Tag Archive: The Amazing Spider-man

Coming in at about the same price as the actor’s screen-used prop blaster from Return of the Jedi this summer (discussed here at borg), Harrison Ford proved again he is #1 among pop culture and entertainment memorabilia collectors.  At Prop Store‘s entertainment memorabilia live auction in London yesterday, called Treasures from Film and Television (which we previewed from San Diego Comic-Con here in July), one of the fedoras worn by ford in Raiders of the Lost Ark brought record bids for a prop from the franchise, taking in an estimate of between $522,500 and $558,000, including fees and taxes.  Ford’s Han Solo blaster sold in June for $550,000 (before tax).  The hammer price for the hat was £320,000 when the winning bid was placed and the hammer struck, or about $424,755.  Provenance for this hat was not provided by Prop Store in its catalog, but the company said it could be screen-matched through identifying marks to several key scenes in the movie.  An Indy bullwhip from Indiana Jones and the Temple of Doom sold for $74,460, including buyer’s premium, at the auction.

One of the other auction lots worn by Ford was supposed to be the crown jewel of the auction, a simple stylized blue jacket worn in The Empire Strikes Back said to have been screen-matched to the film’s Cloud City scenes.  Although it was expected to garner $660,000 to $1.3 million, bidders were just not willing to push bids past the $600,000 mark and the seller’s minimum reserve price.  The jacket was one of the only hero costume pieces from the original trilogy to be offered at public auction.

This week’s big star prop of the Prop Store auction was crowded among other Hollywood props on display at San Diego Comic-Con this past July.

Several other key props from the four corners of genredom sold in excess of six figures (including buyer’s premium and net of taxes) in yesterday’s auction.  A light-up T-800 endoskeleton from Terminator II: Judgment Day (1991) fetched a massive price of $326,500.  A Christopher Reeve costume from Superman (1978) and Superman II (1980) sold for $212,200.  A Hayden Christensen Anakin Skywalker lightsaber from Star Wars: Revenge of the Sith (2005) sold for $180,000 and an Ian McDiarmid Emperor lightsaber from the film sold for $114,000.  A background First Order Stormtrooper helmet from Star Wars: The Last Jedi surprised everyone, selling for a whopping $180,000.  A Johnny Depp costume from Edward Scissorhands (1990) sold for $106,100.  Of several original comic book art pages that sold, the star was Page 15 from The Amazing Spider-Man (1966), Issue #32, by artist Steve Ditko, which fetched $155,000.

More than two dozen other memorable props and costumes from sci-fi, fantasy, superhero, and horror classics fared well (prices quoted include pre-tax conversion from British pound, including buyer’s premium):
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Last week we saw Superman turn 80 and reach his 1000th issue of Action Comics for DC Comics.  It’s hard to believe that Spider-man is the first character to be featured on a cover for an Issue #800 from rival publisher Marvel Comics.  But that issue finally arrives this month for the long-running monthly series The Amazing Spider-man, more than 55 years after Spidey’s first appearance in Amazing Fantasy #15 in 1962, created by Stan Lee and Steve Ditko.  This month’s benchmark issue will be a giant 80 pages wrapping up the four-part story “Go Down Swinging.”  Written by Dan Slott, interior artwork was created by Stuart Immonen, Humberto Ramos, Giuseppe Camuncoli, and Nick Bradshaw.  Peter Parker takes on Norman Osborn and Carnage, combined to become the Red Goblin.  Then in July as part of Marvel’s “Fresh Start” it all begins again with The Amazing Spider-man, Issue #1, with creative duties handed over to Nick Spencer and Ryan Ottley.

The Amazing Spider-man #800 is arriving with at least 38 variant covers, drawn by Steve Ditko (2 remastered covers), Alex Ross (2 versions), Frank Cho, Adam Hughes (4 versions of an image of Mary Jane), Terry Dodson and Rachel Dodson, John Romita, Sr., John Cassaday, Gabriele Dell’Otto (2 versions of 2 covers and a third image with wraparound cover for Comicxposure), Mark Bagley, Moebius (2 versions), Inhyuk-Lee (2 versions for Frankie’s/7 Ate 9), Greg Land, Tyler Kirkham, Ron Frenz and Brett Breeding, Humberto Ramos, Nick Bradshaw, Paolo Rivera, Francesco Mattina (connecting cover to Venom, Issue #1), eight covers by Scott Campbell, two editions pre-autographed by Stan Lee and John Romita, Sr., and a blank sketch cover.


We’ve searched high and low and came up with 38 covers being offered.  Are more coming?  Possibly.  The difference in some is the inclusion of a logo–or not (frequently referred to as a “virgin cover”).  Many will require work to track down as some are store exclusives, and at least one will be offered at an initial price in excess of $1,000, while ten standard release variants will be easier to acquire.  Take a look at large images of all these great covers:

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cover_template_text    STII vinyl

The great composer James Horner died last year in a plane crash, leaving behind a legacy of some of the biggest and most memorable soundtracks that defined nearly 40 years of film history.  One of the most memorable for sci-fi fans is his score to Star Trek II: The Wrath of Khan.  To celebrate Star Trek’s 50th anniversary, Mondo–the guys known for their redux poster interpretations–are releasing an extended LP edition of Wrath of Khan with music never before available on vinyl.  And the release includes Mondo’s killer level of artwork interpreting Khan and Kirk on Ceti Alpha V and the Genesis Planet.

But Mondo didn’t stop there.  The vinyl albums reflect the look and colors of the Mutara Nebula, where the Enterprise and the Reliant faced off.

10WoK-Discs2--FINAL2_1024x1024    STII LP reverse

Horner’s work on Wrath of Khan is impressive and established Horner as a major film composer.  His score adapts themes from Prokofiev’s Alexander Nevsky and Romeo and Juliet, and Horner would work cues from classical masters in many of his film scores over the course of his career.  Order your copy of Horner’s Star Trek II: The Wrath of Khan 2-LP set today here at the Mondo shop.

Never heard of James Horner?  You certainly have heard his work.  His last score will be featured in the remake of The Magnificent Seven due in theaters September 23, 2016, but the variety of films he wrote for is unprecedented.  He wrote themes that made many an actor look good–many in multiple films, including Arnold Schwarzenegger, Sigourney Weaver, Mel Gibson, Harrison Ford, Matthew Broderick, Russell Crowe, Jennifer Connelly, Ed Harris, Denzel Washington, Julia Roberts, and Brad Pitt, and collaborated on movies with the likes of big filmmakers, including Ron Howard, Steven Spielberg, James Cameron, Ridley Scott, Phil Alden Robinson, Wolfgang Petersen, Jean-Jacques Annaud, Michael Apted, Joe Johnston, and Edward Zwick.

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If this film doesn’t scream Oscar nominee I don’t know what will.  And no, we’re not talking about the film about Lincoln as a Vampire Hunter.  This afternoon Steven Spielberg released the first trailer for his film Lincoln, a big-screen account of the last days of President Lincoln and the U.S. Civil War.

Check out the supporting cast: Sally Field (The Amazing Spider-man), Tommy Lee Jones (Men in Black, Captain America), David Strathairn (Alphas, Memphis Belle, Sneakers), Hal Holbrook (The Fog, Into the Wild, All the President’s Men), Bruce McGill (Star Trek Voyager, Animal House), Jackie Earle Haley (Watchmen), Joseph Gordon-Levitt (Dark Knight Rises, Looper), Jared Harris (BBC’s Sherlock)… Continue reading

Review by C.J. Bunce

In the top 10 of superhero films, the original Sam Raimi Spider-man movies likely would not make the cut.  The first in 2002 was too preachy with it’s in-your-face “with great power comes great responsibility” mantra.  Tobey Maguire’s Peter Parker seemed to have fun in the role, but the story was light compared to other superhero films.  The best feature was Willem Dafoe as a superb villain playing the Green Goblin.  I know many oohed and ahhed over the original cinematic web swinging across the city, but in hindsight it doesn’t really compare to Christopher Reeve’s Superman simply flying, Chris Evans’ flame-on as the Human Torch, or Robert Downey, Jr.’s Iron Man test driving his armor.

The second Spider-man was flat with solid character actor Alfred Molina doing his best as the bizarre villain Doc Ock.  The complete lack of chemistry between Tobey Maguire’s Peter and Kirstin Dunst’s Mary Jane Watson caused me to pass on Spidey 3.  Ultimately the original Spider-man efforts lacked heart and a triumphant spirit.  Supposedly the only reason for a fourth Spider-man film was Sony’s obligation to churn out a film in the franchise or lose the opportunity and money.  Switching away from Raimi and Maguire was also supposedly about money.

So is there any reason to see a reboot origin story in The Amazing Spider-man only ten years after the first origin story in Spider-man?  It probably depends on whether you have anything better to do on the Fourth of July.  It would be easy to pass on this one except for the fact that there were a lot worse movies this past year, and this Spider-man definitely has fun moments and not even one groaner that makes you wish you stayed home.  It’s maybe not “amazing,” but it’s good fun.  The new Amazing Spider-man took some real thought to create, learned from mistakes of past superhero movies, and thereby nudges out the original.  Leaning in favor of this film first and foremost is the supporting cast.

The standout performance of The Amazing Spider-man is Emma Stone as Gwen Stacy.  Stone showed her potential for a lead role in Superbad and here she plays a very real, believable character as Parker’s friend and target of his affection.  Stone and young Brit actor Andrew Garfield’s Peter Parker have a spark.  Their conversations are slightly silly (in a good way) when they are not talking serious science or in the process of saving New York City.  Stone’s career is ready to take off.

As Dr. Curt Connors, Welsh actor Rhys Ifans plays what would normally be a supervillain, in a typical superhero movie.  But here, Dr. Connors genuinely has a valid scientific goal.  He genuinely supports the work in his lab, which includes Gwen Stacy, and seems to really feel remorse for never contacting Peter after Connors’ partner (and Parker’s dad) died (or went missing).  His own act that turns him into a giant lizard menace is an attempt to prevent lab owner Osborn’s goon from using veterans as test subjects.  As a sort of Mr. Hyde (as in Dr. Jekyll and Mr. Hyde) Connors is not in control of his actions, and therefore is more sympathetic than the average superhero flick antagonist.  Rhys Ifans played Luna Lovegood’s desperate dad in Harry Potter and the Deathly Hallows, Part 1, and Hugh Grant’s hilarious roommate in Notting Hill.  Here he has established a great voice and presence, someone who could take over the parts once given to David Warner or Alan Rickman and is an actor to keep a watch for.

Instead of being a one-note “girlfriend’s dad” Denis Leary plays police chief and Gwen’s dad as protective and savvy but also smart enough to know when a crazy story he’s being told may actually be true.  How many movies have taken this role into a routine “daddy doesn’t know best” place?  Parker’s own dad is solidly played, albeit for little screen time, by Campbell Scott (Royal Pains, Dead Again), who seems to only get better over the years with each new role.  Martin Sheen and Sally Field lend a bit of classic Hollywood nostalgia and authenticity to the picture as Parker’s aunt and uncle.  A surprise, slightly bigger than a cameo role, was C. Thomas Howell (Ponyboy Curtis from The Outsiders) as a crane worker who helps save the day for Parker.  The only missing classic Spidey element was Parker as newspaper photographer and more specifically JK Simmons’ feisty performance as his editor, J. Jonah Jameson.  And Spidey creator Stan Lee has his own Marvel cameo as you’d expect.

We all know that Peter Parker is a nerdy kid who gets bullied.  He is physically always a weaker kid, then after he gets bitten by a spider and possesses amazing spider senses he gets to have the scene where he confronts the bully.  In Superman 2,Christopher Reeve’s Clark Kent doesn’t make the bully bleed so much as make him regret his bullying of Kent earlier in the story.  Garfield’s Parker is even less vindictive, choosing instead to poke fun of basketball star Flash in front of Flash’s friends.  A nice move that helps establish this Parker’s good guy character.  Andrew Garfield is more bumbling, a little more modern dark hero like Anakin Skywalker as compared to the 1960s clean-cut boy-next-door Peter Parker.

At times Garfield’s Parker seems a little too real–a struggling teen who in real life probably needs someone to tell him to “get with it.”  He’s not a typical actor for a part like this, and yet, Peter Parker is not the typical superhero.  His performance doesn’t dazzle, but he fills the shoes very well.  Do we care whether the web comes from his hands or techno-gadgetry?  Probably not.  Are the best action scenes someone else in costume with Garfield voiceovers?  Probably.  Had this been the first Spider-man film, we all might be more excited about this Peter Parker.  Because of the many stunts and CGI, you wonder how much screentime Garfield gets in the supersuit.  The end credits state that the suit was “manufactured by” Cirque de Soleil, which makes you think maybe there is more stunt trapeze-type swinging than CGI.  Either way, the Spidey swinging takes the roller coaster ride of Spidey’s movements to a fun, new level.  And a focus more on spider abilities and creative web use surpasses the use of this key Spidey element as compared to the earlier movies.

The original Spider-man story is known by everyone.  Peter Parker is bitten by a radioactive spider, then he gets these powers.  The Amazing Spider-man now has a combination of  classic sci-fi story elements not found in the source material, with warnings of playing with science as a bit of The Fly meeting Dr. Jekyll and Mr. Hyde and Jurassic Park.  There is, or may one day be, a downside for Parker’s newfound powers, for playing with and expanding the realm of science, which may be fleshed out in later films.  And Parker doesn’t try to get rid of his powers as other superheroes in their origins.  He uses them for fun until he becomes wise enough to use them for good purposes.  An odd mid-end credit snippet shows a cloaked Osborn speaking with an imprisoned Dr. Connors, suggesting a return of Green Goblin in a fifth Spider-man film.  Based on this week’s box office, no doubt that sequel will be coming along in the next few years and we’ll soon enough be comparing it to Spider-man 2.

Whether you’re into sci-fi, fantasy, super-heroes, or spies, 2012 is gearing up to be a good year for genre movie releases. What’s our top 10 most eagerly awaited genre films?  Here’s a countdown to the one film we can hardly wait to see:

10.  Tinker Tailor Soldier Spy.*  Already in limited release at the tail end of 2011, this spy movie, a remake of the 1974 film based on the novel by John LeCarre, couldn’t have more promise for its all-star cast of Britain’s best: Last year’s Oscar winner for Best Actor, Colin Firth (The King’s Speech, Pride and Prejudice, The English Patient, Shakespeare in Love) Gary Oldman (Batman Begins, The Dark Knight, Harry Potter series,  The Fifth Element) Ciaran Hinds (The Woman in Black, Phantom of the Opera, Road to Perdition, Sum of All Fears), Mark Strong (Sherlock Holmes, Green Lantern), John Hurt (V for Vendetta, Hellboy, Harry Potter series, Skeleton Key, Indiana Jones and the Crystal Skull, The Elephant Man, Rob Roy, Contact), and Benedict Cumberbatch (Sherlock, Amazing Grace, The Hobbit).

9.  The Dark Knight Rises. Rounding out the latest trilogy of Batman movies, this one hints at the death of Batman in the trailer and advance posters.  It’s Batman, so we’re going to see this one, but the franchise is getting a bit stale.  If not for Gary Oldman’s perfect performances in Batman Begins and The Dark Knight as Commissioner Gordon, this one might not make the top 10 list.  Then again, Anne Hathaway as Catwoman is reason enough to see this one.  What we really want for Batman?  A film version of Frank Miller’s The Dark Knight Returns.

8.  Men in Black III.  Although we liked him most recently as a codger of an officer in Captain America: The First Avenger, Tommy Lee Jones’s roles seem to be pretty similar.  We were surprised at how good the trailer for the new Men in Black movie looks, even with Jones reprising the role he has played twice.  For Jones and Will Smith to reprise their roles yet again, but with a trip to the past for Smith’s Agent J, this may be the first time we like a genre prequel.

7.  Total Recall.  When there are so many Philip K. Dick stories to adapt for the big screen, it’s a little strange that someone would opt to redo the short story “We Can Remember it for You Wholesale,” when it seems like the original came out only yesterday.  Still, if it’s anything like Steven Spielberg’s Minority Report, and early production photos seem to indicate that to be the case, we may have a really stylistic view of the future coming soon.

6.  G.I. Joe: Retaliation.  It was easy for viewers to laugh off the first G.I. Joe live action movie, G.I. Joe: Rise of Cobra, but we think the movie was a blast, handling both the comic book and animated series universe, the classic story of the original 12-inch Joe action figures, and the small-sized action figures.  With the new trailer just released for G.I. Joe: Retaliation, we’re just as excited to see our two favorite tough guys, Dwayne (formerly The Rock) Johnson, and Bruce Willis taking on the G.I. Joe mantle, with Willis as the original Joe Colton.

5.  The Avengers.  After years of DC Comics movies outdoing their Marvel Comics counterparts, last year the pendulum finally swung in favor of Marvel, with the super Captain America: The First Avenger film matching the first Iron Man in quality.  Finally bringing them together with Thor and The Hulk is way overdue.  But the character we really can’t wait to see more of is Samuel L. Jackson’s Nick Fury.

4.  Brave.  Animated movies tend to showcase female characters as cutesy, dressed in pink, damsels being rescued, usually, by some dim-witted guy.  It’s about time we have an animated film about a gal with a mind of her own, wielding her own sword.  And the fact that she is performed by Kelly McDonald and her cool Scottish accent makes us want to see this film that much more.

3.  Skyfall.  We haven’t seen a trailer for this one yet. Daniel Craig’s Casino Royale was a contender for best-ever James Bond film, but the follow-up Quantum of Solace didn’t really deliver the punch we all wanted. Whatever this new film will be about, we don’t care, as we love Bond and at the end of each movie when we see “James Bond will return” it just starts the waiting again.

2.  The Woman in Black.  In part because we just want to see what both Harry Potter and Daniel Radcliffe do following the end of the Potter series, in part because we love a good ghost story, and in part because this trailer may be the best one released this year, we can hardly wait to see The Woman in Black. Eerie, cool with Radcliffe playing an adult role, we hope this will be as good as it looks.

1.  The Hobbit: An Unexpected Journey.  Not since the original Star Wars trilogy had we seen a more significant fantasy series than Peter Jackson’s Lord of the Rings series.  The original story from Middle Earth has been read and loved more than any of Tolkien’s works, and for it finally to hit the screen is not only a miracle because of production issues, we’re lucky all the original cast members from the Lord of the Rings series are still around and interested in reprising their roles from the Oscar winning series for Best Picture and a roster of other awards.  Although the first trailer released wasn’t all that exciting, since Peter Jackson is in charge again, we’re certain this film will deliver as promised.

Based on trailers and early release photos, we’ll also keep an eye out for the following genre films, although, as noted here previously, we think some of the trailers make us want to avoid a few of these instead of get excited to see them: Prometheus, Ghost Rider: Spirit of Vengeance, The Amazing Spider-man, The Hunger Games, and Man of Steel.

*Update: Don’t miss our January 8, 2012, opening weekend review.

C.J. Bunce



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