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Tag Archive: The Art and Making of Alien: Covenant


Review by C.J. Bunce

As much as you may hear general moviegoers asking if we may be near the end of the Alien franchise–and earlier this month Alien director Ridley Scott said as much, that the franchise has basically “run out”–you probably won’t hear that from fans of Alien who keep coming back for more.  But no worry: two future movies are expected from the franchise.  Along the way tie-in authors continue to expand the universe before and after the first film that premiered way back in 1979.  The best of these so far is arguably Tim Lebbon’s Alien: Out of the Shadows (reviewed here at borg.com along with an interview with the author here).  In that novel Lebbon cleverly intercut between films a new tale of Ellen Ripley encountering xenomorphs again.  Earlier this year we reviewed an anthology, Alien: Bug Hunt here, and a new interactive in-world book in the Alien universe will be reviewed here soon.  Ridley Scott returned to direct another film in the series this year with Alien: Covenant, and a new tie-in novel bridges the gap between 2012’s Prometheus and Covenant.  Titled Alien: Covenant–Origins, it features the return of one of fandom’s favorite writers, Alan Dean Foster, and readers will find the story completely unexpected.

Since the 1970s Foster has written famous science fiction expansion stories that brought classic films home to audiences before the days of home video, including the novelization of the original Star Wars and the first Star Trek tie-ins.  His success with those would lead him to write the novelizations of the first three Alien films and Alien: Covenant, Terminator: Salvation, The Chronicles of Riddick, the first two Transformers movies, Star Wars: The Force Awakens, Star Trek (2009), Star Trek Into Darkness, adding to a catalog of books that include The Thing, The Black Hole, Outland, The Last Starfighter, Starman, and AlienNation.  So Foster knows the Alien world well and with Alien: Covenant–Origins, Foster looks beyond the monstrous xenomorphs of the franchise to the political and corporate machinations behind the first effort to colonize outer space by Earthlings.  Springboarding off what we can imagine to be a Michael Crichton’s Rising Sun-inspired corporate takeover of CEO Peter Weyland’s tech company by competitor Hideo Yutani after the events of Prometheus find Weyland lost in space, we encounter the new Weyland-Yutani Corp. as it prepares to send a ship full of colonists to habitable planet Origae-6.  But on Earth the company first encounters espionage, intrigue, and sabotage, earthbound topics wrestled with similarly in Carl Sagan’s classic novel Contact. 

More action-thriller than sci-fi, Foster plants us into a mad dash to get the Covenant into space, with Yutani’s daughter kidnapped, assassination attempts, and a strange faction bombarding the company at every step to stop all efforts to go into space to avoid what one human is foreseeing as an invasion of horrible alien demons in Earth’s future if Weyland-Yutani proceeds with its flight.  It’s the same warning Sagan and NASA encountered from members of the public when the United States sent two Voyager space probes to the edge of the galaxy and beyond in the 1970s–what if aliens find us and they’re not so friendly?

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Author Simon Ward has crafted a new behind-the-scenes account of a sci-fi film, this time the latest entry and third Ridley Scott-helmed film in his Alien series, Alien: Covenant.  As you would expect, The Art and Making of Alien: Covenant features hundreds of photographs from what is probably the goriest film in the series.  Like another sci-fi/horror mash-up film 10 Cloverfield Lane, it also has its share of surprises, particularly as it leaves viewers in suspense as they learn the kind of horror film unfolding isn’t what they first thought.  Ward’s new book doesn’t reveal all the surprises, but enough to encourage readers to wait until they’ve seen the film to read the book.  Since a book like this is mainly for the diehard Alien fan, this won’t be an issue to most of its readers.

The Art and Making of Alien: Covenant, like Ward’s previous works The Art and Making of Independence Day: Resurgence (reviewed here at borg.com) and Aliens: The Set Photography (reviewed here) is more about the making of the film than a traditional “art of” film resource.  so don’t look for the typical concept art.  You will see plenty of film stills, behind the scenes shots with the actors, and some good visuals of the film’s set design.  Ward also moves step-by-step through the film, pulling in production staff and actors to give insight into the filmmaking process for this unique movie.

Ward interviewed director Ridley Scott, revealing Scott’s thought process behind this film and its place in the series, each key cast member discusses their view of their characters.  Concept artist Steve Burg describes the differences between Alien: Covenant and the last film in the series, Prometheus.  Creatures supervisor Conor O’Sullivan reveals the influences in the new Xenomorph designs.  Director of photography Dariusz Wolski provides a look at scene set-up and his lighting and cinematography choices.

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