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Tag Archive: Tex


It’s been a long time since most audiences last saw Emilio Estevez.  For most fans the last film was 1993’s Judgment Night, where Estevez led a great cast that included Denis Leary in his big breakout year, Cuba Gooding, Jr. just after his stint in A Few Good Men, and Jeremy Piven first showing audiences that smarm charm we’d later see a whole lot more of in Entourage (if you haven’t seen Judgment Night, it’s a thriller worth seeing).  Usually a good guy and straight arrow, we’d also see him as suave and cocky as he became a household name and stayed that way for an entire decade, from 1982 to 1993.

Estevez starred in a memorable movies like Tex, The Outsiders, The Breakfast Club, St. Elmo’s Fire, Maximum Overdrive, Stakeout, Young Guns, Freejack, and The Mighty DucksHe then took the reins as writer, director, and actor twelve years ago in a lesser known film, a biopic of the Bobby Kennedy assassination called Bobby, and he’s finally back–performing the filmdom triple threat again in the independent drama The PublicThe first trailer for the film is out and it looks great.  A film chock full of genre greats, The Public will see Estevez exploring issues such as homelessness, mental illness, and drug addiction as a group of homeless people in downtown Cincinnati take shelter after hours in the public library when extreme winter conditions strike.  Who hasn’t asked the question, why some government program couldn’t be arranged to use a few public buildings after hours to help the homeless?

Estevez plays Stuart Goodson, the head librarian, Alec Baldwin (Mission: Impossible series, The Departed, Malice, Glengarry Glen Ross, The Hunt for Red October, Beetlejuice, Knots Landing) plays a crisis negotiator for the Cincinnati police department, Jena Malone (The Hunger Games series, Sucker Punch, Into the Wild, Pride & Prejudice, Donnie Darko, Ellen Foster) plays the assistant librarian, Jeffrey Wright (James Bond series, Westworld, The Good Dinosaur, Lady in the Water, Syriana, The Manchurian Candidate, Shaft, The Young Indiana Jones Chronicles, Homicide) plays Mr. Anderson, Richard T. Jones (Event Horizon, Collateral, Phone Booth, Godzilla, Super 8, Terminator: The Sarah Connor Chronicles, Judging Amy) is Chief Edwards, Gabrielle Union (Deep Space Nine, Life, Night Stalker) plays a local reporter, Michael Kenneth Williams (Assassin’s Creed, Ghostbusters, Boardwalk Empire, RoboCop, Community, Law & Order, The Wire) plays a homeless man who leads the sit-in, Taylor Schilling (Argo, Orange is the New Black, Dark Matter) plays Angela, Christian Slater (Mr. ROBOT, Star Trek VI: The Undiscovered Country, Robin Hood: Prince of Thieves, Young Guns II)  plays the assistant district attorney, and Jacob Vargas (Luke Cage, Medium, Psych, Burn Notice, Death Race, Flight of the Phoenix, Crimson Tide) is the head of security at the library.

Check out this trailer for Emilio Estevez’s The Public:

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Drive-in Screen SE 14th ST

I was 11 in the Summer of ’82.  And yet I remember that summer vividly.  Rare has there been a year since that I saw so many awesome movies in the theater.  Many have commented on what was the best year in movies over the years, with the classic answer from critics usually being 1939 because of stellar films like The Wizard of Oz, Gone With the Wind, Stagecoach, Mr. Smith Goes to Washington, The Hunchback of Notre Dame, The Little Princess, Young Mr. Lincoln, and Drums Along the Mohawk.

So what do you think is the best year of movies?  If you whittle it down to the best summer of movies, I’ve got a real contender here.

I remember standing in line at a new theater on my side of town, with my mom and sister, getting a sticker advertising a new brown and orange candy somehow tied to one of the movies.  I saw an unexpectedly powerful sci-fi franchise entry with my brother at the S.E. 14th Street Drive-In Theater (pictured above before they tore it down a decade later) on a really hot day one Friday night.  And he and his RadioShack computer tinkering friends took me to see a new Disney film that had its setting inside a computer at a Saturday matinée.  The preview for one of the movies gave me nightmares.  Two of the movies I wouldn’t truly appreciate for another 20 years.  It all happened during the summer 33 years ago.

ET Reeses sticker from theater giveaway 1982

Check out this summer movie sneak preview from the YouTube archives and recall where you were during the Summer of ’82:

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Joyland cover

Review by C.J. Bunce

Tomorrow Stephen King’s newest novel, Joyland, hits the shelves already a pre-release #1 Bestseller.  Come back to borg.com Friday, June 7, 2013, for information on how to win copies of an exclusive edition of Joyland or canvas cover prints of the novel’s artwork from Titan Books, publisher of the Hard Case Crime imprint, as part of the Stephen King-Joyland online book tour.

As a fan of many Stephen King movies and TV series based on his books, strangely enough I never made it through a Stephen King novel before now.  Because King’s adapted visual works have been so consistent, I found the easy-going storytelling in Joyland to be very familiar.  Joyland contains themes found in the innocence of Stand By Me (based on King’s novella The Body) and Silver Bullet (based on King’s novella Cycle of the Werewolf), the supernatural of The Green Mile (based on King’s serial novel of the same name), and the Northeast U.S. town-life found in the TV series Haven (based on King’s The Colorado Kid) and The Dead Zone (based on King’s novel).  King’s storytelling is very recognizable–you’d know his style anywhere.  And Joyland is not horror, but a blend of true crime-type drama mixed with King’s signature violent/explicit/graphic accounts of not just the crime that is the focus of the story but the life of the protagonist.  Yet it is also a coming of age story for the 20s set–written in a manner similar to classic middle grade and young adult works, like S.E. Hinton’s The Outsiders and Tex, and even some of Judy Blume’s works.

Old Joyland Amusement Park

Old Joyland Amusement Park (King’s is a fictional park)

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