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Tag Archive: Synths


Reboot.  Recharge.  Rebel.

Next week the Synths return in AMC’s Humans, the series we pegged as last year’s best look at life living with and as a borg.  Humans is back for its third season with its season premiere Tuesday.  When we last left Humans, Lucy Carless’s Mattie Hawkins had uploaded the software to free the Synths–those very human-looking and acting cyborg servants.  Season 3 begins a year later–a year after all the Synths became fully conscious.  Since then life in British society has become strained as the oppressed Synth population fights to survive in a world that hates and fears them.

Similar to iZombie’s shift last season from a normal world to a world living side-by-side with zombies both at peace and at war, the Synths of Season 3 have their own community of outsiders split in two: The original green-eyed Synths are the rogues, not content with their second-tier status, and the new Series 11 “Orange Eyes” are the new, safe, properly configured and upgraded Synths.

The Synth family of Mia (Gemma Chan), Niska (Emily Berrington) and Max (Ivanno Jeremiah) return, continuing to battle for their right to survival,  The rest of the Hawkins family is back, too, with Mattie’s parents Laura (Katherine Parkinson) and Joe (Tom Goodman-Hill) separated because of their divergent views of the Synths, and Mattie’s siblings Toby (Theo Stevenson) and Sophie (Pixie Davies) dealing with the upheavals all around them.

Here is a preview for Season 3 of AMC’s Humans:

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hum

HUMᗄNS–The award-winning British science fiction television series exploring humans living with cyborg technology and living as borg is finally returning next month to AMC.  Viewers in the States have not seen an episode of the series since the first season finale in August 2015.  The eight-episode second season just aired in the UK.

Below is a video segment featuring the new characters introduced in season two, including a new artificial intelligence scientist played by Carrie-Anne Moss (The Matrix, Jessica Jones, Chuck).

Season two picks up several months after the first season.  Synth Niska (Emily Berrington) has not yet been found, and her synth circle of friends Mia (Gemma Chan), Leo (Colin Morgan), and Max (Ivanno Jeremiah) struggle to fit into human society.  Joe (Tom Goodman-Hill) and Laura (Katherine Parkinson) return in season two, as do first season actors Will Tudor, Pixie Davies, Neil Maskell, Lucy Carless, Ruth Bradley, and Theo Stephenson.  New regulars include Moss, Sam Palladino, Marshall Allman, Sonya Cassidy, Bella Dayne, and Letitia Wright.

humans-art

Check out these previews for season two of HUMᗄNS:

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Persona Synthetics ad

Our Sci-Fi Summer previews seem like they are just getting started.  We’re previewing eight new sci-fi series this week, saving our pick for what looks like the best for last.  Next up: Humans, a new series coming soon from AMC, is the next take on The Stepford Wives.  As with 2013-14’s brilliant but short-lived Fox TV series about a world with borgs fully integrated into society called Almost Human, this latest look at cybernetic organisms of the future focuses on the problems with these new servants living among humans.  Eight episodes of Humans are coming our way this summer on AMC.

AMC (and England’s Channel 4) are having some great fun marketing the series.  Below you’ll find several previews for the series (both U.S. and British versions) as well as spots from the company that creates the new technology within the series (much like we saw from RoboCop with Omnicorp here, and from Prometheus, the David 8 ad from Weyland Corp, discussed here).  Just see the Persona Synthetics website here.  Set in London, where every family wants the latest gadget for the home, a Synth, a highly-developed, artificially intelligent human look-alike.

Humans AMC line

What stands out immediately is the lack of special effects in comparison to a similar genre series idea like Almost Human.  Almost Human was not able to survive with an expertly told story, a movie star lead in Karl Urban, and dazzling futuristic effects.  The Synths are humans, seemingly unmodified except for contact lenses.  It’s understandable that brilliant technology makes them look so real, and adds to the creepiness in the look of the show, but there’s definitely an element missing here.  And the fact that each Synth is different, instead of several duplicates seems to point more to production budgets than a clever sci-fi story device.

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