Review by C.J. Bunce

The right mix of writing, acting, art direction, and music come together in Orbiter 9, a direct-to-Netflix Spanish film that really has it all.  Like the critically-acclaimed Midnight Special, saying too much about the plot will give away too much of what is compelling about this film.  But you can be sure to find a tense piece of science fiction derived from those classic tales of great writers of the past like Arthur C. Clarke, Ray Bradbury, and Philip K. Dick.  It’s a tale of future Earth where Earthlings have ravaged the planet, so, like recent sci-fi entries Passengers and the Lost in Space reboot, the only chance for humans is to embark on long voyages to distant worlds.

Clara Lago (The Commuter, The Librarians, LEX) masterfully plays Helena, a young woman left on board a spaceship heading from Earth to a distant colony who encounters an engineer named Álex, coming to repair the ship’s oxygen system, played by actor Álex González (X-Men: First Class).  We learn from a video image Helena is re-watching that her parents left her alone three years ago when the oxygen system broke down–their math showed that with Helena flying alone the oxygen could still get her to Celeste safely.  Raised on the ship since birth, she has never met another human.  She is diligent in her daily rituals, including exercise, with a determination to complete her mission prompted by her parents’ sacrifice.  But after Álex’s arrival, everything changes.

More believable than prior visions of the future in this sub-genre (Passengers, Moon, the Cloverfield series), Orbiter 9 may pull its tale in part from classic Greek sacrifice mythology or closed-room mysteries like Alfred Hitchcock’s Lifeboat, and wrestles with the limits of sacrifice, for family or others–again, a concept addressed in many past sci-fi stories, Star Trek in particular (think Star Trek II: The Wrath of Khan, “Suddenly Human” in Star Trek: The Next Generation and “Child’s Play” from Star Trek Voyager).  Do the needs of the many outweigh the needs of the one?  Orbiter 9 attacks this question in many surprising ways.  And unlike many a recent sci-fi film, it’s story belongs in a full feature format like this–it’s not just another short story dragged out to fit a movie-length format.

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