If podcasts aren’t your thing, this may be the podcast to convince you otherwise. Dana Carvey and David Spade are the hosts of Fly on the Wall, a retrospective comedy tour back to the original years of Saturday Night Live in the 1970s. It picks through a handful of the late night comedy show’s best casts and hosts for a lighthearted chat, for anyone who wants to burst out laughing for one full hour each week. Twelve episodes are already ready and waiting for you right now. Featured guests so far include 15+ time SNL host Tom Hanks, original Not Ready for Prime Time player Laraine Newman, cast members Chris Rock, Jon Lovitz, Darrell Hammond, Weekend Update host and senior writer Tina Fey, former SNL writers Conan O’Brien and Sarah Silverman, and former SNL hosts Rob Lowe, Johnny Knoxville, and Jon Hamm.
Today we move from the big screen to the small screen with the Best TV Series of 2020. If you missed it, check out our review of the Best Movies of 2020here and the best Kick-Ass Heroines of 2020 here. We watch a lot of television, and probably love a good series even more than a great movie. We preview hundreds of series, but outside big franchise content you want to know about, we only review what we recommend–the best genre content we’re watching. The theory? If we like it, we think you may like it. The best shows have a compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, and all kinds of well-executed genre elements that satisfy and leave viewers feeling inspired. Even better if we see richly detailed sets and costumes.
Without further ado, this year’s Best in Television:
Best Borg Series – Altered Carbon (Netflix). Showing life in a world well past the merger of the organic and inorganic via stacks placed in human individuals’ vertebrae in the back of the neck, the second season of the series further revealed the dark side of being able to live forever. What parts of life have the most value in a cybernetic world? What crimes emerge when body and mind can be separated and re-shuffled? Honorable mention: Star Trek: Picard (CBD All Access)–revisiting Star Trek’s old nemeses The Borg and introducing the cyborg-like nonbiological humanoids called Synths, the same term used in the BBC’s Humans.
Best TV Borg, Best TV Villain – Darth Maul (played by Sam Witwer and Ray Park), Star Wars: The Clone Wars (Disney+). The athletic performer Ray Park provided the best-ever lightsaber duel scenes in his co-starring performance in The Phantom Menace. Watching the animated series this year it was clear Darth Maul wasn’t just another animated character. Add another great duel to the books–Park’s motion capture abilities live on and continue to set the bar for Star Wars action sequences, and Witwer voices a character we never want to see go away again. Honorable mention for Best TV Villain: Grand Moff Gideon, Giancarlo Esposito, The Mandalorian (Disney+).
Best Sci-fi TV Series, Best TV Fantasy, Best Western TV Series – The Mandalorian (Disney+). Not a lot needs explaining with this series, which continues to be compared to the original Star Wars and The Empire Strikes Back more than anything with the Star Wars label on it since. The Western motif is still alive, not all that hidden here in space fantasy garb. And we won’t get started on the impact of The Child (aka Baby Yoda) now called Grogu, on the genre-loving world and beyond. Credit Dave Filoni and Jon Favreau’s visible enthusiasm and love for the original movies for a series that only gets better with each episode, despite their short lengths. Honorable mention for Best Sci-Fi TV Series: Star Trek: Picard (CBS All Access).
BritBox may not be the #1 streaming service around, but thanks to the pandemic its subscriptions have reportedly doubled this year. And you’d think that would give a series like Wild Billthe possibility of a second chance. Wild Bill was a 2019 British series in the great tradition of police procedurals featuring coppers with attitude starring the unlikely lead in a British series, Rob Lowe. It’s probably Rob Lowe’s best personal performance to date, and certainly his most mature role, yet the series was canceled by production company ITV after the first season. And that was a scrawny British season of six episodes, not 10 or 13 like we’d find on this side of the pond, which makes it doubly unfortunate to lose a series with so much promise. Since American viewership has brought a new life to all things British TV, you’d think that might mean something, but apparently British television studios don’t like making money over here.
