience with girlfriend Jamie, and an almost pop culture adherence to the original story.  Something about Smith bringing Stanley and his Monster into the first ten issues of his Green Arrow story reminded me of the second storyline of this book. Regarding the killer cyborg subplot–little is divulged, yet is he reminiscent of the Six Million Dollar Man android Maskatron?    Austin is billed as the bravest man alive, yet unlike the TV version, this guy has a nervous stomach before his flight.  Necessary?  I don’t know, but worth pointing out and maybe Smith’s/Hester’s intention of showing thaeir Austin is footed in “modern reality.”

An oddity is the similarity of the character building for Steve Austin as compared to the treatment of the motion picture Hal Jordan in this summer’s Green Lantern movie.  No doubt this is just a coincidence, but the almost slacker test pilot running late to his important test flight is now firmly, if it wasn’t before, cliche.  Since neither original work had it, you get the impression that the slacker generation is creeping into the iconography and mythology of American pop culture a bit.  Maybe this is just an attempt at a hot shot pilot a la Tom Cruise in Top Gun.  No doubt Chuck Yeager and his Right Stuff brethren had a bit of this cockiness to be able to do what they did.

Looking forward to the character development and addition of the cybernetic enhancements that define the Bionic Man in issue #2, out next month.