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Tag Archive: Shado


 

Review by C.J. Bunce

First of all it’s not really Bruce Lee.  The character’s name is John Lee, and he’s an agent after the same target but backed by a different government–the South Korean intelligence agency–and with different objectives than our title character, Mr. Bond.  Ian Fleming’s James Bond 007 is smartly written by Greg Pak and drawn by Marc Laming, Stephen Mooney, and Eric Gapstur in a way that makes it easy for readers to imagine what could have been one great movie.  More as if Bruce Lee was portraying his Dragon than Kato, this Mr. Lee and Mr. Bond are well-matched adversaries.

Until they aren’t.

Taking some of the best bits from the spy trope, what will happen when MI6 teams up with South Korean spies against a common foe?  It’s Man from U.N.C.L.E meets Bond, as villains from MI6’s past start popping up, including Oddjob and Goldfinger.  A suitcase will explode if removed from, or taken too far away from, its handler.  One town of innocent people has already seen the potential of this new technology.

This series has everything.  Great tech gizmos, exotic women counter-spies, and locations across the globe.  Mooney’s artwork is fantastic, reminiscent of Mike Grell and Rick Hoberg’s pencil work during the spy years of the DC Comics Green Arrow comic book series (including a great new character similar to their Shado).  And Bond’s dialogue reveals Pak knows the character well.

 

Take a look at this preview, courtesy of Dynamite Comics:

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Shado–one of the best supporting DC Comics characters in the 75-year history of Green Arrow–is again front-and-center in this week’s re-release of the classic 1990s storyline, in trade paperback for the first time.  Green Arrow: The Hunt for the Red Dragon, reprints Green Arrow Issues #63-72, featuring long-time story writer Mike Grell with artwork by Rick Hoberg and inks by John Nyberg.

When a man appears with a gift for Oliver Queen, he leaves Dinah back in Seattle and takes off for Japan in search of a woman with a red dragon tattoo, his ex-lover and foe, Shado.  The gift?  The very same film prop bow used by Errol Flynn in the 1938 film classic, The Adventures of Robin Hood, a film with special meaning for Queen.  But what is behind the gift, and why this mission to give Shado a large sum of money?  After Queen finds Shado they both discover a darker plot, and a villain ripped from the pages of the national crime news in the early 1990s.

   

Shado was created by Mike Grell and first appeared in Grell’s landmark series Green Arrow: The Longbow Hunters.  A modified version of the character appeared in CW’s Arrow.

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schmidt-green-arrow

With DC Comics’ summer Rebirth reboot, many monthly series turned bi-weekly, and we’ve now already seen the first eleven issues published of many series.  Like the many reboots before it, DC Comics introduced the Rebirth continuity to re-ignite its fan base after the success of the prior reboot–the New 52–dissipated.  So many shake-ups and change-ups occurred in the New 52 that you’d pretty much need to read the entire DC Comics line to keep up with what has happened to even the key Justice League superheroes.  With two issues per month that’s difficult for any reader to keep up with.

One of the better sellers in this year’s Rebirth line is the Green Arrow title.  Under the New 52 Oliver Queen encountered as many changes to his character as anyone.  In fact fans of Green Arrow were probably better served subscribing to the Arrow tie-in comic book to the television series to get a dose of the classic crusader.  As likely as not the success of the CW Network series coupled perhaps with fans’ hopes for big changes from the New 52, and a restoration of the essential Oliver Queen, could account for the sales success of Green Arrow in DC’s Rebirth universe.

Otto Schmidt served as artist and colorist on the series in the introductory chapters.  Bringing Oliver’s older look back to the character, complete with the goatee, was a move in the right direction.  Schmidt used the supersuit of the modern update yet his style conjures up both Neal Adams and Mike Grell’s key design elements that defined Green Arrow’s look for decades.  Writer Benjamin Percy, who was the writer on the series before the Rebirth kicked in, re-introduced the second key element that defines Oliver: his partnership with Black Canary.  The lack of the Arrow-Canary partnership contributed to the wane of Oliver’s story in the New 52–as a solo character Queen was just too much like everyone else.  Percy’s other shift is reminding everyone that Queen is first and foremost a fighter for social justice.  In contrast to the billion dollar company he sometimes owns and sometimes loses, Queen is the ultimate anti-corporate superhero.  So these three elements: his look, his partnership with Black Canary, and his brand of justice, form the framework for what could be a solid Green Arrow series going forward.

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Plenty is left to be done.  Queen’s social justice efforts have only scratched the surface with eleven issues already in the can.  Instead, Percy has opted for some frivolous, but fun, nostalgia: several scenes are spent restarting a romance between Oliver and Dinah, and he’s brought back classic secondary characters like Shado and Eddie Fyers, both from Mike Grell’s definitive Green Arrow series The Longbow Hunters.  With the story now firmly set in Seattle, also as Grell had done with the setting–and not Star City–we can see some good attempts are being made to rediscover what made the 1980s and 1990s Green Arrow worth reading about.

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Green Arrow Volume 2 Here There be Dragons trade cover

At long last DC Comics has released a trade edition of the 1980s Green Arrow monthly comic book series.  The series that sprang out of Mike Grell’s Green Arrow: The Longbow Hunters is some of the best storytelling work by Grell on the relationship between Oliver Queen and Dinah Lance.  We previously reviewed the first trade edition re-released by DC, Green Arrow: Hunter’s Moon, last December here at borg.com.  When borg.com readers have requested recommendations for the best of Green Arrow, I’ve pointed them to back issues of this series along with the classic O’Neill/Adams “Hard-Travelling Heroes” books as a starting point.

Unlike the events of Volume 1, which piled on heavy issues ranging from sexual assault, to child abuse, to gay-bashing, prostitution, armed robbery, and biogenic weapons, Volume 2 is a more intimate look at Green Arrow and Black Canary behind the scenes, very similar to the approach taken by writer Matt Fraction in the successful modern Hawkeye series from Marvel Comics.

Green Arrow 9 cover

Green Arrow Volume 2: Here There Be Dragons, which reprints Green Arrow, Issues #7-12 from 1988, finds Dinah continuing to try to forge ahead on her own and move beyond her violent attack in The Longbow Hunters.  She and Oliver have issues to work out, Dinah with determining what she wants from life and Oliver being haunted by his past.  Together they make the perfect team, like any couple living in the Pacific Northwest, enjoying their town, Oliver perfecting his chili recipe, both commenting on the fact that PNW residents don’t use umbrellas despite the seemingly constant rain.  Dinah is focused on her business at the floral shop, Oliver uses his resources to ward off criminals in Seattle one thug at a time.

This period of the Green Arrow series hit its stride without your typical superheroism, and although Oliver dons his costume a few times, finely crafted storytelling without the over-the-top action is why Green Arrow’s stories are unique among the medium.  Oliver heads to Alaska to pursue a lead and inadvertently tracks a drug smuggling and car theft ring.  Dinah, much like Laurel Lance in the current Arrow TV series, is feeling the pull to help others in the city outside the law.

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