Tag Archive: The Battered Bastards of Baseball


When we created last year’s preview of 2019 movies we were pretty sure we were going to have some great movies this year, but we were surprised by what ended up being the best.  All year we tried to keep up with what Hollywood had to offer and homed in on the genre content we thought was worth examining.  We went back and looked at it all and pulled together our annual picks in our Best Movies of 2019.

GenredomAs always, we’re after the best genre content of the year–with our top categories from the Best in Movies.  There are thousands of other places that cover plain vanilla dramas and the rest of the film world, but here we’re looking for movies we want to watch.  What do all of this year’s selections have in common?  In addition to those elements that define each part of genredom, each has a good story.  Special effects without a good story is not good entertainment, and we saw plenty of films this year that missed that crucial element.

Come back later this month for our print media picks, and our annual borg Hall of Fame inductees.  And if you missed it, check out our Best Kick-Ass Genre Heroines of 2019 here.  Wait no further, here are our movie picks for 2019:

Best Film, Best Superhero Movie, Best Re-Imagining on Film Shazam! (Warner Bros.).  Movies are supposed to be a wonder, right?  What brought the magic of the movies back to theaters more than Shazam?  Why did DC take so long to adapt a superhero to the scene perfectly?  Who cares–they finally did it.  Faithful to the character from the #1 selling superhero book of the 1940s, this was the superhero movie many of us have been waiting for for the past 50 years (or more).  Full of superhero fun, one of the best training montages ever, Zachary Levi’s boyish hero was perfectly matched to Jack Dylan Grazer’s take on best pal Freddy.  It’s also the only superhero movie we can think of that got better as it went along, culminating in a fantastic, satisfying third act and finale.  This is what we want more of.  And it was the first DC superhero movie of the millennium that could be watched and enjoyed by the entire family.  Honorable mention: Glass (Universal), Spider-Man: Far From Home (Sony Pictures).

Best Fantasy Movie, Best Adventure Movie, Best Comedy MovieJumanji: The Next Level (Columbia Pictures).  The only issue with this film was that its status as a sequel will prompt some to not recognize it for the gigantic success it truly is.  With adventure scenes bigger and better than anything in the entire Indiana Jones franchise, two movies in and director Jake Kasdan proved a sequel can actually be as good as the original.  The four stars didn’t miss a beat, swapping roles and adding new laughs, and the new characters inside and outside the game were perfectly spliced in to tell a new tale.  The bridge crossing scene is now the adventure film scene to beat.  An epic fantasy that’s loads of fun.  Honorable mention for Best Fantasy Movie: Shazam! (Disney/Marvel), Captain Marvel (Disney/Marvel).

Best Movie Borg, Best Borg Film – Arnold Schwarzenegger’s Carl, Terminator: Dark Fate (Paramount Pictures).  It would have been almost impossible for James Cameron and director Tim Miller not to get this right, a new thread through time reuniting Linda Hamilton’s Sarah Connor and a new T-800 with Arnold back with another take on his greatest borg of all time.  New characters and new effects kept the franchise from getting boring, but this was more than just getting by, a big sci-fi spectacle with great cyborg battles, and easily the best cyborg fix this year.

Continue reading

Review by C.J. Bunce

Like most things about baseball, The Battered Bastards of Baseball reflects as much about an era of American culture, economics, and politics as it tells a wonderfully engrossing story about a brief history of the sport.   Independent baseball–privately-owned teams unaffiliated with the Major League Baseball conglomerate–was a thing of the past when Portland, Oregon’s minor league baseball team the Portland Beavers left town.  It was the early 1970s and Portlanders weren’t spending their time or money on minor league games.  Then enters the well-known TV actor Bing Russell, stepping off his last of 14 seasons on Bonanza where he played a deputy sheriff.  Russell appeared in everything back then, from Westerns from Wagon Train to Rawhide, and modern fare like The Munsters, The Rockford Files, and The Twilight Zone.  There begins an underdog story, a mix of The Bad News Bears, Necessary Roughness, and Moneyball.

If you’re lucky enough to trip into the Netflix documentary The Battered Bastards of Baseball, you’ll wonder where this story is headed.  It’s a brief history of 1970s Portland and national baseball, and then actor/movie star Kurt Russell and his mother Louise Russell begin discussing his father in a typical documentary format.  It turns out father Bing had a life-long affinity for the game, even being part of a significant piece of baseball history as mascot for the New York Yankees, befriending Joe DiMaggio, Lefty Gomez, and Lou Gehrig, who gave Bing the bat he used in his last game before retiring.  That love for the game apparently never left Bing, who concocted an idea to bring baseball right back to Portland by taking the entrepreneurial route–forming a pure upstart baseball team to play minor league ball.  Resurrecting the independent team model he would hold an open tryout for the new Portland Mavericks–if you build it they will come.  And they did.  Players rejected from the big leagues, some retired, many with paunches, and pre-movie star Kurt on the team, too, some players older than most teams would favor, and a bunch of hairy-faced guys decades before it became the “in” thing–all would come together to form a motley band of brothers that would earn a crack at the pennant.  With a 30-man roster, and Bing’s personal brand of fun, fans packed the stadium again, the team setting a record for the highest attendance in minor league history, blazing the trail in other ways, naming the first woman general manager in baseball, Lanny Moss.  But like all good things it seems, a villain would enter the picture to wreck it all.

The real deal: Kurt Russell playing in the Minor Leagues with the Portland Mavericks.

With that nostalgic, cheery vibe of Ivan Reitman’s 1970s movie Meatballs or a dialed-back Slap Shot, Bing’s grandsons Chapman Way and Maclain Way splice together both baseball, Hollywood, and Portland nostalgia to assemble a completely engaging, crowd-pleasing story of underdogs and misfits and the pied piper who led them.  If you remember that every baseball stadium in 1970s America–and every grade school–had kids chomping on Big League Chew–you’ll learn that connection to the Mavericks, too.

Continue reading