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Tag Archive: Sarah Connor


Arnold Terminator Genisys

Well it’s been one long year, with plenty to do and see, plenty of good and not-so-good to read and watch, and as with last year we’re certain we reviewed more content this year than ever before.  This year was a big year for borgs in TV and film, so we had some difficult decisions to make.  All year long we sifted through all that Hollywood had to offer and honed in on the genre TV, films, comics, and other books we thought were worth examining.  We went back and looked at it all and pulled together our picks for our annual Best of the Best list.

Today we reveal the entire list–the best genre content of 2015–with our top categories Best Sci-Fi Fix, Best Fantasy Fix, Best Superhero FixBest Animated Fix,  and Best Borg selected regardless of medium.  A dozen properties garnered multiple mentions.

We hope you agree with many of these great creations of the entertainment industries, and wish everyone a great 2016!

Killjoys

Best Sci-Fi Fix – Killjoys (Syfy).  Surprised?  Killjoys pulled together great worldbuilding, characters and actors in a year of a dozen new sci-fi shows to provide us the closest thing to the next Firefly we’ve seen in a long time.

Galavant

Best Fantasy Fix – Galavant (ABC); Runner-up The Librarians (TNT).  It aired early in 2015 but nothing surpassed Galavant’s medieval high adventure and all-out Princess Bride-style fun.

the-cw-arrow-flash-crossover

Best Superhero Fix – The Flash (CW).  Of all the Marvel movies and TV series from Agents of S.H.I.E.L.D. to Agent Carter and from Arrow to Supergirl, nothing had us coming back for more each week like the superhero world in The Flash.

Rebels season 2

Best Animated Fix – Star Wars Rebels (DisneyXD).  Compare it to Star Wars: The Force Awakens and see if you think this animated Star Wars galaxy had an even better story and characterization, along with the return of its own group of original trilogy actors, compelling visuals and rousing music.

Terminator Genisys image

Best Borg – Pops (Arnold Schwarzenegger) from Terminator Genisys (Paramount).  Schwarzenegger created yet another borg that could stand up against his prior successful characters from the series.  A cool, moving character in a big year for borgs on screen!

Ava from Ex Machina - borg

Best Borg Movie –  Ex Machina (DNA Films).  Incredible storytelling and a small cast of talented actors provided a classic science fiction story and Oscar-worthy film about our favorite subject.

Humans series

Best Borg TV SeriesHumans (AMC).  On television the most in-depth look at life as a borg and among borgs has never been portrayed more dramatically than on this year’s surprise sci-fi hit series from AMC.

Star-Wars-Force-Awakens-Rey-Finn-BB8-running

Best Kickass Genre Movie Heroine – Rey (Daisy Ridley), Star Wars: The Force Awakens (Disney); Honorable Mentions: Sarah Connor (Emilia Clarke), Terminator Genisys (Paramount); Imperator Furiosa (Charlize Theron), Mad Max: Fury Road (Village Roadshow)

Liv Moore

Best Kickass Genre TV Heroine – Liv Moore (Rose McIver), iZombie (CW); Honorable Mentions: Dutch (Hannah John-Kamen), Killjoys (Syfy); Helena (Tatiana Maslany), Orphan Black (BBC)

Want to know who we picked for best villain and best comic books of the year?  Take a look after the cut…

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season-7-opening-credits-buffy-the-vampire-slayer

The Renaissance of movie and TV tie-in action figures arrived in 2013 with Funko’s classic Kenner-style ReAction figure line.  Other companies focus on single licensed figures and getting the likenesses spot-on, but Funko’s diversification of lines meant everyone could find something that fit their personal niche at an affordable price point.  A true throwback series, one of the overlooked features of the line is the incredible variety of no-names-taken, classic kick-ass heroines represented.

In fact you can find here the top of the world’s best, in-your-face, take-no-prisoners, genre heroines.  Buy them for yourself, for your friends, or get your favorite as a totem to inspire you each day from your desktop.  And where the early sculpts in Funko’s line admittedly looked nothing like the actresses that made the roles famous, the new lines have only improved.  And nobody has better packaging designs than the ReAction line.

Zoe Washburne scene

Who would you add to the Funko roster of heroines?  Compare your list to our more than 85 suggestions for future kick-ass women action figures below.

First, check out this Baker’s Dozen of our favorites in the current Funko pantheon:

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Terminator Genisys Arnold

Mad Max who?  Star Wars Awakens what?  Avengers Age of huh?  Make us choose only one summer sequel and there’s one we’re most excited about more than all others.  And it’s because Paramount knows how to promote a movie.

We can’t stop using the word “awesome” to describe just about everything associated with the latest entry in the much-traveled Sarah Connor timeline, Terminator: Genisys.  We previewed the initial teaser trailer showing the return of Arnold Schwarzenegger here, and the first full-length awesome trailer here.  Just when we thought we couldn’t get more excited about the fifth Terminator movie, this new trailer drops and WOW!  It’s full of even more cool stuff.

Byung-hun Lee Terminator Genisys

Did we say we can’t wait?

Wait no further.  Check out the latest trailer after the break:

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Rita Vrataski Emily Blunt

When we first heard that Hiroshi Sakurazaka‘s novel All You Need is Kill was being adapted for the big screen we knew this was going to be a winner.  Then the studio changed its name to Edge of Tomorrow and revised a fair amount of the characters and story arcs and we weren’t so sure.  By the time it hit the video stores the marketing folks realized Edge of Tomorrow as a title was responsible for some of the deficiencies at the box office, and so they elevated the status of their tagline Live. Die. Repeat. in big letters on the video boxes making it nearly impossible to remember the title.  So here’s some good advice:  Forget about the marketing screw-ups.  Ignore it if you don’t like Tom Cruise’s personal life.  And just watch this movie.

Although the outcome of Emily Blunt’s branded “Full Metal Bitch” Rita Vrataski is different from Sakurazaka’s novel, Rita is the finest example of kick-ass female that has hit the movie screen.  Everyone should be watching Rita and getting inspired to take tai chi or tae kwan do.  I’ve compared Rita to Sarah Connor and Ellen Ripley and stand by that comparison.  And it’s worth noting it takes a real person to do all these physical acts of prowess to bring these characters to the screen, which should add Emily Blunt to role models like Linda Hamilton and Sigourney Weaver.

Edge of Tomorrow scene

Military men and women and anyone who likes World War II movies will appreciate the entire future military command setting in Edge of Tomorrow.  Bill Paxton’s Master Sergeant Farell is perfection, in a camp with Richard Jaeckel’s Sgt. Bowren in The Dirty Dozen or Warren Oates’ Sgt. Hulka in Stripes.  The D-Day-inspired battle scenes even rival the great work done by Steven Spielberg in the Omaha Beach landing scene in Saving Private Ryan.

Rarely does good science fiction also manage to pull off laugh-out-loud humor.  Director Doug Liman (The Bourne Identity) took a production that began without a full shooting script and pieced together something gritty and complete, offset with some of the funniest stuff put on film this year.  Cruise’s character Cage tries repeatedly to escape and find Rita early in the film and is repeatedly killed–including an incredible scene involving him rolling under a jeep.  Cruise is a great actor and entirely believable as his character grows–really selling his performance convincingly here as he does with most of his films.

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UK Blu-Ray art for Looper

If you happened to miss last year’s theatrical release of the sci-fi crime thriller Looper, you might give it a shot now on DVD or Blu-Ray.  Although it has some bits and pieces that don’t quite come together and leaves you wondering whether what you think happens at the end is the same as what the director intended, so many great scenes, acting, and sci-fi concepts will have us go back to watch this one again.

In part, it’s what I was expecting from another Joseph Gordon-Levitt sci-fi film–Inception.  Inception was over-hyped and more commercially successful, but ultimately didn’t deliver the promised surprises and complexity, but that’s where Looper’s story does it better, with its back-and-forth, twisty time travel tale.

Young Joe meets old Joe in Looper

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Review by C.J. Bunce

Ridley Scott suggests a “sequel to the prequel” is a possibility in the feature material to the October 9, 2012 release of his is-it-or-isn’t-it-a-prequel to Alien blockbuster Prometheus on Blu-Ray, 3D, and DVD.  The trailer to the video release gets it just right–there are so many unanswered questions left in this summer’s big-budget blockbuster, sci-fi release that you may think you’re watching 2001: A Space Odyssey.  What was this Dr. Manhattan-looking being in the distant past and in our distant future eating that dissolved him into the ocean?  How does that being relate to the rather squiggly creature that emerged in one of the movie’s key scenes?  Why didn’t Scott just come out and call this a prequel?  Surprise, people!  It’s a prequel!  It’s actually really good at being a prequel, because unlike other prequel movies, it doesn’t re-hash every bit of the original film or films.

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By Elizabeth C. Bunce

When I set about to pull together my Fantasy Casting Dream Team, I knew right away what it would look like: The characters I selected had to be drawn from various storytelling forms (film, TV, literature, etc). They had to stand the test of time–be true, perennial favorites (vs more recent character crushes).  And they had to be female.

That part was easy.  Actually picking the roster, however, took some deep thought.  It was far easier to say who wouldn’t make the list–no matter how much I may love, say, Charlie Crews (Life), Eliot Spencer (Leverage), or John Casey (Chuck), they were all missing one important trait (that second X chromosome).  Coming up with great female characters wasn’t a problem, either–it was narrowing down my choices (and worse, committing to them, as if I’m going to be quizzed on this later in life, possibly by St. Peter.  Ok, I guess that technically doesn’t happen in life… never mind.).  So.  How to choose among beloved characters from favorite childhood books (Anne Shirley or Mary Lennox? Sophie or Princess Aerin?  Sweet Hattie or dastardly Cruella de Vil?)?  Or narrow down iconic TV characters (I could name Buffy or Faith… but my actual favorite was Anya)?  Or plumb the depths of classical literature and the oral tradition to select among greats like Penelope or Guenevere?

Ultimately, though, with enough shaking, five I’m proud to commit to rose to the top.  There was a tiny glitch with my #1 spot; astute readers may notice that it missed my #1 requirement by rather a long margin.  But he really is so marvelous he makes up for it, and he was, after all, created by a woman (if you don’t know many Emmuskas yourself, the “Baroness” part probably gave that away).

So, like choosing sides for a playground game of kickball, from first pick to last, we have:

Sir Percy Blakeney, aka the Scarlet Pimpernel
The Scarlet Pimpernel by Baroness Emmuska Orczy

We seek him here, we seek him there/Those Frenchies seek him everywhere….

When asked to come up with my five favorite characters, the only one to come instantly to mind was Percy Blakeney/The Scarlet Pimpernel.  Genre fans already recognize the drama inherent in dual identities, and in the early days of the 20th century, Orczy gave us one of the best.  He is, without a doubt, my personal favorite superhero, and my favorite incarnation is the one pictured above, as played by Richard Grant in the 1990s A&E miniseries.  By day, he’s Sir Percy Blakeney, foppish and outrageous and shockingly clueless–a charming idiot obsessed with tying the perfect cravat.  By night, he risks everything to perform incredible acts of heroism as the Scarlet Pimpernel–rescuing beleaguered French aristocrats from the Reign of Terror.  Had she stopped there, Orczy’s hero would probably still have endured.  But she added depth to Sir Percy’s character in his troubled relationship with his wife, French-born Marguerite, who bears the guilt of having once unwittingly betrayed a privileged family to the revolutionaries.  Orczy showed us this story through Marguerite’s eyes, but Grant (and others before him, including the great Leslie Howard) gives us Percy’s side, and the pain of his love for her, tainted by her treachery, informs every one of their nuanced interactions.  He is a complex and layered character, deeply wounded yet no less driven, and able to sustain the most brilliant of aliases.  It takes a genius to play an idiot so convincingly, and so Sir Percy Blakeney, aka the Scarlet Pimpernel, swashbuckles his way to #1 among my all-time favorite characters.

Dona St. Columb
Frenchman’s Creek by Daphne Du Maurier

The great Daphne du Maurier left us a legacy of unforgettable characters: the sinister seductress Rebecca and her creepy handmaid Mrs. Danvers; the ruthless smugglers of Jamaica Inn; The Birds that stormed the Cornish coast and went on to terrorize Hitchcock’s Bodega Bay.  But among that august company, my personal favorite is Dona St. Columb, the heroine of du Maurier’s brilliant Restoration-era pirate romp, Frenchman’s Creek.  Dona is a bored aristocrat whose first act in the novel is to steal her husband’s best friend’s clothes and rob a stagecoach.  Purely for the novelty of it.  Bored to death by herself, her husband, and her shallow life at court in London, Dona takes her young children and flees to Navron, her family’s seaside estate in Cornwall.  There she discovers that the home is being used as the base for French pirates.  Lured by adventure and romance, Dona falls in with the pirates and in love with their captain, whom she always refers to as the Frenchman.  This is the setup for dozens, nay hundreds, of insipid romance novels since–but du Maurier’s great skill and talent elevate both the novel and its delightful heroine well above the average.  Dona is smart, funny, sly, impatient, gloriously larger than life, and soberly self-reflective.  Her journey of languid awakening and swashbuckling adventure is tempered by a self-awareness and maturity that copycat romances lack, and the bittersweet conclusion to her affair with the Frenchman adds a sophistication and respect to our enjoyment and understanding of her character.  But it’s through her bright, delightful voice and her witty observations of life around her that we get caught up in her tale.  I adored Dona from the first, and felt bereft when her story was complete.  And that is exactly the sort of character we all want to create.  (It is a good thing that Dona and Percy never met, for the world might well have imploded.)

The Terminatrix (Sarah Connor, Terminator 2)

Long before Kristanna Loken appropriated (appropriately) the name, fans of Linda Hamilton’s kickass performance in T2 had dubbed her The Terminatrix.  Sure, she’s not an evil cyborg killing machine, but she doesn’t let that stop her.  Evincing one of the most dramatic (if unseen) character arcs in film history, Sarah Connor goes from scared suburbanite to one-woman army, giving us a whole new breed of action hero: a female one.  We had Ripley before and Xena, et al, since, but the mold was forever reshaped around Hamilton’s chiseled biceps and steely glare.  When an aging Ahnold is not sufficient to stop a next-generation Terminator, who can we turn to but… a really pissed-off mom?  Sounds about right.

Scheherazade
The Thousand and One Nights

Her tales have been captivating us for nearly a thousand years, and it was her amazing imagination that gave us Aladdin, Ali Baba and the Forty Thieves, and Sinbad.  But it is Shahrazad’s own story of selfless and unusually daring heroism that makes her one of the best characters of world literature.  When ruthless sultan Shahriyar is betrayed by his wife (and his brother, it ought to be noted), he exacts a terrible, mad revenge: each night he marries a virgin, then slays her in the morning, so he can never again be wounded the same way.  For over three years this horror continues, unstopped by all the men of the kingdom–until the vizier’s young daughter steps forward and volunteers.  Shahrazad alone has the courage and conviction to end this mindless slaying of women–and a plan that is both audacious and baffling.  She’ll do it with bedtime stories.  Shahrazad is a natural storyteller who understands better than anyone the power of the cliffhanger–and the redemptive power of story.  Each night she spins her husband a new tale–but refuses to reveal the ending until tomorrow.  Thus is she spared her predecessors’ fate.  But more than that, Shahrazad’s tales are full of moral lessons and the wisdom and virtue of women, and gradually her stories cure Shahriyar of his madness.  For her courage to stand up where no one–no man–would, and declare the slaying of women unacceptable; for her brazen plan to stop a mass murderer in his tracks with nothing but half a fairy tale; and for her enduring legacy of literary skill and feminism, Shahrazad easily earns a spot on my roster.

Veronica Mars
Veronica Mars

I can say with total honesty that Veronica Mars (Kristen Bell) was the heroine I’d been waiting for all my life.  She came about 15 years late for me, but the smart, sassy teen (girl) PI was exactly the kind of character I craved as a kid.  She appeared on the scene in 2004, in the genre gap left behind by Buffy, but Kristen Bell did far more than just fill big sister’s shoes.  Veronica Mars not only gave us a YA heroine for the digital age, but created an entirely new genre: teen noir.  Daughter of the town’s disgraced former sheriff-turned-private investigator, the once-popular party girl now earns extra income by spying on her fellow students at Neptune High, in a community sharply divided along class lines.  Recovering stolen homework and restoring tarnished reputations is only her day job, however, for Veronica’s hardboiled exterior conceals a wounded past, and her driving passion is solving the murder of her best friend Lily.  It’s a brilliant genre mashup that gave rise to one of the very best YA heroines ever put on-screen.  Complex, smart, independent, and vulnerable–with a kickass cool job–characters don’t come much better than Veronica Mars.

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