Tag Archive: Santa: My Life and Times


Review by C.J. Bunce

For years it seemed like new Christmas classics were few and far between.  It usually takes some time for a movie to gain “classic” status, and that itself is, of course, in the eye of the beholder.  Early on audiences stamped the label on Miracle on 34th Street, It’s a Wonderful Life, and White Christmas.  You have your A Charlie Brown Christmas, your How the Grinch Stole Christmas, Rudolph the Red-Nosed Reindeer, and a bevy of Rankin & Bass stop-motion animated shows like Frosty the Snowman.  Then more modern fare came along, like A Christmas Story, National Lampoon’s Christmas Vacation, The Muppet Christmas Carol, and Elf.  Oh, and we can’t forget Die Hard.  All stamped with an anvil as “classics.”  If you want to see more movies from cinema history, check out the Turner Movie Classics book Christmas in the Movies, reviewed last year here at borg.

Putting aside the modern made for TV movies, if you’re younger, you may count as a classic something like The Polar Express, with Tom Hanks.  It’s that kind of recent film category where you can add in Netflix’s new movie–its first animated feature, Klaus Both of these movies are animated in interesting ways that will keep you entertained simply from a visual perspective, Klaus from its unique lighting and color choices and a strong Spanish comic art style (as seen in Dog Mendonça and PizzaBoy).  They also share a certain traditional storybook look, and their tales also look back to nostalgia for their ideas.  Klaus is another origin story take on Santa Claus.  Audiences have seen this many times, including in the not to be missed films Santa Claus is Comin’ to Town (featuring the voices of Fred Astaire, Mickey Rooney, and Keenan Wynn) and in books like L. Frank Baum’s The Life and Adventures of Santa Claus and more recently, the brilliant Santa: My Life and Times, with artwork by Bill Sienkiewicz (we reviewed it here).

Spain’s Sergio Pablos directed Klaus intentionally stepping away from modern Disney-style CGI animation to traditional hand-drawn art, so it looks more like Disney’s top technical achievement, the Oscar-winning Beauty and the Beast from 1991, and less like The Hunchback of Notre Dame.  The story is cute, and contrasting with the traditional visual style, is the inclusion of humorous dialogue told by voice talents famously known for being snarky.  We follow a postman named Jesper, who couldn’t look or sound more like David Spade, actually voiced by Jason Schwartzman.  Jesper is a non-achiever, and his father sends him to a distant Scandinavian town to learn to be successful at his job.  The town ends up like a lawless town out of the Old West.  His job is to get people to use the mail service again.  Along the way he runs into a Hatfield-McCoy conflict, with one part voiced by Joan Cusack, and an old man with a house full of toys named Klaus, voiced by J.K. Simmons.

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Review by C.J. Bunce

“The waters speak the truth, that they do.  Only now have you lived long enough to know the child that you shall always remain.  That which dwells in the heart can never be lost to the spirit.”

Some artists’ works are so brilliant, so evocative, so memorable, and so successful, that whenever they draw, sketch, or paint, it turns heads.  One of those artists is Bill Sienkiewicz.  His 1980s comic book artwork changed the way comic books are approached by artists and readers, forever.  His trademark abstract works and his recurring sketches of people making the news are regular features that can make you happy to open your social media application for the day.  Put Sienkiewicz together with a Santa Claus story?  It’s as good as it sounds, and it arrives in stores beginning this week.

We’ve seen some incredible work on Christmas stories in the comic book medium before.  Take for example the modern Batman opus, 2011’s Batman: Noel by Lee Bermejo (we reviewed it here).  Now this year we have Santa: My Life and Times, An Autobiography, a lavish, updated edition to a 1998 project.  It features a holiday story written by Jared Green (and Santa, of course), with vibrant and festive watercolor art, cover to cover, by Sienkiewicz.  As are all good storybooks, this is a shiny, over-sized hardcover.  You will get lost in the details of every page of art.  Marvel at all the wintry critters.  Peek inside windows.  The beauty of nature’s magic is everywhere.  By my count there are not only more than 100 illustrations by Sienkiewicz in this book, there are 100 poster-worthy illustrations.

The storytelling is very Victorian and grand, neither modern nor silly.  This is the same voice found in the classic 1823 Clement Clarke Moore holiday staple,  A Visit from St. Nicholas (aka ‘Twas the Night Before Christmas).  Green’s voice of Santa is like a conversation in a good Dickens hero’s friendly voice.  Think Bob Cratchit.  This is a deep, rich, well-thought out fantasy.  The story spreads pure goodness and joy, the kind you’ll want to read to little kids (or adults, or cats), complete with Dr. Seussian sound effects peppered about.  No doubt this is the same Santa that influenced the likes of Mr. Rogers, Bob Ross, Steve Irwin, and Jim Henson.  The look and feel matches the spirit of the Rankin/Bass Christmas classics perfectly.

Here are some pages of the interior art and story from Santa: My Life and Times: An Autobiography, courtesy of Titan Comics:

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