All my life, I’ve been waiting for someone and when I find her, she’s… she’s a fish.
With 13 nominations and expected to lead in overall wins in tonight’s Academy Awards ceremony, The Shape of Water is the film of the hour, and the popularity of the sea creature lore is at a peak right now. Taking advantage of the interest in seafaring lore and gilled creatures, the Freeform channel (formerly ABC Family) is airing new trailers this weekend for its own new mermaid/merman series, Siren. It’s not Splash or The Little Mermaid. It looks like it may have more of the feel of The Creature from the Black Lagoon at least initially more so than The Shape of Water. No, the new series Siren looks more like a thriller or horror series than a romance, something mixing Stephen King’s Haven with John Carpenter’s The Fog and The Thing, and the British space vampire cult classic, Lifeforce.
Eline Powell (Game of Thrones, King Arthur: Legend of the Sword) plays Ryn, a mysterious girl who arrives in the Pacific Northwest coastal town of Bristol Cove, a town that boasts its local lore–a town once known for its mermaids. Aylya Marzolf plays a mermaid leader, and Sedale Threatt, Jr. a warrior merman. From its several preview trailers, Siren has a great, creepy look. Art direction is by The Predator and The Returned’s Peter Mihaichuk. Costumes were designed by Pirates of the Caribbean and The Exorcist’s Lorraine Carson and iZombie and The Flash’s Maria Livingstone.
Based on a story by Eric Wald and Dean White (originally to be called The Deep), marketing for Siren is evoking all the aforementioned films and TV shows in its key imagery–even the back of a man in a parka straight out of The Thing, a strange killer young woman as seen in Lifeforce and The Ring, a trapped creature being studied in an aquarium as in The Creature from the Black Lagoon and The Shape of Water. And it features that familiar coastal town seen in Jaws, Haven, and The Fog.
Check out these several previews for Freeform’s Siren:
With the unique signature of the only director that could pull off a film like The Shape of Water, have no doubt it is worthy of a parade of Oscar recognition. As for direction The Shape of Water is a triumph for Guillermo del Toro’s sheer bravery in choices. As for acting it’s the perfect mix of the four top acting tiers: a superb performance in a challenging role by a lead actor and actress, and a superb performance in a challenging role by a supporting actor and actress. del Toro’s story, too, is novel, soaring and magnificent, even if it may be derivative of many fairy tales, folklore, and past fantastical films. In fact it’s del Toro’s intelligent reimagining of stories from Cinderella and Beauty and the Beast on a backbone of films like King Kong, Splash, and The Creature from the Black Lagoon that lends some familiarity and authenticity to its story and characters to touch audiences. Ultimately the finely crafted assemblage is greater than the sum of its parts, forming the stuff of those classic best pictures of the year of decades past.
The idyllic early 1960s is stripped of its patina to a very real and difficult world beyond the happy families as seen in the slick marketing and television shows of the day, at least for the average person trying to find their way. A mute woman named Elisa (Sally Hawkins) and her co-worker Zelda (Octavia Spencer) work in a quasi-government corporate facility as janitors. When a Fed named Strickland (Michael Shannon) brings a gilled, man-like creature (Doug Jones) he captured in South America to the facility for study, Elisa covertly befriends it. When Strickland and his military cronies decide it’s time to vivisect the creature, Elisa enlists a friend in her apartment complex (Richard Jenkins) to try to get the creature to safety, with even Zelda and a lab researcher (Michael Stuhlbarg) joining along in her plan.
The tragedy of Oscar season is the lack of nomination for Doug Jones, the modern Man of a Thousand Faces (and bodysuits), who has played every character in commercials from McDonald’s Mac Tonight to one of the terrifying Gentlemen of Buffy the Vampire Slayer to Marvel’s Silver Surfer, to the star of del Toro’s Pan’s Labyrinth, and ghosts in his Crimson Peak and Abe Sapien in his Hellboy series, and he is currently headlining Star Trek Discovery, again in prosthetics. It is a truth that no other actor has the experience and physical skill and talent required to perform in the roles he is sought out for, and his “Amphibian Man” in this film is a showcase of his singular grace, elegance, and style. His understanding of animal movements and reactions is impeccable. Sally Hawkins, seen in countless performances (a standout in Fingersmith, Layer Cake, Tipping the Velvet, Blue Jasmine, where she was also nominated for an Oscar, and Never Let Me Go, among other films, and even a bit part in Star Wars: The Phantom Menace), perfectly captures a life in silence and a hopeless romantic. Her piercing stares at Strickland nearly slice him in two. Academy Award winner Octavia Spencer (The Help, Hidden Figures, Snowpiercer, Medium, The X-Files) plays Zelda for laughs for the most part, and her ramblings about her lazy husband and her support of Elisa are wonderful. Richard Jenkins (Silverado, Hannah and Her Sisters, The Witches of Eastwick, Wolf, Absolute Power, Into Thin Air, Jack Reacher, Bone Tomahawk, LBJ) takes on a role as neighbor Giles, a part like nothing audiences have seen him play before, a down on his luck ad man, he is boxed in from gaining the love that he seeks. del Toro makes it possible for each moviegoer to see himself/herself in each of these characters.
If there’s one thing these lists demonstrate, it’s that great fantasy stories are enduring. All four of us have named several films that reach deep into the literary and oral tradition of myths, legends, traditional bedtime stories, and classics of fantasy literature. It’s not surprising that what makes a great fantasy movie is the same stuff that makes a great story, period: amazing worlds, epic quests, doomed romance, and soaring imagination. More than half the movies on my list are direct retellings of well-known tales, and all of them are adapted in one way or another from earlier source material–be that a novel from the 1990s or a play by William Shakespeare, or anything in between.
It’s neither accidental nor surprising that my personal favorites list went this way, but there are plenty of contenders that just narrowly missed the cut and are worthy of mention, at least in passing. I’ve been thoroughly impressed by recent films Stardust (adapted from the Neil Gaiman novel) and Prince Caspian (from CS Lewis’s beloved Chronicles of Narnia), but I haven’t seen either film often enough to declare it a favorite… yet. Likewise, two classics from my childhood deserve a nod, and would have made the cut if this were a Favorite 15: the glorious Jim Henson/Brian Froud collaboration The Dark Crystal; and Willow, which is just as good as any other high fantasy film made in the last century. Lastly, because I feel someone should mention it, yet it somehow gets overlooked whenever we start talking about great fantasy films, is one of the few mermaid movies ever made (surprisingly enough), 1984’s fantastic classic Splash. It gets overshadowed by Hanks’s Big from a few years later, but it really is a wonderful movie that deserves to be better remembered for its contribution to the genre.
But. You’re looking for the ones that did make the cut, so here is my winnowed-down list of my ten alltime favorite fantasy films:
1. The Princess Bride
Art has suggested that we define great fantasy by the age at which we’re introduced to our favorites, and I tend to agree. This Rob Reiner masterpiece came out when I was thirteen, which is the ideal time to experience this wickedly smart, hilarious, and romantic fantasy romp. But viewers can enjoy it at any age! There are no roles in film history to rival Carey Elwes as Westley/The Dread Pirate Roberts or Mandy Patinkin’s iconic Inigo Montoya, but Robin Wright, Chris Sarandon, Billy Crystal, Andre the Giant, Wallace Shawn, Peter Falk, and all the others turn in perfect performances, too. T he memorable scenes and imminently-quotable catchphrases ensure this film’s status as a fantasy legend.
2. Ever After
When you’re a fairy tale fan, the golden goose (so to speak) is, of course, Cinderella. No other tale so captures our love of the genre and our hope for true love to lift us from the drudgery of our daily lives. Everyone knows this story, and making it fresh and new and wonderful is hard! But Ever After was up to the challenge, and more. Set in the intensely naturalistic setting of early Renaissance France, this adaptation builds on the basic rags-to-riches framework to deliver a complex and deeply satisfying tale of smart lovers who complement one another, yet are set apart by a nearly unconquerable divide. Also, it doesn’t hurt that Dougray Scott makes for a Prince Charming any woman would swoon over.
3. A Knight’s Tale
Carrying on with the argument that retellings fit in the fantasy genre, magic or not, I’m sneaking one of my very favorite movies–period–onto this list. Turned off by the truly dreadful previews, I nearly missed this one–and I’m so glad I didn’t. From the ensemble cast (Heath Ledger! Rufus Sewell! Paul Bettany! That guy from Firefly!) to the wacky rock soundtrack, Chaucer has never been so much fun (and he was no wet blanket to begin with).
4. Mary Poppins
No film explores the power of childhood make-believe adventures better than this Disney classic. Who didn’t want their toys to put themselves away? Or spend an afternoon popping in and out of chalk drawings, riding magical carousel horses and winning the derby? Or laugh themselves into flight? A spoonful of sugar and the confident wink of a magical nanny makes it all possible.
5. Indiana Jones & The Last Crusade
Tales of King Arthur and the Holy Grail have been centerpieces of Western fantasy as long as we’ve been telling stories. The third, and arguably the best, installment of the Indiana Jones franchise brings that classic quest to the screen better than any film, ever. (I’m talking to YOU, da Vinci Code. You too, Excalibur. *shudders*) (The second-best film adaptation of the King Arthur legend is, of course, the 1960s classic Camelot with Richard Harris and Vanessa Redgrave.)
6. Portrait of Jennie
For pure romance and starcrossed lovers, you can’t ask for more than William Dieterle’s sweet Depression-era tale of a starving artist and the doomed model who shapes his career, and his life. It has all the makings of a gothic mystery–but the tender performances of Joseph Cotton and Jennifer Jones make this instead a sweeping story of the power of love to reach beyond time and death. Fans of Jane Seymour and Christopher Reeve’s Somewhere in Time should look this one up. (And fans of Portrait of Jennie should look up the marvelous children’s novel Tom’s Midnight Garden by Phillippa Pearce.)
7. Harry Potter & The Prisoner of Azkaban
The best installment of one of the most beloved fantasy series of our age. Need I say more?
8. Beauty and the Beast
No one was surprised when this Disney adaptation of Gabrielle-Suzanne de Villeneuve’s classic French fairy tale became the first-ever animated film to be nominated for the Academy Award for Best Picture (and thus changed the awards structure forever). The lavish production, with its marvelous soundtrack, brought this tale as old as time to life with all the wonder and beauty we expect in our fairy tale films.
9. Arabian Nights
I have expressed my love for these stories on borg.com before, and this made-for-TV miniseries starring Mili Avatal absolutely swept me away. The production is gorgeous and epic, with a bold and brilliant cast that includes fine performances by Jason Scott Lee, John Leguizamo, Rufus Sewell (!), and Andy Serkis. It offers up all our Arabian Nights favorites: Ali Baba, Aladdin, and, of course, Scheherazade and her deeply disturbed husband, played with heartbreaking madness by Dougray Scott (who, really, we could stand to see A LOT more of. Just sayin’.).
10. Much Ado About Nothing
This is last on my list not because it’s my least favorite of the ten; far from it–it’s actually my alltime favorite movie! But of the ten, it’s the one that feels the least like fantasy to me, although it has neither more nor less magic than The Princess Bride, Ever After, or A Knight’s Tale. Directed by and starring Kenneth Branagh at the height of his early career, this utterly perfect adaptation of Shakespeare’s lusty romantic comedy is set against the breathtakingly beautiful Tuscan countryside and features fantastic performances by Emma Thompson, Brian Blessed, Kate Beckinsale, Robert Sean Leonard, Michael Keaton, and Denzel Washington. I want to step inside this movie and live there, every time I watch Much Ado–and if that’s not the very definition of fantasy, than I don’t know what is.
