When it arrives next fall, it will have been four long years between the monumental, ground-breaking animated hit Spider-Man: Into the Spider-verse (reviewed here) and its sequel Spider-Man: Across the Spider-verse. So far it looks like it may be the most anticipated film of 2022.
What do we know so far? The negative is that we know it will be divided into two parts. We know Phil Lord and Christopher Miller are back as the writing team. And Shameik Moore is back voicing Miles Morales and Hailee Steinfeld is back as Gwen Stacy aka Spider-Gwen.
Wait no longer–here’s the first trailer from Marvel for Spider-Man: Across the Spider-verse (Part One):
Just as Tom Holland’s Spider-Man has been a great relief to fans of the character after so many years of just not getting it right, moving upward to replace Tony Stark as leader of the new Avengers, Sony Pictures seems to be bringing it all crashing back down to earth. Earth of the past. Or that’s how it looks in the latest trailer for Spider-Man: No Way Home, with the full pantheon of villains–ghosts of Spider-Men past–make their way into the Multiverse of Madness, revealing the true leader of the Avengers is probably Benedict Cumberbatch’s Doctor Strange.
With an MCU Phase IV release schedule in chaos, and nothing but peeks and false starts last year, Marvel fans are more than ready for the first trailer for Spider-Man: No Way Home, which officially arrived late yesterday after an apparent leak earlier in the day. It was originally scheduled to premiere in theaters last month. We won’t know until December if we’ll see the movie this year, but at least it confirms its set-up for the second Doctor Strange movie, Doctor Strange: In the Multiverse of Madness, and will lay the grounds for the possibility of a host of cameos, which could include characters from the animated hit Spider-Man: Into the Spider-Verse. Spider-Man has been Marvel’s #1 superhero for nearly 60 years because he’s a great character teens and adults can relate to, and because Spidey fights some of the best villains in all of comics. As expected Alfred Molina will reprise his character Doc Ock from Sony’s 2004 movie Spider-Man 2, as will Jamie Foxx as Electro, last seen in 2014’s The Amazing Spider-Man 2. These leave open the likelihood of at least cameos from former Spidey actors Tobey Maguire and Andrew Garfield. But the best addition may be the return of Willem Dafoe as one of Marvel Comics’ best villains, Green Goblin, last seen in Spider-Man 3. Wouldn’t it be great to fit in a cameo of Nicolas Cage as Spider-Man Noir from Spider-Man: Into the Spider-Verse, or even the first live-action Miles Morales?
What will be the sixth appearance Tom Holland as Spider-Man (since this takes place right after his fifth appearance in (Spider-Man: Far From Home) looks like it has the potential of being as fun as his past appearances, more Marisa Tomei as Aunt May, more Jon Favreau as Happy, Zendaya as MJ, and the rest of Peter’s school friends returning. Plus Benedict Cumberbatch as Doctor Strange and Benedict Wong as Wong. And music again by composer Michael Giacchino.
Take a look at the first trailer for Spider-Man: No Way Home:
Ten years of movie reviews. How do you pick the best? Our theory from the very first day of publishing borg has been reviewing only those things we like, things we think are fun, imaginative, or just plain cool—because if we think they’re cool, maybe you will, too. What makes a great movie? #1 for us is great writing—great storytelling. #2 is re-watchability. Lots of movies are good, but if every time you watch it you enjoy it all over again and maybe find something you didn’t see before, then you likely got far more value from the movie than the price of a movie ticket. #3 is innovation—there’s nothing to top off a good story like new technology surprising us. Finally, the experience must be fun—why else would you devote two hours or more of your valuable time?
So in Casey Kasem style, here are the Top 40 movies we recommend, spanning 2011 to 2021. These are our favorites. How should you use lists like this? If you like what we talk about at borg, you’re probably going to like these movies. If you’ve missed any, odds are you have some new movies to take a look at. Let’s start at #40 and move our way to #1. As with everything borg, we’re stressing genre movies, so don’t expect to see strict dramas or a lot of Best Picture Oscar winners here. Title links are to our original borg review.
Sony Pictures Animation, the studio that made Spider-Man: Into the Spider-verse and the LEGO movies brought its latest and greatest animated film to Netflix earlier this month with The Mitchells vs. The Machines–a sci-fi, apocalypse, coming of age story (reviewed here) about a normal but weird family that tries to dodge a planet-wide extermination resulting from the very technologies humans are so addicted to. Much of the action takes place during a cross-country trip, and it’s that imagery that is underplayed on the big screen, but really comes to life as incredible art in The Art of The Mitchells vs. The Machines, a behind the scenes book of exploration coming to Amazon here and a bookstore near you next week. Gravity Falls creators Michael Rianda and Jeff Rowe wrote and directed the film, a visually stunning spectacle, with contributions by the Academy Award winning duo of Phil Lord and Christopher Miller (both known for the LEGO movies and Into the Spider-verse). Author Ramin Zahed interviews those creators and more and shares hundreds of concept art images for this next look into the development of cutting edge animation.
Surprisingly great, surprisingly real, and surprisingly… current? Sony Pictures Animation, the studio that brought you Spider-Man: Into the Spider-verse brings its latest and greatest animated film to Netflix this weekend. It’s The Mitchells vs. The Machines–a sci-fi, apocalypse, coming of age, story about a weird family that ends up being the last family on the planet to be exterminated from the planet by the very technologies humans are so addicted to. Gravity Falls creators Michael Rianda and Jeff Rowe wrote and directed this story, a visually stunning spectacle reflecting life as we knew it in 2020… and may know it again, with contributions by Phil Lord and Christopher Miller (both known for the LEGO movies and Into the Spider-verse). The themes are influenced by Tron and Tron: Legacy,National Lampoon’s Vacation, and the Terminator movies, leaning hard on the plot of Terminator: Genisys. It’s loud, colorful, crazy, and it gets family relationships just right, at least of the 21st century variety. It’s also the movie I was hoping for with The Incredibles 2.
It’s the latest in what has become a packed 12 months of studios releasing animated movies. And it carries a common theme for a venue families once could prop their kids up in front of for easy content to enjoy. The subject again is death and dying, and more to the point, what happens to you after you die, It’s the Disney-Pixar movie Soul, a big-budget movie that at first blush is about a musician and his love for jazz. Starring the voices of Academy Award-winning actor Jamie Foxx and the versatile Tina Fey, the animation is the best of merging digital animation with stunning real-world imagery. The musician theme is great, and directors Pete Docter and Kent Powers do their best to juggle humor and humanity’s most age-old questions: Who am I? Why am I here? And what’s next? This Disney+ offers some impressive visuals and ideas, but it also might be more for the older tier of kids and audiences ready for the thoughtful themes.
Over the Moon is Netflix’s latest achievement in animation, a Chinese-American production with Pearl Studio about a young girl named Fei Fei (meaning “to fly”) who decides to build a rocket to the moon. The animation style is a mix of 1990s Disney, elaborate and surreal Fantasia-inspired sequences of color and texture, with doses of Japanese anime and kawaii characters while immersed in Chinese culture–and it’s a musical. In a word the film is ambitious… in a good way. At its best, visually the 3D CGI visual effects may recall the groundbreaking imagery of Spider-Man: Into the Spider-Verse. The sweet and innocent girl’s story is built on the idea that a kid can actually build a ship to go into outer space (just as in the 1980s film Explorers). But as with many animated movies, like Bambi and Dumbo, its focus is on the serious issue of overcoming grief, and in this case it’s moving on after the death of a parent, so the audience for the film may be a bit narrow. To take Netflix viewers on a deeper journey, film critic and historian Leonard Maltin has written a behind the scenes look at the making of the film and its stunning artwork. Below we have a preview of his Over the Moon: Illuminating the Journey for borg readers.
Comic book readers knew him first when he was created in 2011 from the mind of Brian Michael Bendis in the pages of Marvel Comics, then in 2018 Miles Morales took the world by storm in the groundbreaking animated movie Spider-Man: Into the Spider-Verse, one of the best animated films that year. A new novel for teens fleshes out the young superhero as he moves to a new neighborhood and experiences a new generation’s take on the teen angst once exhibited in the comics pages of newspapers everywhere by his mentor, Peter Parker. Spider-Man Miles Morales: Wings of Fury is a prequel novel (not a comic book) to the new PlayStation game Spider-Man: Miles Morales from Insomniac Games and Sony, but it’s a story that can appeal to anyone beaten up and battered around by life and circumstance.
Audiences have seen some great animated films in recent years, with movies upping the ante on technology and visual magic, whether in Ferdinand or Spider-Man: Into the Spider-verse or Spies in Disguise or Klaus. Netflix’s new anime movie, a sequel to its live-action, futuristic, sci-fi hit Altered Carbon, takes animation and visual effects even further. Altered Carbon: Resleeved is part Blade Runner 2049, part Marvel’s The Punisher (season two), and part Wu Assassins. Live-action action sequences are rarely as thrilling as those choreographed in this film.
As with the live-action Altered Carbon, the inspiration from Syd Mead’s trademark futurism is all over this film, and that world looks just as stunning in anime form. The storyboarding and layouts, the surprise screen angles, wipes, and character movements are like nothing you’ve seen before, and the details are at times life-like and three dimensional. The story and execution is a vast improvement on the second season of the live-action show, which was a really good season of episodes to begin with.
Two years after the end of season two we catch up with Takeshi Kovacs, resleeved and working a job for Mr. Tanaseda, who has him pursuing a girl named Holly, a tattoo artist with cybernetic eyes and pawn of the yakuza, who carries some critical secrets. Working for CTAC is Gena, a badass agent carrying secrets, who clashes with Kovacs early on. It’s two days from an ascension ceremony–the anointing of a new mob boss–and in that time Kovacs must figure out why Mr. Tanaseda has set him on this job. The anime film, available with English subtitles or dubbed, has a new hotel and a new concierge named Ogai (voiced in the dubbed version by Chris Conner, who plays the concierge, Poe, and hotel manager in the live-action series). Ogai is a holographic Japanese man loyal to the new boss, but fond of Holly. Fans of the series will find his hotel to have equally exciting defensive feature’s as Poe’s hotel, The Raven.
