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Tag Archive: Shetland


First airing in March 2013, BBC’s police procedural Shetland is part mystery, part action, part suspense drama set in the stark and beautiful Shetland Isles.  It follows detective inspector Jimmy Perez, played by Douglas Henshall, as he and detective sergeant “Tosh” MacIntosh (Alison O’Donnell) and detective constable Sandy Wilson (Steven Robertson) solve unusual crimes in a rural part of the world that has its own set of rules.  Season 5 has begun on the BBC in the UK, and it will be coming to the U.S. delayed by only a few weeks, arriving this April.

The series is loosely based on characters and stories from a set of novels by Ann Cleeves.  We named season four of the series the best British/UK series of 2018 in our year-end wrap-up here at borg.  Take a look at our review of season four here.

BBC released a preview for the series’ next season.  After a gruesome discovery, Perez and his team track the murderer in a complex investigation.  Here’s the trailer for season 5 of Shetland:

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Our borg Best of 2018 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2018 here and the Kick-Ass Heroines of 2018 here.

Without further ado, this year’s Best in Television:

Best Borg TV Series, Best TV BorgHumans (AMC).  No other series touches on the ramifications of technology, specifically the perils of an onslaught of real-world cyborg technology, like AMC’s Humans.  This year three characters stood out, including Gemma Chan’s Mia, the cyborg Synth from past seasons, who sacrificed everything for the liberty of cyborgs in the UK.  Then there was Ruth Bradley’s Karen Voss, a Synth who refused to live segregated from the humans, opting instead for a normal life for the cyborg son she assumed care for.  And Katherine Parkinson’s Laura Hawkins, a human lawyer who fought so hard for the cause of the Synths all year, only to throw away all the good she had done, failing the first real challenge that was presented to her.  This year’s best TV borg is shared by Synths Mia and Karen, as each showed the uphill battle any future outsider must overcome when faced with humans.

Best Sci-fi TV SeriesThe Man in the High Castle (Amazon).  What had been a two-season build-up all came together in the series’ third season with the audacity of killing off key characters, wisely adhering to the framework of the source Philip K. Dick novel.  The use of science fiction to tell an often gut-wrenching array of subplots and unique characters has set up a fourth season with plenty to address.  Exciting, smart, scary, and even fun, it is an unusual science fiction show that isn’t merely trigger-happy sci-fi.  Honorable mention: Humans (AMC), Counterpart (Starz).

Best New TV Series, Best Reboot, Best Ensemble CastMagnum PI (CBS).  If you would have told us a year ago our favorite show this year would be a reboot of Magnum, p.i. starring Suicide Squad’s Jay Hernandez and an actress in the iconic role of John Hillerman’s Higgins, we wouldn’t have believed it.  And yet, even as diehard fans of the original, we had to acknowledge that many elements of the reboot series were even better in the new series.  With the dangerous risk of taking on a beloved property, the production maintained loyalty to the original while making it fresh, scoring Magnum PI high marks on all counts.  Every character was smartly written–suave and confident Magnum, energetic Rick and TC, and a savvy Higgins–every actor was perfectly cast, and each show was another round of nostalgic fun for fans of the original.  Best New TV Series Honorable mention for Best New TV Series: Counterpart (Starz), Lodge 49 (AMC).

Best Series, Best Drama, Best ComedyLodge 49 (AMC).  Lodge 49 told two stories: a darkly serious drama of real people dealing with real-life 2018 adversity, and the other a comedy farce like no other.  Hanging over our heads was the idea that this was going to be a fantasy show, complete with secret codes, hidden rooms, and psychic visions.  If you’re looking for all the elements of great fantasy the hint of it all could be found throughout this series.  And yet it wasn’t fantasy at all.  An oddball Cheers?  A southern Twin Peaks without the Lynchian weirdness?  Star Wyatt Russell’s hero Dud could be dismissed as a typical young man with no vision, or maybe he’s that idealist that everyone needs to strive to be.  Maybe we’ll learn more about that next season.  Honorable mention for Best Drama: Counterpart (Starz).  Honorable mention for Best Comedy: Baskets (FX).
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Review by C.J. Bunce

Netflix has been carrying BBC’s British police procedural series Shetland on Netflix for a few years, but now is a good time to get caught up on the series’ first three seasons as Season 4 aired in February in the UK and is expected to arrive on Netflix soon for U.S. viewers.  Set in the remote Scottish Shetland islands, Shetland stars Douglas Henshall (Sea of Souls, Outlander, The Secret of Crickley Hall, Kull the Conqueror, The Young Indiana Jones Chronicles) as Detective Inspector Jimmy Perez, who solves crimes against the dramatic backdrop of the Shetland Islands.  Based on a bestselling detective series by award-winning crime writer Ann Cleeves, the series spotlights the stark landscape of remote Scotland and its small population, which must manage the big crime trouble of the far off Scotland metropolis of Glasgow, with far fewer resources.

The backbone of the series is the personable nature of Henshall’s cop as he wrestles with growing daughter Cassie (Erin Armstrong) who has a mind of her own, and the sparring he has over her in an almost spousal love-hate-bickering relationship with his deceased ex-wife’s second husband Duncan (Mark Bonnar).  Helping him dig into crimes is his right arm, DS Tosh McIntosh (Alison O’Donnell), who is part smart investigator and Glasgow street savvy and also very familiar with local norms, and next level down cop Steven Robertson as DC Sandy Wilson, who is trying to build his career path while routinely held back by his strange family and personal relationships.  Technology, a remote geography, and a culture removed from the rest of the country combines to create plenty of opportunities for resourceful police work by Perez and his team.

In the series’ third season Shetland hits its stride, combining the show’s regular cast of five recurring characters with a guest appearance by genre film star Ciarán Hinds, who drives the mystery for the bulk of the season.  Hinds boasts an impressive career in some of our favorite films, including Excalibur, Mary Reilly, The Sum of All Fears, Road to Perdition, The Phantom of the Opera, Munich, Harry Potter and the Deathly Hallows, Part 2, Ghost Rider: Spirit of Vengeance, The Woman in Black, John Carter, Frozen, Game of Thrones, Justice League, First Man).

Although it’s not yet known when or if Season 4 will make it to Netflix, Season 4 is now available here via Amazon on Britbox.

Here is a brief trailer for Season 4–a Season 5 was in production this summer:

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The movie-going world first met Anna Paquin when she co-starred in Jane Campion’s The Piano, which earned her the Academy Award for her supporting role at age 11–the second youngest Oscar winner in history.  As the New Zealand actress gained experience in her craft she went on to star in True Blood, which earned her a Golden Globe Award.  These days she’s best known as Rogue in the X-Men series, appearing in four X-Men movies so far.  This past fall she starred as a murder victim in Netflix’s 19th century historical drama series Alias Grace, and this month U.S. audiences were introduced to her performance as a cop in one of the better episodes of season one of Philip K. Dick’s Electric Dreams.  This week she returns to television in a starring role again as a cop in the new series Bellevue on WGN America.

Paquin continues to show her Oscar and Golden Globe wins were deserved.  The actor has a command of the stage, and consistently her presence in a scene brings authority to her characters.  In Bellevue we meet a down-to-Earth side of Paquin as she plays Detective Annie Ryder, a local institution in her small town, whose brash personality and working class roots put her at odds with other officers in her department and every other faction in the town of Bellevue.  Her new case is locating a missing young man, a local hockey player and celebrity of sorts who we learn had a transgendered lifestyle and possibly was being counseled by a priest at a local church.  Paquin’s Ryder has her own odd sense of humor as she makes the best of handling a daughter, a sad sack ex-husband, and the residents of a mining town with a newly closed mine and a newly opened brewery.  The first episode really kicks in as we watch Ryder find a connection between the recent crime and strange messages left to her after her father’s suicide when she was a child.

You can see bits and pieces of a myriad of dark-murder-mystery genre TV and film in Bellevue, everything from the dark creepy vibe of Haven, Grimm, Twin Peaks, The Returned, The X-Files, and Wayward Pines–minus the supernatural elements–along with the serious crime material of Broadchurch, Fargo, and Thirteen.  As for its pacing, this Canada production for WGN America is presented like many British mystery series–there seems to be more time spent in study of each scene, as found in better mysteries like Shetland or Hinterlands.  One episode in and it already is more compelling than The Killing.  For current audiences Bellevue may feel more like Riverdale–the series pilot even has Ryder’s daughter recounting a past murder in the small town as Jughead often narrates in Riverdale.

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Five Man Midget Death Squad

The title and cover of Five Man Midget Death Squad makes for an easy purchase decision (midgets! death squad! Gatling guns and a skull!), but it doesn’t tell the whole story.  Nicholas Forrestal’s 2014 novel isn’t about midgets wielding machine guns as I initially expected, but a warrior tribe in the British Isles on a parallel Earth as told from a historian in the year 2201.  The “midgets” of the title are a famed band of dwarves of the Tolkien tradition, who we meet along with goblins, giants, and humans.  If you like the noble tribe of Orcs in Warcraft, you’ll find Forrestal’s fantasy world races familiar.

Beginning with the legend of Gith of the Tundri clan we meet one-by-one those influential leaders of the dwarves recounted to the best of the chronicler’s ability from stories passed down through the generations–this is not so much the “historical truth” as a tribute to carry on the noble dwarf culture in good Old World oral tradition.  Via separate vignettes about the history of the Tundri we learn about their culture, religion, and politics, Gith, the goblin race, the next great dwarven leader Kaiden, the giant Balor the Evil Eye and the deal he made with Cora the dwarf to protect all dwarves that resulted in the formation of the famed Death Squad, and lastly the contributions of Ethne and Caleb, and the story of M and the Leper Kahn.

Five Man Midget Death Squad in Lerwick

Death Squad is full of deep world building–characters here make appearances throughout Forrestal’s Chronicles of M series of novels–and his prose is similar to the writing of real-life ancient chroniclers.  Early chapters read like a recollection of Herodotus, and later chapters like Suetonius’s The Twelve Caesars, Plutarch’s Lives, and primary writings of Augustus in his Res Gestae and Julius Caesar in his The Gallic War.  Forrestal has developed plenty of classic fantasyscapes here to expand into future novels.

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