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After a solid pilot episode many television series fail to measure up to the initial promise, dwindling away after a few episodes.  On last night’s fourth episode of Sleepy Hollow, “The Lesser Key of Solomon,” we learn this new series may deserve to be around for the long haul.  From the first scene where we catch up with Tom Mison’s Ichabod Crane in a humorous exchange with an OnStar representative to Hessians interrogating a bartender for information on Lieutenant Mills’s sister who has escaped from a psychiatric ward, we knew we were in for a wild ride even before the titles rolled.

If you haven’t climbed aboard the bandwagon for Sleepy Hollow yet, we reviewed the pilot here at borg.com three weeks ago.  At its core, the series is the unlikely mash-up of two works, Washington Irving’s The Legend of Sleepy Hollow and Rip Van Winkle, and the biblical Book of Revelations.  Here Ichabod Crane takes the role of Irving’s Rip Van Winkle, and the Headless Horseman of The Legend of Sleepy Hollow turns out to be one of the Four Horsemen of the Apocalypse.  The Horseman was beheaded by Ichabod Crane, who is, in turn, felled by the Horseman at the same skirmish, and on Crane’s deathbed his wife–a witch–casts a spell that causes Crane to reappear in the town of Sleepy Hollow in our time.

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