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Tag Archive: The Art of Star Wars: The Force Awakens


Review by C.J. Bunce

A new book takes a look behind the scenes of Star Wars: The Last Jedi, Abrams Books’ The Art of Star Wars: The Last JediAs with the prior entries in its series: The Art of Star Wars: The Force Awakens and The Art of Rogue One: A Star Wars Story, it reflects fascinating and interesting images from the film, plus commentary and interviews from director Rian Johnson and his staff of creative professionals.  Most of the concept art provides a look at ideas left behind, with some exceptions, like the exotic new animals and beasts that could be seen throughout the film, like the sea cow, the porgs, fathier horse-like animals, and the crystalline shard foxes.  Johnson notes in the book’s foreword the challenges and hopes of making his new movie “Star Wars-y.”  Browsing this new book, it will be up to each reader and moviegoer to determine if he was successful.

As with past books in the series, the book was created parallel with the final post-production and film release, so a few key spoiler scenes are not included in the film.  Handily, this edition includes a follow-up section including the death of Han Solo that was omitted from The Art of Star Wars: The Force Awakens.  So a few elements are not addressed in this book many fans will want to know about, but perhaps those areas will be included in the behind the scenes volume for Episode IX.  But you will find plenty here to interest any fan–plenty of ship designs and concept art for the film’s new environments and sets.

The Art of Star Wars: The Last Jedi tells two separate stories, one in the text explaining the decisions made by director Rian Johnson and the visual artists and staff, and the second via the concept artwork that was translated to the screen and the artwork left behind.  The book lists 77 creators behind the backgrounds, landscapes, sets, vehicles, props, and costume designs.  It will take the reader who has seen the film five minutes of flipping through the book to realize it is Jock’s final character rendering work that is seen in the final cut of the film that landed in theaters: Old Luke’s fantastic island garb, Rey’s updated costumes, Rose’s and the Resistance’s uniforms, DJ and Leia’s costumes.  Really all the great, final designs that made it to the screen for the main cast came from the pen and paint of Jock.  But for whatever reason Jock was not interviewed for the book.  What were his influences?  Why this or that design?  It’s unfortunate because it really looks like Jock’s designs for Oliver Queen in his Green Arrow: Year One series directly influenced his designs for Old Jedi Master Luke and that would have been great to learn.

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TheArtOfSWTFA

Review by C.J. Bunce

Not just another visual guide to Star Wars: The Force Awakens, a new art book from Abrams looks behind the creative process in making a major motion picture.  The Art of Star Wars: The Force Awakens is unusual in that it doesn’t rely on film stills or the typical art design imagery you might find in a making-of movie work.  It is closer to The Hobbit: The Desolation of Smaug Chronicles–Art & Design reviewed previously at borg.com here than say Star Trek: The Art of the Film, discussed here, in that it is an exhaustive account of the trials and discarded concepts that come along with creating a new story for an established franchise.

Also, like the Hobbit Chronicles book series, Lucasfilm chose to use one of its own to chronicle the pre-production of the film.  Author Phil Szostak, who has a long history with the art department at Lucasfilm, was embedded in the art department of The Force Awakens crew as a conceptual researcher and archivist from December 2012 through the end of the making of the film.

Luke or Finn

The Art of Star Wars: The Force Awakens provides many possible paths that might have been taken in creating the look and feel of Episode VII.  The most surprising may be that Rey and Finn were going to be called Kira and Sam for nearly the entire production process.  Many members of the press have used imagery from this book to assert that somehow scenes were deleted from the final cut or that the concepts and ideas in the book reflect the original plan, but that’s really not the case.  The ideas thrown around in the planning stages are the same types of ideas used in any production–some ideas are good and are used, others don’t make the cut for any number of reasons.  This is illustrated well in the pre-production for Neill Blomkamp’s Elysium, as seen in Elysium: The Art of the Film, reviewed here.  Many good ideas just get left behind for the needs of the plot and the timing of the film.

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