Review by C.J. Bunce
If there was a Sergeant York or Audie Murphy on the Russian side of the fight in World War II and the soldier was a woman, you’d have the lead character in Sara, a new six-part graphic novel from TKO Studios, a new publisher for 2019 (more on that below). In Nazi-occupied Russia, the Russian forces are losing. A small band of skilled Russians snipers is making headway one kill at a time. The undisputed best of the bunch is Sara, an ex-college recruit reputed to have 300 kills. She soon becomes the target of Nazi Germany’s own best special military forces. From Eisner Award winning writer Garth Ennis (Preacher, War Stories and Battlefields, Fury) and artist Steve Epting (Velvet, Batwoman, The Winter Soldier, The Avengers), with color by Eisner and Harvey nominated artist Elizabeth Breitweiser and letters by Rob Steen, the gritty realism, badass protagonist, and top-level artistry is sure to make Sara a contender come award season.
If you’re a fan of Russia or Soviet-era stories like Doctor Zhivago, From Russia with Love, and The Hunt for Red October, or graphic novels Nevsky: A Hero of the People, Red Son, and The Death of Stalin, there’s something in the Sara graphic novel that you’re going to like. But that’s just the setting. The real fun will be the callbacks readers will experience along the way. With a Russian twist, expect the same kind of war experience from watching movie classics like Stalag 17, Sands of Iwo Jima, Memphis Belle, To Hell and Back, and Sergeant York. Ennis’s historicity and Epting’s adherence to detail anchors the story in a way that will have you feeling like you’re right there in the forest among the soldiers. This is the story many of us were hoping for when we heard of the Russian espionage movie Red Sparrow.
As with all new TKO Studios releases, the story is available as a graphic novel in a digital or print edition, or as six issues in a collectible box. The six issue/chapter shifts are well plotted: an introduction of key characters in the middle of activity and flashbacks to Sara’s military training are all nicely paced to a vintage 1940s war movie style, and the battlefield threat increases gradually culminating in a nicely planned cliffhanger, followed by a satisfying payoff–it has all the beats in the right places.
, Richard Marcinko’s 
, Orson Scott Card’s 
, and Robert Heinlein’s 
. It has its own thought-provoking “warning-sign” messages found in classics like 
and 
, that adversity in the face of certain doom as in 
, and the “what the heck is going on” feel from any number of Philip K. Dick short stories (“Paycheck” and “We Can Remember it for You Wholesale” come to mind). It also borrows a lot from the endless onslaught of future military video games—it helps to know the author’s background is in information technology and he’s an avid gamer.
