Studio Ghibli Fest 2018

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Hayao Miyazaki’s Academy Award-winning animated film Spirited Away returns to theaters tonight

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October 28, 2018

With Spirited Away, director Hayao Miyazaki transported Japanese anime into the mainstream consciousness in the United States. A dramatic fantasy story with gravitas and an incredible journey, Spirited Away would win the Oscar for Best Animated Film–Miyazaki’s only Oscar (except his lifetime honorary Oscar). A modern fable in the classic tradition, 17 years ago audiences first met Chihiro Ogino, a brave ten-year-old girl not happy with her parents moving her into a new neighborhood. But when she wanders off, she finds herself trapped in a world of spirits, beasts, and uniquely imaginative surprises. Wondrous, curious, and even grotesque, something of everything is tucked into Spirited Away.

Spirited Away is not just any other movie. Like Nausicaa and the Valley of the Wind, the film transcends the typical use of animated cinema, providing the kind of experience that will leave audiences discussing it long afterward. Critics across the globe lined up in agreement–not only was it the highest grossing film in Japan’s history, the critical acclaim seems to know no end. In 2016 it was listed as the fourth best film of the 21st century as picked by 177 international film critics. Last year the New York Times called it the second best film of the century so far.

The film is back in theaters for a limited three-day release beginning tonight as part of the Fathom Events series, in partnership with Studio Ghibli and GKids. Spirited Away follows the brave young girl who enters a spirit world to rescue her parents and herself. It is an incredible fantasy, with dark undertones about real-world concerns including human greed, borrowing from classic children’s stories Alice in Wonderland, The Wizard of Oz, and Pinocchio. It offers spectacular characters and is a story of great courage.

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Tags: Alice in Wonderland, David Ogden Stiers, Fathom Events, GKIDS Mini-Fest, Hayao Miyazaki, John Ratzenberger, Lauren Holly, Mari Natsuki, Michael Chiklis, Miyu Irino, Pinocchio, Rumi Hiiragi, Spirited Away, Spirited Away in theaters, Studio Ghibli, Studio Ghibli Fest 2018, Suzanne Pleshette, The Wizard of Oz

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Back on the big screen–Jurassic Park turns 25, Totoro turns 30, Superman turns 40, and Bullitt turns 50

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September 5, 2018

Some of the very best genre favorites are heading back to the big screen in September and October, with many screenings celebrating some landmark anniversaries. All of the films are part of the Fathom Events series (see FathomEvents.com for local listings), bringing classic movies to theaters as a retrospective treat for fans and an opportunity to introduce a new generation to some of Hollywood and Japan’s significant achievements in film. So if you’re looking for your sci-fi/adventure/suspense fix, it’s on its way, along with one of the best fantasy films of all time, an animated movie milestone, and the film that defined cool in the 1960s.

First in theaters is Steven Spielberg’s adaptation of Michael Crichton’s sci-fi novel of archaeology meeting the future in Jurassic Park. Throw all the sequels out the window, this is the only entry in the franchise you need to see. One of film’s greatest moments was Spielberg’s first full-screen of a modern Earth populated with dinosaurs. John Williams provided one of his most memorable themes. And Samuel L. Jackson told us all to hold onto our butts as he shut down the park’s security system. It’s really been 25 years since we first saw a dinosaur in the rearview mirror. You’ll have too many reasons to see this one on the big screen again or for the first time, and no reason not to. It’s showing Sunday, September 16, Tuesday, September 18, and Wednesday, September 19 nationwide.

Then, as part of Studio Ghibli Fest 2018, the enchanting and beloved Hayao Miyazaki anime classic My Neighbor Totoro is back. Join Satsuki, Mei, Granny, everyone’s friend Totoro, and the fantastic Cat Bus for an imaginative fantasy adventure story. It’s been called delightful, strange, extraordinary, and magical. It’s all that and more. Audiences will have two options for watching Totoro, either the original Japanese version with English subtitles on Monday, October 1, or the American dubbed version featuring the young sister voice actors Dakota and Elle Fanning, Sunday, September 30, or Wednesday, October 3.

Before there was a Fast and the Furious series, before Baby Driver, before Clint was Dirty Harry, before Smokey met the Bandit, or before Max ever got mad, there was Steve McQueen in Bullitt. You may try but you’re unlikely to conjure up a film that defines cool more than McQueen does as a San Francisco cop trying to protect a witness in a major case. For 50 years the Oscar-winning car chase (from editor Frank B. Keller) has topped best action scene lists from film critics and everyone else. Robert Vaughn was hardly better than as the demanding Senator Chalmers. The music of the great Lalo Schifrin (Mission: Impossible, The Man from U.N.C.L.E., Mannix, Starsky and Hutch, Planet of the Apes) perfectly encapsulates the era, complete with a jazz flute interlude. There’s a reason Hollywood kept returning to Schifrin for action movie scores, like Kelly’s Heroes, Enter the Dragon, Brubaker, Charley Varrick, Cool Hand Luke, THX 1138, and the Dirty Harry and Rush Hour movies–the music is that memorable. We are lucky to have a dozen great Steve McQueen movies to re-visit, and this is one of the best. Plus you can only look to James Bond movies for an opening credits montage as compelling as you’ll find in Bullitt.

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It’s the Isle of Dogs for cat lovers–Studio Ghibli’s The Cat Returns is back in theaters for one more screening Wednesday

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April 24, 2018

Review by C.J. Bunce

Hayao Miyazaki’s Whisper of the Heart may be the anime master’s most heart-warming story. Based on the 1989 manga by artist Aoi Hiiragi, Whisper of the Heart is a 1995 romance and drama about a teenage girl who wants to be a writer, and with the determination and self-discipline necessary, she is successful at completing her first novel. The story within a story that she writes is about an ornamental cat in a store window that she names The Baron. In a fun twist, Hiiragi wrote the girl’s story into another manga, titled The Cat’s Repayment, and that story was adapted into Studio Ghibli’s 2002 anime film The Cat Returns. “The Cat” returned to theaters this week as part of the Fathom Events series and Studio Ghibli Fest 2018, and has its final screening at theaters nationwide Wednesday evening, April 25, 2018, at 7 p.m. local time. Find theater information and order tickets here.

This month’s release of Wes Anderson’s Isle of Dogs was inspired by the anime films of Studio Ghibli, and you can see the influences from The Cat Returns in particular. The Cat Returns is a much lighter film with none of the violence of Isle of Dogs. It has rightly been referred to as “delightful,” “sweet,” and “cute.” Its appeal for cat fans is the sincerity and authenticity of director Hiroyuki Morita (Akira, Perfect Blue, My Neighbors the Yamadas), and his use of real cats for some of the cat dialogue. The story centers on a high school student named Haru. When Haru rescues a cat in the road from an oncoming truck, the cat stands upright and speaks to thank her, and she soon learns he is a cat prince whose father the Cat King grants her the blessing of total happiness. She finds she could always hear and communicate with cats, but lost that sense years ago. Cats from the kingdom pile on the gifts, not realizing people don’t like mice and catnip as much as cats, and when the gifts and rewards get too great and the Cat King goes overboard, she is helped by a well-dressed cat at the Cat Business Office–The Baron.

Haru meets a rather skeptical, rotund, white cat along the way named Muta, who is possibly the finest, most realistic cat ever translated to film. Soon the Cat King determines Haru should marry his son, and Haru, The Baron, and Muta embark on an escape from the palace through a labyrinthine maze. Studio Ghibli, with creators Miyazaki and Morita, have visually presented the most believable cats in their numerous productions over the decades. In The Cat Returns the characters are not so much photo-real as in Miyazaki’s directorial efforts (here he serves as executive producer), yet the charming story is truly everything any cat lover will love. It is also filled with good humor, an engaging fantasy story, and lots of silliness that both kids and adults will appreciate.

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Studio Ghibli Fest returns to theaters starting this weekend with nine big films

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March 22, 2018

Following the success of last year’s Studio Ghibli Fest, animated film distributor GKIDS and Fathom Events are bringing back to U.S. theaters nine critically acclaimed films throughout the year for Studio Ghibli Fest 2018. Starting this weekend the series will feature both dubbed and subtitled versions of Studio Ghibli classics, beginning with a 10th anniversary screening of the fan-favorite family adventure Ponyo (2008) on March 25 (dubbed), 26 (subtitled), and 28 (dubbed), with original actors Tomoko Yamaguchi, Kazushige Nagashima, and Yuria Nara in the subtitled version and Cate Blanchett, Cloris Leachman, Liam Neeson, and Matt Damon in the dubbed version. In a spin-off of the Hayao Miyazaki story Whisper of the Heart, the character Baron re-emerges in The Cat Returns (2002), back in theaters April 22 (dubbed), 23 (subtitled), and 25 (dubbed), with stars Chizuru Ikewaki, Yoshihiko Hakamada, and Aki Maeda in the subtitled version, and Anne Hathaway, Cary Elwes, and Tim Curry in the dubbed version. Miyazaki directs his tale of a pigman pilot bounty hunter in Porco Rosso (1992), back in theaters May 20 (dubbed), 21 (subtitled), and 23 (dubbed), with original stars Shûichirô Moriyama, Tokiko Katô, and Bunshi Katsura Vi in the subtitled version, and Michael Keaton and David Ogden Stiers in the dubbed version.

Studio Ghibli’s village of magical raccoon dogs fight back in Pom Poko (1994), in theaters June 17 (dubbed), 18 (subtitled), and 20 (dubbed), starring Shinchô Kokontei, Makoto Nonomura, and Yuriko Ishida in the subtitled version, and Clancy Brown and J.K. Simmons in the dubbed version. One of Miyazaki’s most thrilling films, the legendary Princess Mononoke (1997) is back July 22 (dubbed), 23 (subtitled), and 25 (dubbed), starring Yôji Matsuda, Yuriko Ishida, and Yûko Tanaka in the subtitled version, and Minnie Driver, Clare Danes, and Gillian Anderson in the dubbed version. Director Isao Takahata offers one of the finest World War II stories in all of cinema in his gut-wrenching Grave of the Fireflies (1988), back in theaters August 12 (dubbed), 13 (subtitled), and 15 (dubbed), starring Tsutomu Tatsumi, Ayano Shiraishi, and Akemi Yamaguchi in the subtitled version, and Adam Gibbs and Emily Neves in the dubbed version.

Everyone’s favorite gentle giant cat is back September 30 (dubbed), October 1 (subtitled), and October 3 (dubbed), when My Neighbor Totoro (1988) returns, starring Hitoshi Takagi, Noriko Hidaka, and Chika Sakamoto in the subtitled version, and Dakota Fanning, Elle Fanning, and Tim Daly in the dubbed version. Perhaps Miyazaki’s most acclaimed film, the fantastical, spiritual, riveting epic Spirited Away (2001) is in theaters October 28 (dubbed), 29 (subtitled), and 30 (dubbed), starring Rumi Hiiragi, Miyu Irino, and Mari Natsuki in the subtitled version, and Suzanne Pleshette, David Ogden Stiers, and James Marsden in the dubbed version. And finally, a boy and girl search for a floating castle in Miyazaki’s Castle in the Sky (1986), in theaters November 18 (dubbed), 29 (subtitled), and 20 (dubbed), starring Keiko Yokozawa, Mayumi Tanaka, and Kotoe Hatsui in the subtitled version, and Anna Paquin, Mark Hamill, James Van Der Beek, Cloris Leachman, and Mandy Patinkin in the dubbed version.

Here is a quick preview of Studio Ghibli Fest 2018:

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