In the hour-long second “season” of Disney Gallery: The Mandalorian–Making of Season 2, executive producer/director Jon Favreau says he hoped to bring all the kinds of Star Wars fans together for a special moment, and he seems to have done that in this year’s superb second season of The Mandalorian, although it’s difficult to compare Disney Gallery‘s eight-episode first season of behind the scenes glimpses to the single, albeit packed, episode fans got from Disney+ this year, released on Christmas Day. As far as making all the groups of fans happy, expect that fans of the last episode’s special climactic scene won’t get to see a “making of” feature on that component yet.
Once a year at borg we ask: What makes a great screen heroine? It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television. Despite delays in releases due to the covid pandemic, nothing kept Hollywood from including great female characters on the screen, even if that meant moving movies to the small screen for a while. We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for. Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way. Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too. (Want to see previous years’ kickass genre heroines to see how 2020 compares? Here are 2019, 2018, 2017, 2016, and 2015). Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire. And they all showed what a tough, kick-ass, and often badass, character is about.
This year we add masked superheroines, a CDC epidemiologist, aliens, assassins, martial artists, warriors, cyborgs, a telephone operator, an engineer, a bounty hunter, and a frog and a pig–with a roster evenly split between television and movie characters. Credit goes to both the writers, costumers, and other creators of the characters and the actors and performers that brought them all to life.
These are the Best Kick-Ass Genre Heroines of 2020:
Bo-Katan Kryze(The Mandalorian, Star Wars: The Clone Wars). In the animated series she would let nothing stand in her way. In a galaxy with villains like Grand Admiral Thrawn and Grand Moff Gideon, we’re lucky to have Bo-Katan on our side. Leading a team to find the Darksaber and restore Mandalore, she’s also willing to enlist a lone straggler, and help him for his efforts. With Katee Sackhoff, the actress behind Starbuck, in the armor, the coolness factor goes up by a factor of 100. Great heroines are great leaders, and, like Bo-Katan, they wield an incredible arsenal of skills. (Disney/Lucasfilm)
Sheriff Nicole Haught (Wynonna Earp). Katherine Barrell’s tough, savvy, and friendly sheriff is one of the best reasons to watch Wynonna Earp, now four seasons running. She’s the girlfriend of Wynonna’s sister Waverly, she is plugged into the local supernatural happenings, and she’s always available to lend a hand, when she’s not carrying out her sheriff duties. She’s an investigator who is loyal, driven, and smart. She’s also fun and friendly, making her the heart of the series. In a show about supernatural people, she holds her own as law enforcer simply by her own human wits. (Syfy)
Seven of Nine (Star Trek Picard). More than forty years of Star Trek have revealed some exceptional women leaders. This year we were lucky to see the re-appearance of one of the best, a character who was captured as a child and trapped in what amounts to a technological cult. With the help of a strong captain, Seven was able to break free, and re-learn what it means to be human. This year that meant helping a legendary former admiral, avenge the death of her closest friend, and fight for good long after her call to duty. (CBS All Access)
With the second season opener “The Marshall,” I thought the new season would be more of the same (see my review here). A bit light on plot, and so similar to a few episodes from the first season, I figured Jon Favreau, Dave Filoni, & Co. were going to deliver some more good entertainment, but not take too many risks. Not one week later I had to take that back, as the episode “The Passenger” delivered a spectacular single-story episode reminiscent of Alien and The Thing. The fourth episode of the season, “The Siege,” was a return of characters from season one and more of the single most important, far-reaching draw for any age group or other demographic, Baby Yoda, given the name Grogu in last week’s episode. But if you take a look at this season, especially episodes 11, 13, and 14, what you may find is the third greatest Star Wars movie. Or at least your third favorite. I’ll avoid spoilers for yesterday’s new episode “The Tragedy” below except to mention the director and that the episode blew me away, but let’s dig into this season so far.
Even if you couldn’t muddle through the first six seasons of Star Wars: The Clone Wars, which aired from 2008 through 2014, fans of the Disney+ series The Mandalorian now have one reason to take a look back at the animated series. Earlier this year executive producer and creator Dave Filoni presented a fill-in-the-blanks, seventh and final season of The Clone Wars for Disney+. Last week on The Mandalorian, Katee Sackhoff (Longmire, Battlestar Galactica) reprised the character Bo-Katan, a Mandalorian she voiced in 2012 and 2013 on the series, with a reference to fan-favorite spin-off character Ahsoka Tano, voiced by Ashley Eckstein in the animated series, and soon to be played by Rosario Dawson (Marvel’s Luke Cage, Men in Black II) in The Mandalorian. If you want to see some interesting connections between the past in the Star Wars movies–the prequels, the animated series Star Wars Rebels, and more–and the current happenings on The Mandalorian, it’s time to revisit the 2020 season of The Clone Wars.
Comic book fans saw an unprecedented 13 television series based in the Marvel Comics universe since Marvel’s Agents of S.H.I.E.L.D. in 2013. Of those the six best produced of these landed on Netflix, beginning with Daredevil and Jessica Jones. You’ll not likely find two people who can agree on which was best. My #1 goes to Luke Cage, which went beyond the typical superhero turf to show a completely unique two seasons of stories. I thought Daredevil offered nothing new, and The Punisher turned a ho-hum character into something exciting thanks primarily to the performance of actor Jon Bernthal. The team-up The Defenders just couldn’t find chemistry between its members, and the best part of Iron Fist was Jessica Henwick’s Colleen Wing and appearances by Simone Missick’s Misty Knight and Rosario Dawson’s Claire Temple. Which brings us to the third and final season of Jessica Jones, the last of Netflix’s trip through the Marvel characters at least for the foreseeable future.
Jessica Jones started out promising, and that was no small feat considering the superhero was more anti-hero than the typical Marvel story. Actor Krysten Ritter knew her character from her first episode, and in three seasons never veered from the moody, angry detective we first met in 2015. Unfortunately, in three seasons the character never changed, unless even more moody, angry, and alone is enough. The first season worked because Jones had to face a particularly unique and vile villain in David Tennant′s Kilgrave. As he’s done with this year’s Good Omens, Tennant’s energy and intensity tends to elevate even the most bland material. Season 2 of Jessica Jones had another interesting villain as Jones’ biological mother, played by Janet McTeer. The third season? It lacked a compelling villain at all, with Jeremy Bobb playing a Law & Order villain-of-the-week transplant fans were stuck with for an entire season (Bobb’s played guest Law & Order characters four times). The actual villain was the one lurking the entire time, Carrie-Anne Moss′s dying lawyer and Jones’ former comrade in sleuthing, Jeri Hogarth. Despite the talent of the actors, the story arc this season was flat. The series begged for episodic tales, and instead it dragged what could have been a single episode story. It’s Netflix ending on a sour note, and confirms new creators are needed to salvage what could be a great group of characters on the small screen.
The saving grace for the entire series, and the only reason to invest your time for all three seasons, is that it launched the character Hellcat. Just like Jessica Jones introduced Mike Colter’s Luke Cage (who returns briefly to bookend the series) and Daredevil launched The Punisher, something bigger and better than the title hero arrived. Upstaging the star, no character had a greater character arc than Rachael Taylor′s “messed-up” child star Patsy, grown up into Trish Walker, a human with powers, known as Hellcat in the comics and in the show’s credits. The writers knew they had something good, showing her struggle to help her sister in the second season to become an equal during season three. But they bungled it. Trish was loyal to her sister, trying to do what every good superhero character tries–to create good for people and try not to get corrupted. But the show tripped into the common superhero trap–superheroes, at least these superheroes, can’t cross the line of the law for any reason and kill the bad guy. In this case, even if a serial killer continues to murder relentlessly, and even if the cops have practically given up trying to catch him, and the legal system has failed. So how many opportunities are presented and skipped over by the characters? A dozen? And the result by Jones failing to let Trish act is–surprise–more dead bodies. If Jessica Jones, the character, is about anything, isn’t it getting dirty to take down bad guys? So why give her series this stale Superman/Batman/Green Arrow, etc. Boy Scout story? The question of whether superheroes can ever kill is as overdone in the genre as origin stories, and completely unsatisfying as the only dilemma here. Yet through it all Taylor as Trish/Hellcat was fantastic stuff.
What defines the Men in Black the best? The neuralyzer? The Noisy Cricket? The suits? Or maybe its the sunglasses. 1997, 2002, 2012, and 2019. Plenty has changed in 22 years since the first Men in Black movie, but readers of a new book on all four films in the MiB franchise will learn a lot hasn’t changed. As part of the release of the latest entry in the series, Men in Black International, Titan Books partnered with Columbia Pictures to put together Men in Black Films: The Official Visual Companion to the Films, an oversized, chrome, hardcover guide spanning the creation of the MiB universe and each film from the original comic books to the new movie.
Writers Lisa Fitzpatrick and Sharon Gosling interview the directors, writers, visual effects crew, and other artists and actors from each movie to find out why the series has resonated with sci-fi audiences. Moving between images from the film, the characters, and plots, to what happened behind the scenes to develop the ideas from page to final film, readers will get two views of the films: one in-universe and one real-world. It’s told chronologically, giving equal treatment to each film. Along with stars Will Smith, Tommy Lee Jones, James Brolin, and now Chris Hemsworth and Tessa Thompson, you’ll see familiar characters from the past played by Tony Shalhoub (Galaxy Quest), Michael Stuhlbarg (The Shape of Water),Luke Cage stars Rosario Dawson and Mike Colter (Luke Cage), and Rip Torn (Defending Your Life), and you’ll meet new characters played by Emma Thompson and Liam Neeson.
The writers find lots of common threads with the first three films because of the overlap in creators, so look for some deep dives into the moviemaking process from director of the first three films, Barry Sonnenfeld, producers Laurie MacDonald and Walter F. Parkes (and how they coordinated ideas with executive producer Steven Spielberg), production designer Bo Welch, set decorator Cheryl Carasik, and, of course, Rick Baker, monster (and alien) maker, plus dozens more. It’s all a nostalgic look back to some of the major creators that guided the look of Hollywood in the 1980s and 1990s. It includes commentary from comic book creator Lowell Cunningham and the several writers that had a hand in the screenplays. From the great futuristic props to those sunglasses and black suit changes, every major talent behind the camera gets to share where the ideas came from, with full-color photographs documenting the production steps along the way.
Marvel has diversified its creations on film and television so much that anyone can find a series or film that grabs them and surprises them with action, drama, strong characters, superheroics and great storytelling. It’s going to be a subjective call for anyone, but the depth of every storytelling component in two seasons of Marvel’s Luke Cage makes it our nomination for the best superhero series yet. With all that a comic book fan could want (except maybe supersuits), Season Two of Marvel’s Luke Cage, now on Netflix, rises to the occasion again. The writers, actors, and other creators of Luke, his partners, and the crimelords of Harlem, could hold their own against any of the entries in the Marvel Cinematic Universe. A “best of” list of the villains of Marvel adaptations will no doubt have Loki and Killmonger from the movies fighting for top spots, but it also must now have Season One’s Cottonmouth Stokes, and this season’s trifecta of villains: Bushmaster McIver, Shades Alvarez, and Mariah Stokes.
We compared Season One–which was borg.com’s Best TV Superhero Series of 2016 along with Cage actor Mike Colter and Misty Knight actor Simone Missick taking top acting kudos for the year–to Spike Lee’s Do the Right Thing, and again, Season Two is worthy of that comparison. All the key social and cultural issues affecting every-day people inside or outside New York City neighborhoods, from the 1960s and today, work their way into the storytelling of the series. The season kept its fresh approach with a new director at the helm of nearly every episode, while maintaining its focus thanks to Cheo Hodari Coker penning the overall story and leading the series as showrunner. The show’s style is unique. Even more than in Season One, nearly each episode featured the setting of the nightclub Harlem’s Paradise with an incredible performer on-stage with a relevant song to the episode. Where a modern take on 20th century Speakeasy-inspired jazz and blues was the background for Season One, music derived from the roots of hip-hop and the heritage of key show characters in Jamaica defines the style this time. This was topped off in the last episode with a song performed by Rakim that echoed Adrian Younge and Ali Shaheed Muhammad’s 1970s retro-funk series theme.
Family roots and legacies left behind top the season’s themes. Along with the drama, the superheroics were present in Cage’s Power Man persona and new villain Bushmaster’s exquisitely choreographed battle scenes. Charismatic actor Mustafa Shakir, who isn’t Jamaican, is perfectly convincing with the accent as Johnny “Bushmaster” McIver, and like Lou Ferrigno in The Incredible Hulk and series star Colter, Shakir looks like a superhuman with no need for any superhero costume. And yes, Shakir performed most of the fabulous stunt fights with Colter, with training incorporating capoeira fighting, aptly selected for the series from its focus on power, speed, kicks, and spins. Looking for the best superhero genre one-on-one battles at the movies or on television? They can be found in Season Two of Marvel’s Luke Cage. It’s even more refreshing because the series casts aside the current lazy trope in cinema of slow-motion action sequences, which can pull you out of the momentum of the action every time.
The best is back next month. Television’s best comic book adaptation to date, the Emmy-winning Marvel’s Luke Cage, is returning next month as Season 2 arrives on Netflix. Can Season 2 match the one-two punch of the first season? It looks like we’re going to get a return of everything fans are after: More Mike Colter protecting the streets of Harlem as “Power Man” Luke Cage. The first trailer for the 2018 season is out and we’re learning a lot about what to look for in June as the next season is released on Netflix: Supercop badass Misty Knight (Simone Missick) is bringing a new weapon to the law with her own cybernetic arm. Alfre Woodard’s Mariah Dillard is taking her place as leader of the underground criminal element. Luke’s pal Bobby (Ron Cephas Jones) is back with Rosario Dawson’s Claire Temple to watch over Luke. And even Theo Rossi’s master manipulator and henchman “Shades” Alvarez makes an appearance in the trailer.
The challenge of all superhero tales ultimately is the same: How intriguing and compelling is the villain? Season 1 had Shades and Mariah, Frank Whaley’s cool bad cop Detective Scarfe, Erik LaRay Harvey’s sinister Diamondback, and the awesome and gritty Mahershala Ali’s Cottonmouth. With Scharfe, Cottonmouth, and Diamondback out of the picture, we’re getting a new villain: Quarry’s Mustafa Shakir is Bushmaster. Showing Cage there’s always someone bigger and stronger to come along, Bushmaster surprises our hero with equal strength and power.
Does Bushmaster hail from the same mad science that created Cage, or is someone new behind the scenes?
Take a look at this first trailer for Season 2 of Marvel’s Luke Cage:
It’s just what fans of DC Comics have been begging for. Finally, a Batman portrayal worthy of Adam West and Michael Keaton. The complete membership of the classic Justice League as fun as we all remember them from the comic books. Homages to famous artists adapted to the big screen from the best of DC Comics, like cover artist Jock, plus throwbacks to the campy series of the 1960s. And more homages to the musical scores from the best of the DC Comics cinematic adaptations of the past, including callbacks to Danny Elfman’s score to the 1989 Batman movie and John Williams’ Superman theme.
What was your favorite DC Comics adaptation before 2017? How far back do you go? Most superhero movie fans seem to agree upon the original Superman starring Christopher Reeve as the modern rebirth of the superhero film, and count Reeve among the best embodiments of a superhero on film. But after Reeve, fans begin to disagree as movies based on DC Comics are concerned, and usually turn to the CW Network television series for the next best DC iterations of comic book adaptations.
So when all of it finally comes together, it finally comes together in 2017, after the likes of misfires including Man of Steel, Batman v. Superman: Dawn of Justice, and Suicide Squad, we finally have an exciting and worthy DC Comics outing that is fun for the entire family, and best of all, it is all heart.
And as a bonus, it features villains worthy of a movie from the DCU. Sure, you might expect a pantheon of villains like The Joker, Riddler, Penguin, Catwoman, Harley Quinn, Two-Face, Mr. Freeze, Egghead, Scarecrow, Bane, Clayface, Killer Croc, Poison Ivy, Man-Bat, Captain Boomerang, Crazy Quilt, Eraser, Polka Dot Man, Mime, Tarantula, King Tut, Orca, Dr. Phosphorus, Killer Moth, Magpie, March Hare, Frank Miller’s Mutant Leader, Dr. Hugo Strange, Zodiac Master, Gentleman Ghost, Clock King, Red Hood, The Kabuki Twins, Calendar Man, Kite Man, Catman, Calculator, Zebra-Man, and Condiment King. But all in one movie? And battling some of fiction’s other greatest supervillains, like Dracula and the other Universal Monsters, The Daleks, Lord Voldemort, Jaws, King Kong, Gremlins, velociraptors, the Wicked Witch of the West, Agent Smith from The Matrix, and Sauron? Wait–was Darth Vader tied up in some other project?
That week is here–All the lead-in built up by Marvel’s host of television series created for Netflix finally comes together this weekend. Marvel’s Daredevil, Jessica Jones, Luke Cage, and Iron Fist become The Defenders. Netflix has released a final trailer leading up to the series premiere.
We’ve learned in the past few years that combining your A-league superheroes doesn’t guarantee a successful cinematic experience. How much better than the theatrical Avengers and Justice Leaguers was the B-league team that comprised the Guardians of the Galaxy? How about the strange success in Deadpool of partnering Colossus, Negasonic Teenage Warhead, and Deadpool?
So far we’ve loved most of what we’ve seen Marvel put together for Netflix. Luke Cage earned several of our “Best of Television” categories last year here at borg.com. The core of its new team-up of all the Netflix Marvel superhero stories is a classic Marvel comic book team-up: Power Man and Iron Fist. It’s amazing that this team-up has the potential to gain some real traction 40 years later. And you can’t get much more nostalgic for 1970s comic books than the late, great Steve Gerber run on The Defenders. So put together Luke “Power Man” Cage, Daredevil, Iron Fist, Jessica Jones, and add in Elodie Yung as Elektra, and give us a villain played by sci-fi queen Sigourney Weaver, and a supporting cast including the incomparable Scott Glenn, and a triple threat of actresses known for their badass roles: Rosario Dawson, Carrie-Anne Moss, and Simone Missick? What’s not to like? We asked it earlier with the first previews for the series: Can The Defenders be the best team-up on-screen yet?
Check out this final trailer for Marvel’s The Defenders:
