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Tag Archive: Sharon Gosling


Review by C.J. Bunce

For a niche area of publishing, you might be surprised how diverse the range of coverage you can find in art books delving behind the scenes of the latest movies.  In Titan Books latest artbook Tomb Raider: The Art and Making of the Film, two key elements stand out compared to prior examinations of film.  First, the cast and crew were deeply passionate about the film, reflected in their great contributions to the book.  Second, audiences have probably not seen production sets and stunt sequences that created realism in the adventure genre as much as Tomb Raider since the Raiders of the Lost Ark series, although it’s no secret that Raiders of the Lost Ark was the principal inspiration for many key sequences.  In the theater it’s easy to get into the story and not hone in on the background details, but thanks to this latest entry in the artbook realm fans of the film will see how it became a mix of James Bond-level stunt work built on a classic adventure style full of exciting special effects.

As with Guillermo del Toro’s significant contributions to The Shape of Water artbook, Tomb Raider director Roar Uthaug contributes insight into his vision in nearly every segment of the book.  He references his love for Raiders of the Lost Ark when creating his film for its mix of action, humor, archaeology, mystery, and great characters.  He also looked back to Ripley and Sarah Connor in Alien and Terminator 2 as he carved out the lead role for Alicia Vikander as Lara Croft.  Other executives and crew members explain significant aspects of the creation of the film: producer Graham King was perhaps the earliest advocate for a reboot film in the series, production designer Gary Freeman (Maleficent, Everest) knew exactly how he wanted to create the major environments for the adventure, cinematographer George Richmond (Kingsman 1 and 2) discusses challenges filming the visual effects sequences, costume designer Colleen Atwood (Arrow, Fantastic Beasts and Where to Find Them) provides particular insight into her creation of the look of each character and how she sourced materials, and stunt coordinator Frank Henson (Never Let Me Go, Sherlock Holmes) had a greater responsibility in this stunt-heavy film than a stunt coordinator in most movies with its variety of action scenes.  Star Alicia Vikander (Ex Machina, The Man from U.N.C.L.E.) recounts the experience of playing the popular character as a sort of prequel or origin story for the character.  Vikander contributes heavily to the behind the scenes detail of the book, in addition to the other key players in the film, including co-stars Daniel Wu and Walton Goggins.

The film all centered around leaving the past films in the past and honing in on the 2013 video game reboot of Tomb Raider.  It is not likely any prior adaptation of a video game has come as close to its source as the new film, which included many storyboarded scenes from the 2013 game sequences.  From the London training facility where Lara trains in MMA fighting, to the planning and execution of the exciting fox-and-hound bicycle race on the back streets of London (one of the few scenes where Vikander didn’t do her own stunts was the crash), to the very Indy Jones-esque crypt under Croft Manor, to the chase scene at a full-scale mock-up of Hong Kong’s Aberdine Harbor, to building the cargo ship from the game–the weathered vessel Endurance–on a giant hydraulic gimble (set dresser Raffaella Giovannetti used real materials from similar ships to give it the realistic appearance), to Vikander’s twelve days submerged under water in a tank–the book is filled with production how-to knowledge for any aspiring filmmaker, movie aficionado, or anyone who is just a fan of Lara Croft.  Roughly half of the volume covers the scenes that take place on the island.  Author Sharon Gosling points out Vikander was filmed in the raging rapids sequence in the facility where the 2012 Olympics were held, and the parachute drop scene came straight from the game.

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Perhaps the best part of the film Batman v. Superman: Dawn of Justice were the two behind the scenes books that provided superb coverage of the costumes, props, and vehicles from the film: the Batman v. Superman: Dawn of Justice Tech Manual reviewed here, and Batman v. Superman: Dawn of Justice: The Art of the Film, reviewed here.  These books demonstrate that despite the negative reception of a film by audiences, fans of the beloved characters have some resources to find inspiration for their next cosplay or prop-building project.  The next in the line of books probing behind the scenes of the DC Comics universe created for the big screen is this summer’s Wonder Woman: The Art and Making of the Film by Sharon Gosling (author of Planet of the Apes: The Art of the Films Rise of the Planet of the Apes and Dawn of Planet of the Apes).  Anyone needing good source photographs of Gal Gadot’s Wonder Woman and the Amazon warriors of her origin story for their next cosplay project will find some great references here, including photos of the greatest of the Amazon warriors, Robin Wright’s badass general Antiope, plus swords and shields of key characters developed for the film.

The best section of the book provides interviews with two-time Academy Award-nominated production designer Aline Bonetto (Amélie) and Academy Award-winning costume designer Lindy Hemming (Topsy-Turvy) as they discuss the planning and development of audiences’ first look at Themyscira on film.  Both worked together closely coordinating design elements between their departments as concepts were developed.  You’ll find 192 pages of artwork, marketing images, on-location photographs, and costumes as they were sketched and later finalized for wear, all in quality color photographs on thick paper stock.  Costume designer Lemming notes that the entirety of the Amazon warrior costume components were prepared by hand, without 3-D printers or similar modern techniques, intending for the resulting products to look as the characters themselves might have made them.  Although Gadot’s costume was already set prior to Hemming’s involvement due to Wonder Woman’s introduction in Batman v. Superman: Dawn of Justice–the costume was designed by Academy Award-nominated designer Michael Wilkinson (American Hustle, Tron: Legacy)–Hemming discusses re-designing the boots and attempting to make the rest of the costume more comfortable for Gadot, and this was an element for the other costume designs as well, many of which would be used for stunt and action scenes requiring significant movement.

Two-time Academy Award-winning visual effects supervisor Bill Westenhofer (The Golden Compass, The Life of Pi) managed the film’s significant use of CGI along with practical effects where possible.  Westenhofer discusses stunt sequences (including the end of film fight scenes) and points out where the film required digital rendering to illustrate the story’s grand environments.

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Art of the Films Planet of the Apes cover

Review by C.J. Bunce

We all know the apes win and rule the Earth from the original novel and film Planet of the Apes.  But how do they get there?

Not intended as a post-apocalyptic story as much as a chronicle of the birth of an ape civilization, Rise of the Planet of the Apes and its July 2014 sequel Dawn of the Planet of the Apes are films that manage to have no villains–by design–where the viewer can empathize with both the human and ape characters equally based on the characters’ histories and individual viewpoints.  Writers Sharon Gosling and Adam Newell have created a deluxe volume documenting the art and design of both movies with the newly released Planet of the Apes: The Art of the Films Rise of the Planet of the Apes and Dawn of Planet of the Apes.

The Planet of the Apes reboot was an outgrowth of the technologies emerging from Weta New Zealand’s work on The Lord of the Rings franchise, coupled with Andy Serkis’s experience playing Gollum as a motion capture character, and later the giant gorilla King Kong, Serkis was uniquely suited for the role of the sci-fi classic character Caesar from the original novel and film.  The crew credits the acting and chemistry of Serkis and co-star James Franco in part with the success of the reboot of the Planet of the Apes franchise in 2011’s Rise of the Planet of the Apes.

Andy-Serkis-Dawn-Planet-Apes

The challenge for the sequel Dawn of the Planet of the Apes?  For the first time in film history, digital characters finalized in a post-production process would be realized by total performance motion capture of actors initially, and not on a separate green screen soundstage, but alongside live-action characters on a standard movie set as well as on location.

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