If podcasts aren’t your thing, this may be the podcast to convince you otherwise. Dana Carvey and David Spade are the hosts of Fly on the Wall, a retrospective comedy tour back to the original years of Saturday Night Live in the 1970s. It picks through a handful of the late night comedy show’s best casts and hosts for a lighthearted chat, for anyone who wants to burst out laughing for one full hour each week. Twelve episodes are already ready and waiting for you right now. Featured guests so far include 15+ time SNL host Tom Hanks, original Not Ready for Prime Time player Laraine Newman, cast members Chris Rock, Jon Lovitz, Darrell Hammond, Weekend Update host and senior writer Tina Fey, former SNL writers Conan O’Brien and Sarah Silverman, and former SNL hosts Rob Lowe, Johnny Knoxville, and Jon Hamm.
The last we saw Saturday Night Live sensation Mike Myers was as a music agent in the Oscar-winning Bohemian Rhapsody. Myers can do drama like he can do funny. But beyond his megahit movie series Wayne’s World and Shrek, his reputation over the long haul is similar to Eddie Murphy and Jerry Lewis–a comedic man of many faces, which he honed on SNL and his Austin Powers movie series. His next outing, a Netflix series mocking conspiracy theories, is called The Pentaverate, and it looks more like Austin Powers than the rest, complete with Myers playing multiple roles. It also points back to one of his funnier bits in the comedy classic So I Married an Axe Murderer.
Only a year ago I called director Craig Brewer’s 2019 biopic Dolemite is My Name–the theatrical return of Eddie Murphy and Wesley Snipes from Netflix–the big Oscar miss of the year. It begged the question: When was the last time Murphy and Snipes were this good, and why did they ever leave the top spot on marquees of movie houses everywhere? Brewer is back again with Murphy and Snipes, this time in a sequel to director John Landis’s quirky 1988 comedy Coming to America, a two-time Oscar nominee for costumes and one of Rick Baker’s makeup nominations for turning Murphy and co-star Arsenio Hall into a host of characters, a box office success that gained favor over the years thanks to video rental stores, and today it’s a nostalgic trip back to the 1980s. The sequel Coming 2 America is a big surprise: a big budget marvel not from Netflix but Amazon Studios, a thoughtful, funny, surprisingly deep sequel we didn’t know we wanted, and a result that is even better than the original. More than “just another sequel,” it’s a fairy tale like The Princess Diaries, a bit A Knight’s Tale, a bit Crazy Rich Asians, and a worthy sequel in concept and art design to Black Panther. It’s also a celebration of the career and characters of Eddie Murphy, and it expands to be a celebration of black culture and comedic films via dozens of great Easter eggs. In short, it’s one of the best direct-to-television movies since studios started moving from movie houses to home screens.
It’s not your typical holiday special, but it may be one to return to each year, The LEGO Star Wars Holiday Specialhas arrived, a parody of the franchise starring LEGO Rey as she attempts to find a way to teach Finn to become a Jedi, using information she learns on Life Day–Life Day the holiday first introduced in the original 1978 Star Wars Holiday Special, which was a perfect snapshot of what you would expect for a blockbuster movie’s TV tie-in in the 1970s. Disney has used this show as an opportunity to poke fun at itself, at the Star Wars ideas it has created since it bought the franchise from George Lucas, while also poking fun at some of the ideas Lucas created. It’s not just for fans of the third Skywalker trilogy of movies as time travel arrives in the Star Wars universe, allowing Rey to zip back and forth to every corner of the past, meeting all your familiar friends in key scenes from the movies.
Where in the world has Carmen Sandiego been lately?
She’s been the subject of an ongoing series of video games since 1985. She was featured in two game shows, one a Peabody Award winner and the second an Emmy Award winner, featuring Rockapella and late actress Lynne Thigpen (Homicide, Law & Order, Tootsie, Shaft) as The Chief, from 1991-97. And she had an Emmy Award-winning animated series that ran for five years, with the last episode airing 20 years ago this week. The animated series starred Oscar-winning actress Rita Moreno(West Side Story, The Electric Company, Jane the Virgin) as the voice of Carmen, and a host of bad guys, including a recurring villain voiced by Tim Curry. The games and shows have had changing names: Where in the World is Carmen Sandiego? Where on Earth is Carmen Sandiego? Where in Time is Carmen Sandiego? But the constant has always been Carmen.
A new animated series is coming to Netflix later this month, bringing back the character with some updates. Netflix’s Carmen Sandiego will deliver two ten-episode seasons starring Gina Rodriguez as the voice of Carmen. Rodriguez’s most recent voice work can be heard in Ferdinand and Smallfoot, and she’s appeared in front of the camera in genre series from Law & Order to Longmire, and her best known role in Jane the Virgin. The updated Carmen is first seen younger than her past personas. Law enforcement agencies see her as a master criminal. She becomes a modern-day Robin Hood traveling the globe and stealing from the crime organization V.I.L.E., giving stolen goods back to its victims. The series will follow her escapades, and viewers will learn not only where she is but… Who in the world is Carmen Sandiego?
The series will feature the voice talents of Finn Wolfhard (Stranger Things, It, Supernatural, The Addams Family) and Sabrina Carpenter(Horns, The Hate U Give). The first trailer has Carmen updated from all-out criminal to something like a member of the team in the television series Leverage (“The rich and powerful take what they want. We steal it back for you. Sometimes bad guys make the best good guys”).
Take a look at the English and Spanish trailers for the new series Carmen Sandiego:
The ultimate shark sighting? A make-ready skit when Jason Momoa finally gets to host Saturday Night Live?
We have seen some great team-ups that also served as great mash-ups. One of the best came last year when DC Comics took a side trip with Warner Bros.’ Looney Tunes characters, especially in the Batman/Elmer Fudd crime-noir, one-shot story “Pway for Me,” by Tom King, Lee Weeks, and Lovern Kindzierski. It was our pick for last year’s best team-up/mash-up. This year DC Comics is back, but this time they paired off again with characters from Hanna-Barbera. Last year for DC Meets Hanna-Barbera, Volume 1, that meant pairing Jonny Quest and Adam Strange, Space Ghost and Green Lantern, Flintstones and Booster Gold, and Suicide Squad and Banana Splits. In comic book stores and coming soon in a compilation edition, DC Meets Hanna-Barbera, Volume 2 features even more great team-up/mash-ups: Who wins when you pair The Flash and Speed Buggy? How serious can cartoon characters get when you’ve teamed Black Lightning and Hong Kong Phooey? Or “Super Sons” Robin and Superboy taking on Dynomutt? But the winner is clear… How could you possibly lose with a team-up of Aquaman and Jabberjaw?
With the right amount of seriousness (mainly from Aquaman) and the right amount of nostalgic humor (mainly from fun-loving land shark Jabberjaw), Dan Abnett strikes throwback gold with a story full of seaside quips and Jaws references, pulling ideas even from the classic favorite Superfriends show. The result is one of the best Aquaman stories we’ve read. And Abnett completely tapped into the pulse of the classic Jabberjaw cartoon, tying in his band of friends The Neptunes. Artists Paul Pelletier, Andrew Hennessy, and Rain Beredo created a unique, incredible look, something out of Syfy’s Haven town and Luc Besson’s future world in Valerian and Laureline. THIS is the ongoing series that needs to continue, although, understandably the pairing is a big stretch even for comic books and animated series, bridging time and space to get these two worlds together. But it works. From the setting, a seaside tourist town called Amnesty Bay (playing on the Jaws town of Amity), to the return of the world’s best drumming shark, to the sound of fingers on a chalkboard, to those Rodney Dangerfield meets Curly Howard catch-phrases, to the final entanglement with shark hunters, this one has it all.
DC has already featured Hanna-Barbera together in ongoing comic book series from the favorite characters of 1970s Saturday morning cartoons in the series Future Quest, Scooby Apocalypse, The Flintstones, Wacky Raceland, Dastardly and Muttley, The Ruff and Reddy Show, The Jetsons, and Exit, Stage Left!: the Snagglepuss Chronicles. A great writer should be able to find unlimited potential for Jabberjaw and his friends. Check out these preview pages from the publisher for the story “A Bigger Beat”–
Now that you’re all recovering from your Star Wars Day activities and readying for Free Comic Book Day today, let’s look at the latest from Solo: A Star Wars Story. We seem to be transitioning from the high of the Avengers: Infinity War in April and heading toward the premier of Solo on May 25. And there seems to be no stopping the marketing folks at Lucasfilm. If you’ve been a fan of Star Wars since the beginning, you may find a new Lucasfilm video the greatest thing since blue milk. It’s the beginning of the scene where Lando and Han play cards, and Han offers up ships as the stakes. Is this the exact scene we’ll see in theaters, or one pretty close to it? It seems pretty likely, although don’t rule out last-minute edits as was done with Rogue One–the other awesome Star Wars Story–where much of the trailer footage ended up on the editing room floor. Check it out below, unless you want to wait to see it in the theater, but you’re not going to see it in this “virtual reality” 360 degree way in the theater.
Does this sneak peek hint at the future of the theatrical experience? We’ve seen the 360 degree clips before for other films, and some home video formats do allow the viewer to take control and move around during a film to some extent. How will that translate to the theaters years from now? Something like you’d find in a high-end theme park ride? Never before could moviegoers have such a detailed look at a film, in advance of release. Take a look at those aliens, like the two-headed fellow to Lando’s right, or the arthropoid with chelipeds to his left (that’s Therm Scissorpunch). These aliens are exquisite, instantly evoking the original Star Wars cantina where most of us first met Han and Chewbacca. We’re in for a great ride.
But there’s more: a new clip featuring the first scene with Chewbacca and Han flying together, backed by some of John Williams’ best music: sweeping, evocative cues from his “The Asteroid Field” music from The Empire Strikes Back. And another clip from director Ron Howard features some new looks at Chewbacca in front of and behind the camera. It just gets better and better.
In case you missed it yesterday, we have two highlights of this year’s Star Wars Day, both out of the UK. First up is the latest Abbey Road album cover homage. The Beatles albums have been parodied and honored in thousands of ways over the decades, but we love the above image of the original four cantina action figures from Kenner incorporated into the famous zebra crossing (if you know the source, let us know and we’ll credit it). And Heathrow airport went above and beyond for May the Fourth, with this fantastic flight schedule. Bravo! (But Alderaan? Too soon!).
Our new Lando, Donald Glover is hosting Saturday Night Live tonight. The show released a revised Solo poster for him. Take a look at it, plus a dozen new Solo posters and marketing image updates below (glasses, collectible tickets, buttons, and three trading card sets of 28 cards, too!), and the latest great clips, and don’t forget it’s Free Comic Book Day! Glover recently provided a tour of the Millennium Falcon (we’ve included that below, too):
The beginning of a new film references the scope of the success of the Muppets: In 1978 the Muppets were seen weekly by more than 235 million people in more than 102 countries, and Time Magazine called them “the most popular entertainment on Earth.” Created by Jim Henson in 1955 and starring in Sesame Street, in feature films, and in animated films, the Muppets endure to this day. Regularly returning on television and in movies, they continue to entertain and educate young and old alike. Frank Oz, the creator and actor behind Sesame Street and The Muppet Show’s Miss Piggy, Fozzie Bear, Cookie Monster, Grover, Animal, and Sam the Eagle, Aughra and Chamberlain in The Dark Crystal, and the performer and voice of Yoda in The Empire Strikes Back and Star Wars: The Last Jedi (and director of countless other films), has produced and directed a new film with four other original Muppet performers to recount the development–and fun–of working in their timeless fantasy world.
Feeling like an informal dinner party among old friends, but even more like the first hour of a 12-part series, Muppet Guys Talking–Secrets Behind the Show the Whole World Watched, is a wonderful, cheery glimpse at life working with Jim Henson, who Emmy-winning performer Frank Oz says “wanted to make a better world.” Originally premiering at last year’s South by Southwest film festival in Austin, Texas, the film will be available for fans everywhere for the first time next week at MuppetGuysTalking.com. Frank Oz brings together Emmy-winner Jerry Nelson, creator and performer of Count von Count, Snuffleupagus, Lew Zealand, Statler, Floyd, and Gobo Fraggle; Emmy-winner Dave Goelz, creator and performer of The Great Gonzo, Dr. Bunsen Honeydew, Zoot, and Fizzgig from The Dark Crystal; Emmy-winner Fran Brill, creator and performer of Prairie Dawn, Zoe, Little Bird, Betty Lou, and The Land of Gorch’s Vazh; and Bill Barretta, BTVA Award-winning creator and performer of Pepe the King Prawn, Johnny Fiama, Bobo the Bear, and Big Mean Carl. Along with providing insight into Muppet mastermind Jim Henson, the “Muppet Guys” provide some advice on creating characters that will be worthwhile to creators in many media, as well as offering a great peek into the job of performing with puppetry. The most difficult part? Yep, holding your arms over your head inside the Muppets for a very long time.
From John Denver and the Muppets Rocky Mountain Holiday. You don’t see the dozen human performers underneath the ground working the Muppets and speaking their lines.
Oz and Goelz recount major difficulties in the craft, like building a hole in the ground around a bonfire with a propane tank near their heads, so they could stand and perform their characters sitting around a real campfire above, as filmed for the famous John Denver Rocky Mountain Holiday TV special and album. They also discuss Henson performing the risky opening scene of The Muppet Movie, stuffed inside a tube submerged in a backlot, underwater stage swamp with a small TV monitor and his arms above his head to perform Kermit singing and playing banjo on “The Rainbow Connection.” The discussions among these friends are fun to watch, and the viewers will feel like they are a part of the room. And viewers can’t help but listen for the performers slipping in and out of various voices–like the sound of Grover and Cookie Monster from Oz a few times when he gets animated or is laughing. The most valuable bits center around what seems to be a shared tool among the performers–Oz developed a thorough backstory for each of his characters that never makes it beyond his own mind, to assist with his performance (like method acting).
Other highlights include Dave Goelz recounting how he got into the business when he was a young aspiring puppeteer working an office job at Hewlett-Packard, Bill Barretta discussing his inspiration for the King Prawn character Pepe, Fran Brill discussing her fix for performing while not being as tall as the others, and Jerry Nelson coming up with the voice of Snuffleupagus and discussing the late performer Richie Hunt (who performed characters including Scooter, Beaker, Statler, Janice and Sweetums). Sadly documentary contributor Jerry Nelson passed away before the premiere of the documentary at South by Southwest, and the show is dedicated to him.
One of the best subjects I have discussed with a celebrity was asking Peter Mayhew–the actor known for playing Chewbacca from Star Wars–to talk about working with the Muppets when he guest-starred on The Muppet Show with Mark Hamill as Luke and Anthony Daniels as C-3PO in January 1980. Mayhew beamed as the memories flooded back and he described two incredible worlds he was immersed in–interacting with these great furry characters from television just as if they were real people, and looking down below them to see an entire separate world of creators sprawled across each other with their hands working in every direction like a giant work of magic. Frank Oz, the actor and voice of Yoda in The Empire Strikes Back and The Last Jedi, and the creator and actor behind Sesame Street and The Muppet Show’s Miss Piggy, Fozzie Bear, Cookie Monster, Grover, Animal, and many more, has created a new documentary with five of the original Muppet performers to recount the creation of their timeless fantasy world.
Originally premiering at last year’s South by Southwest film festival in Austin, Texas, Muppet Guys Talking: Secrets Behind the Show the Whole World Watched, will be available for fans everywhere for the first time in March. Emmy-winning performer Frank Oz, who also was co-director of The Dark Crystal and director of movies from Dirty Rotten Scoundrels to HouseSitter, brings together Emmy-winner Jerry Nelson, creator and performer of Count von Count, Snuffleupagus, Lew Zealand, Statler, Gobo Fraggle, and the original Saturday Night Live character Scred; Emmy-winner Dave Goelz, creator and performer of The Great Gonzo, Dr. Bunsen Honeydew, Zoot, Waldorf/Robert Marley, and Fizzgig from The Dark Crystal; Emmy-winner Fran Brill, creator and performer of Prairie Dawn, Zoe, Little Bird, Betty Lou, and The Land of Gorch’s Vazh (and recurring Law and Order actress); and Bill Barretta, BTVA Award-winning creator and performer of Pepe the King Prawn, Johnny Fiama, Bobo the Bear, and Big Mean Carl.
Dave Goelz, Jerry Nelson, the late Jim Henson, Frank Oz, and the late Richard Hunt, with Gonzo, Floyd, Kermit, Fozzie, and Scooter.
The performers of so many beloved characters discuss their individual approaches to creating memorable characters and the impact Jim Henson had on their lives and work. This is all a great tie-in to the 35th anniversary return of The Dark Crystal to theaters next month (check out our preview here and the Fathom Events website here for more information on that event). For a taste of some of the fun to be had in Muppet Guys Talking, check out the website for the show, MuppetGuysTalking.com, and these quick previews:
If you had a time machine and your goal was to find someone to give a master class in storytelling–a master class in worldbuilding–and bringing an idea to reality, would there be a better choice than Jim Henson? Henson will be forever known first for his Sesame Street character Ernie and Muppets Kermit the Frog, Rowlf the Dog, Dr. Teeth, Waldorf, The Swedish Chef, and more. The Muppet Movie and The Muppet Show are beloved by generations. He made the unreal seem real, and fantasy as close to reality as we may ever see it. Yet he was perhaps proudest of the creation of the first full-length, live-action motion picture where the stars were all creatures, The Dark Crystal, yet another of the unforgettable films from 1982 we’re celebrating this year here at borg.com. The Henson family and The Jim Henson Company have opened their archive and published the remarkable story of the film from idea to the film’s release inThe Dark Crystal: The Ultimate Visual History, available this month from Insight Editions.
Writer Caseen Gaines’ new chronicle of The Dark Crystal is not a typical “visual companion.” The story told in the text provides a most intriguing account of Henson, a behind the scenes look at the man from his family and all those who worked with him, as he talked through the idea for a darker story while delayed on a chance cancelled flight with his daughter, as he cast a team of puppet builders, creative performance artists, artisans, costumers, and concept design artists, as he leveraged the success of The Muppet Movie, and strategically negotiated his way to gain investment dollars to make a film that stands alone in the history of fantasy film. As daughter Cheryl Henson states in the book, “I don’t think my father ever tried to hide how something was done, because how it’s done is often as interesting as the final product”–and that proves true in The Ultimate Visual History. She provides a foreword to the book and an introduction is provided by film creators Brian and Wendy Froud.
Gaines includes tipped-in replica memorabilia from the Jim Henson archives, which he integrates into the narrative to illustrate the five years of Henson’s concept to screen process. Readers gain new appreciation for Henson as we witness his own hand-written notebook pages of ideas for the characters that would transform into the dualism of the Skeksis and Mystics, Brian Froud’s original concept book created to sell the idea to investors, outlines, story treatments, hand-drawn sketches, scene memos, and a concept art pitch book by Froud for a planned sequel. Photographs document a chronological preparation of characters looking at first nothing like their final on-screen personas and the difficult process of creating the mechanics for each type of character, for Gelflings Jen and Kira, the exiled Skeksis Chamberlain, Jen’s dying Mystic master, a room full of potato-headed Podlings, the wise goddess/prophet Aughra, the majestic Landstriders, the giant beetle-like Garthim, and the cute and toothy fuzzy Fizzgig. The new fantasy world had its roots in myths and folklore, yet Henson created something singular with all these magicians that was akin to Tolkien’s fantasy realm.
