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Tag Archive: The Bedford Incident


Beware the light.

Review by C.J. Bunce

On first viewing of Logan, this year’s most critically acclaimed superhero film, a viewer may love it or leave it.  It’s not your typical Marvel Comics adaptation, full of f-bombs and the bloodiest of action and violence.  Yet it’s also a finely crafted final chapter to the successful X-Men film saga and a tribute to Hugh Jackman’s unprecedented nine-film run as Logan.  Last week 20th Century Fox showed a limited screening arranged by the director of Logan in black and white, called Logan: Noir.  The version is also included on the Blu-ray release available everywhere tomorrow.  If you haven’t seen Logan, skip the theatrical version and go straight to Logan: Noir and if you have seen Logan prepare for a completely different experience with this special edition of the film.

Logan: Noir would be more aptly titled Logan: Black and White, as this is not so much classic noir than a modern Western tale shown in black and white.  Thankfully writer/director James Mangold (Cop Land, 3:10 to Yuma, The Wolverine) carefully and elegantly filmed Logan with an eye for the stark contrasts that black and white film once regularly captured so well.  Parts of the film will reach into your chest and hold you breathless, revealing the full potential of a comic book based film–and more specifically a superhero film.

Its bleak, cold landscapes are evocative of a John Ford (Stagecoach, The Man Who Shot Liberty Valance, The Grapes of Wrath) Western.  Its slow, calculated scenic pans are something Stanley Kubrick (Lolita, Dr. Strangelove) could only have hoped to have achieved in his early work.  Inasmuch as Hugh Jackman is a classic, Western, antihero archetype in his so-far-gone, washed-up, tired and grizzled Logan–former Wolverine of the X-Men–he appears far lonelier and resigned to a dismal, unrelenting future in black and white.  The cold contrasts in this Logan somehow create a vision more true to the Old Man Logan of the comic book source material.

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Phantom movie banner

Advance marketing for the new Ed Harris and David Duchovny submarine movie Phantom used “Something is Down There” as the tagline for the film.  Sounds supernatural?  We think so, too.  If so, it’s about time we get David Duchovny back in full supernatural X-Files mode, and back on the big screen.  And Ed Harris isn’t a stranger to the supernatural or submarines, starring in the 1989 film The Abyss, and genre favorites The Truman Show, Apollo 13, The Right Stuff and the original Coma.  But they dropped the earlier tagline and are now using “You’ll Never See It Coming,” “Brace for Impact,” and “The Enemy is Within.”  Sounds like a supernatural thriller.

So what about the “Inspired by Actual Events” part?

Not much has been released about the actual events inspiration for the film.  Scenes in two trailers released seem to mirror scenes straight from one of the best submarine thrillers ever made–The Hunt for Red October, based on the novel by Tom Clancy featuring Sean Connery as a Russian sub captain and Alec Baldwin as the original Jack Ryan.  Red October was inspired by actual events–a failed mutiny aboard the Russian anti-submarine ship Storozhevoy by Valery Sablin in 1975.  Might that be the source for Phantom?  The current movie poster has “WWIII” down the center.  Maybe it’s another Philadelphia Experiment tie-in?

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