Advertisements

Tag Archive: Richard Edlund


Review by C.J. Bunce

From Star Trek V: The Final Frontier to four Next Generation movies and the J.J. Abrams Kelvin timeline movies, and Deep Space Nine through the Enterprise and Discovery series, concept artist, illustrator, prop designer, and model maker John Eaves has designed ships and objects familiar to any sci-fi fan.  This Tuesday the eagerly anticipated behind-the-scenes book Star Trek: The Art of John Eaves arrives from online retailers and book stores, and we at borg.com previewed a copy.  Just as you would expect, the book is full of hundreds of concept art designs, most of them ultimately used for the final model or CGI renderings seen on film.  John Eaves has developed his own style over the years, so in the past decade when even passing fans saw a ship on the big or small screen, they could usually tell when Eaves designed it.  Take a look at our preview pages from Star Trek: The Art of John Eaves here.

Eaves tells his story, referencing those artists of film that inspired him, some he would work with directly and others he admired from his youth: Joe Alves, Ron Cobb, Greg Jein, Grant McCune, Robert McCall, Nilo Rodis-Jamero, Ralph McQuarrie, Joe Johnston, Richard Edlund, John Dykstra, Syd Mead, and others.  The shifting look of Star Trek, its ships, and props, began to take on a new look with his designs for the Enterprise-B in Star Trek Generations, which required a modification to the Excelsior model to accommodate a key scene featuring Captain Kirk.  For the update to the ship Eaves incorporated a design from the World War II Catalina PBY-5A airplane.  Eaves grew up near an airfield, where he was first given a pad and pencil to make his own illustrations, and his understanding of aerodynamics can be found throughout his work.   And as Eaves tells it, Star Trek designer Michael Okuda would often be nearby to point out relevant components to incorporate.

The Eaves design aesthetic is unmistakable, in the elegant Vulcan lander and Phoenix rocket in Star Trek: First Contact, in the arc-shaped Son-a warship concepts in Star Trek Insurrection, in the removal of the “neck” and compact configuration of the Enterprise-E, and in the Reman Scimitar, the Romulan Valdore, and Scorpion fighters for Star Trek Nemesis.  The artist says his Discovery designs were inspired, surprisingly, by the rocket that took Taylor away and back in the original Planet of the Apes.  You can see the inspiration in the view of the ship from below.

Continue reading

Advertisements

Review by C.J. Bunce

At long last Star Wars fans have a single volume of behind-the-scenes gold that includes more than the original trilogy and the prequels.  Writer Mark Salisbury returns with his next pop culture book, The Moviemaking Magic of Star Wars: Creatures & Aliens.  This is the first book to include coverage of all ten Star Wars films, and it’s the first book that digs into the creature makers and makeup artistry of all the Star Wars movies–a creature effects companion to those comprehensive books reviewed previously here at borg.com chronicling the costume and prop sides of Star Wars productions: Dressing a Galaxy, Sculpting a Galaxy, and Star Wars Costumes.

How many movie franchises can claim visual effects over four decades incorporating all levels of monster making: animatronics, puppetry, practical effects, costuming, CGI, sculpts, animal actors, prosthetics and makeups, stop-motion animation, and motion capture creations–sometimes all in a single film?  The book spans it all: Jawas, Tauntauns, Jabba the Hutt, Yoda, Chewbacca, the Rancor, Ewoks, Watto, Jar Jar, Darth Maul, Rathtars, Maz Kanata, Porgs, Crystal Foxes, Proxima, Rio Durrant, and so many background aliens from the Tatooine cantina, Jabba’s palace, Maz’s castle, the Pod Race, Kamino, Geonosia, and Scarif.  More complex characters from the franchise get the most coverage, with less coverage from Revenge of the Sith and Solo.

Readers will learn about and meet a variety of artists and creators of these creatures and aliens, with interviews and examples of the work of Stuart Freeborn, Rick Baker, Dennis Muren, Phil Tippett, Jon Berg, Ben Burtt, Fred Pearl, Frank Oz, Kathryn Mullen, Lorne Peterson, Nick Dudman, Rob Coleman, John Coppinger, Tom St. Amand, Richard Edlund, Ken Ralston, Kit West, Nilo Rodis-Jamero, Doug Chiang, Dave Elsey, Neal Scanlan, Luke Fisher, Ben Morris, Darek Arnold, some of the actors who performed costumes characters, and visionaries George Lucas, J.J. Abrams, and Gareth Edwards.  Select concept art is included from Ralph McQuarrie, John Mollo, Iain McCaig, Terryl Whitlatch, Jake Lunt Davies, and others, and readers will learn Doug Chiang’s five rules of concept design.

Keeping with the fun new trend of incorporating three-dimensional, interactive elements into non-fiction books, Abrams has included foldout flaps, accordion pages, and color tipped-in booklets of sketches, photographs, and stages of the creative process.  The book comes from Abrams’ Young Readers imprint, however, the in-depth information and rare or never-before-published photographs and sketches will appeal to all ages of Star Wars fans.

Take a look inside some preview pages of The Moviemaking Magic of Star Wars: Creatures & Aliens:

Continue reading