Tag Archive: Sam Riley


Review by C.J. Bunce

A year after he directed an adaptation of Daphne du Maurier’s Jamaica Inn, Alfred Hitchcock would direct his adaptation of an even more memorable du Maurier novel, Rebecca.  His 1940 film would be the only Hitchcock film to win the Academy Award for Best Picture.  Rebecca, a remake, premieres this week on Netflix.  For its fall releases the popular streaming studio nicely split up the male leads of The Man from U.N.C.L.E., putting Henry Cavill in Enola Holmes and Armie Hammer in Rebecca, even using the same mansion for both films.  For Rebecca, Netflix plucked ex-cast members from Mr. Selfridge and some other genre favorites of British TV.  So how does the new Rebecca compare to Hitchcock’s masterpiece?

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A year after he directed an adaptation of Daphne du Maurier’s Jamaica Inn, Alfred Hitchcock would direct his adaptation of an even more memorable du Maurier novel, Rebecca His 1940 film would be the only Hitchcock film to win the Academy Award for Best Picture.  It is a Hollywood classic, a perfect Gothic romance masterpiece starring Joan Fontaine as the mousey Cinderella-esque Mrs. de Winter, opposite Laurence Olivier as the controlling but dashing Maxim de Winter.  There’s a dark secret at Maxim’s sprawling estate called Manderley.  The great future dame Judith Anderson played Mrs. Danvers, creating one of those screen villains in that club of scary, loathsome manipulators that includes The Wicked Witch of the West, Maleficent, Dolores Umbridge, Mrs. Emerson, and Nurse Ratched.  Now 80 years later, relatively unknown director Ben Wheatley (Doctor Who, Free Fire) is bringing his own adaptation to Netflix next month.  So who is being cast in the key roles this time?

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Review by C.J. Bunce

The price of knowledge is often great and grim.  If you like your historical biopics about scientific discoveries of the inspiring and motivational variety, Amazon Studios and Studiocanal’s latest film Radioactive, a barely recognizable adaptation of the Lauren Redniss graphic novel, RadioactiveMarie & Pierre CurieA Tale of Love and Fallout, may not be for you.  Yet exceptional performances by Rosamund Pike (Gone Girl, Jack Reacher, Die Another Day) as Maria Skłodowska aka Madame Marie Curie and Anya Taylor-Joy (Emma, Split, The New Mutants) as her daughter Iréne, and a dearth of new films this summer, will likely make this 2018 production worth your time.  It arrived in the U.S. for the first time this week streaming on Amazon Prime.

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prideprejudiceszombies

Review by Elizabeth C. Bunce

It is a truth universally acknowledged that a classic story in possession of fans must be in want of retelling.  Likewise, that if that story is a novel, it should also thence be made into a film.  And if you can find a way to put zombies in, wins all around.

Thus, writer/director Burr Steers’ new Pride and Prejudice and Zombies, based on the eponymous 2005 novel “co-written” by Seth Grahame-Smith (Abraham Lincoln, Vampire Hunter) and Jane Austen.  Cleverly packaged to release in time for Valentine’s Day, the film is a sure winner for date night: costumes; romance; actors in various states of fetching undress; violence; girls with swords; shambling, oozing undead in fetching period costumes; and powerful women with estates and eyepatches.  And Matt Smith.  Need I say more, really?

As a version of Pride and Prejudice, PPZ is probably below average, and relies on the viewer’s familiarity with the story, since much of the film’s 108-minute runtime must be given over to worldbuilding and action sequences (although fans of the 1995 A&E adaptation will be rewarded with plenty of homages, especially with respect to Mr. Darcy).  Prideful Elizabeth Bennet (Lily James, Cinderella) and disdainful Mr. Darcy (Sam Riley) have even less onscreen chemistry than Austen’s off-again, off-again lovers normally display–but they more than make up for it with their zombie-fighting prowess.  Lizzie’s intolerable-yet-lovable family is neither interesting enough nor loathsome enough to inspire much response from the viewer; thank goodness for the zombies to give us something to care about.

PPZ zombie

As a zombie film, it’s probably also less than what the average zombie flick fan is looking for.  There are the requisite scenes of shambling hordes, rotting flesh, and brain-eating, but it’s somewhat tame thanks to the PG-13 rating, and in comparison to so many other recent zombie properties.  In fact, it’s actually a credit to the filmmakers that they didn’t try to outdo the competition with their zombie horde, and instead showed a certain 19th century refinement and restraint in the presentation.

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Badass women Pride and Prejudice

It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.

Thus begins Jane Austen’s 1813 novel Pride and Prejudice.  But wait.

It is a truth universally acknowledged that a zombie in possession of brains must be in want of more brains.

That’s the beginning of Seth Grahame-Smith’s 2009 horror adaptation “parody” Pride and Prejudice and Zombies.

P P and Z

One is an awesome classic about early 19th century class and society.  The other… sounds like fun, and if the movie adapted from Grahame-Smith’s other well-known novel, 2010’s Abraham Lincoln, Vampire Hunter, is any indication, this next flick is going to be a heckuva lot of fun.  And forget about the horror and zombies, the first trailer out of the gates makes this flick look like Jane Austen meets Hit Girl from Kick-Ass.

Just check out the trailer for yourself:

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