Get ready for your next immersion into adventure and fun, and it’s in 3D. I love classic storytelling methods that surprise the reader, from the Victorian to modern technology, whether it’s stereoscopic images, View-Master reels, lenticular images, pop-up books, or state-of-the-art digital animation. One of my very first books as a young boy was Robert Louis Stevenson’s A Child’s Garden of Verses, with 3D diorama artwork and a lenticular cover. I’ve reviewed several 3D movies here at borg, too, from The Creature from the Black Lagoon to Jaws 3D, and Predator and Rogue One. French artist Matthias Picard’s roving young adventurer Jim Curious returns after his debut in 2014’s Jim Curious–A Voyage to the Heart of the Sea in his next book, Jim Curious and the Jungle Journey. It’s a complete 3D adventure using anaglyph 3D, that classic blue-red 3D style and includes two pairs of 3D glasses–just like the kind from 3D movies in the 1920s to the 1980s. The eye-popping images will take your breath away.
All my life, I’ve been waiting for someone and when I find her, she’s… she’s a fish.
With 13 nominations and expected to lead in overall wins in tonight’s Academy Awards ceremony, The Shape of Water is the film of the hour, and the popularity of the sea creature lore is at a peak right now. Taking advantage of the interest in seafaring lore and gilled creatures, the Freeform channel (formerly ABC Family) is airing new trailers this weekend for its own new mermaid/merman series, Siren. It’s not Splash or The Little Mermaid. It looks like it may have more of the feel of The Creature from the Black Lagoon at least initially more so than The Shape of Water. No, the new series Siren looks more like a thriller or horror series than a romance, something mixing Stephen King’s Haven with John Carpenter’s The Fog and The Thing, and the British space vampire cult classic, Lifeforce.
Eline Powell (Game of Thrones, King Arthur: Legend of the Sword) plays Ryn, a mysterious girl who arrives in the Pacific Northwest coastal town of Bristol Cove, a town that boasts its local lore–a town once known for its mermaids. Aylya Marzolf plays a mermaid leader, and Sedale Threatt, Jr. a warrior merman. From its several preview trailers, Siren has a great, creepy look. Art direction is by The Predator and The Returned’s Peter Mihaichuk. Costumes were designed by Pirates of the Caribbean and The Exorcist’s Lorraine Carson and iZombie and The Flash’s Maria Livingstone.
Based on a story by Eric Wald and Dean White (originally to be called The Deep), marketing for Siren is evoking all the aforementioned films and TV shows in its key imagery–even the back of a man in a parka straight out of The Thing, a strange killer young woman as seen in Lifeforce and The Ring, a trapped creature being studied in an aquarium as in The Creature from the Black Lagoon and The Shape of Water. And it features that familiar coastal town seen in Jaws, Haven, and The Fog.
Check out these several previews for Freeform’s Siren:
With the unique signature of the only director that could pull off a film like The Shape of Water, have no doubt it is worthy of a parade of Oscar recognition. As for direction The Shape of Water is a triumph for Guillermo del Toro’s sheer bravery in choices. As for acting it’s the perfect mix of the four top acting tiers: a superb performance in a challenging role by a lead actor and actress, and a superb performance in a challenging role by a supporting actor and actress. del Toro’s story, too, is novel, soaring and magnificent, even if it may be derivative of many fairy tales, folklore, and past fantastical films. In fact it’s del Toro’s intelligent reimagining of stories from Cinderella and Beauty and the Beast on a backbone of films like King Kong, Splash, and The Creature from the Black Lagoon that lends some familiarity and authenticity to its story and characters to touch audiences. Ultimately the finely crafted assemblage is greater than the sum of its parts, forming the stuff of those classic best pictures of the year of decades past.
The idyllic early 1960s is stripped of its patina to a very real and difficult world beyond the happy families as seen in the slick marketing and television shows of the day, at least for the average person trying to find their way. A mute woman named Elisa (Sally Hawkins) and her co-worker Zelda (Octavia Spencer) work in a quasi-government corporate facility as janitors. When a Fed named Strickland (Michael Shannon) brings a gilled, man-like creature (Doug Jones) he captured in South America to the facility for study, Elisa covertly befriends it. When Strickland and his military cronies decide it’s time to vivisect the creature, Elisa enlists a friend in her apartment complex (Richard Jenkins) to try to get the creature to safety, with even Zelda and a lab researcher (Michael Stuhlbarg) joining along in her plan.
The tragedy of Oscar season is the lack of nomination for Doug Jones, the modern Man of a Thousand Faces (and bodysuits), who has played every character in commercials from McDonald’s Mac Tonight to one of the terrifying Gentlemen of Buffy the Vampire Slayer to Marvel’s Silver Surfer, to the star of del Toro’s Pan’s Labyrinth, and ghosts in his Crimson Peak and Abe Sapien in his Hellboy series, and he is currently headlining Star Trek Discovery, again in prosthetics. It is a truth that no other actor has the experience and physical skill and talent required to perform in the roles he is sought out for, and his “Amphibian Man” in this film is a showcase of his singular grace, elegance, and style. His understanding of animal movements and reactions is impeccable. Sally Hawkins, seen in countless performances (a standout in Fingersmith, Layer Cake, Tipping the Velvet, Blue Jasmine, where she was also nominated for an Oscar, and Never Let Me Go, among other films, and even a bit part in Star Wars: The Phantom Menace), perfectly captures a life in silence and a hopeless romantic. Her piercing stares at Strickland nearly slice him in two. Academy Award winner Octavia Spencer (The Help, Hidden Figures, Snowpiercer, Medium, The X-Files) plays Zelda for laughs for the most part, and her ramblings about her lazy husband and her support of Elisa are wonderful. Richard Jenkins (Silverado, Hannah and Her Sisters, The Witches of Eastwick, Wolf, Absolute Power, Into Thin Air, Jack Reacher, Bone Tomahawk, LBJ) takes on a role as neighbor Giles, a part like nothing audiences have seen him play before, a down on his luck ad man, he is boxed in from gaining the love that he seeks. del Toro makes it possible for each moviegoer to see himself/herself in each of these characters.
We’re running down several trailers released to start off San Diego Comic-Con this week. One trailer defines what Comic-Con is all about, as Stan Lee looks at the Netflix series based on his creations. The best trailer is Guillermo del Toro’s The Shape of Water, the fantasy director’s next monster movie, this time featuring his own take on the Creature from the Black Lagoon. Another good trailer is what plays out as a commercial for the giant robot “Jaegers” in a first look at the sequel Pacific Rim: Uprising, including star John Boyega (Star Wars: The Force Awakens, Attack the Block). Below you’ll also find trailers for Kingsman: The Golden Circle,The LEGO Ninjago Movie, Natalie Portman in Planetarium, and the fantasy world version of the AlienNation buddy cop trope, Netflix’s Bright, starring Will Smith and Joel Edgerton.
We’re also including several trailers from the past week to get you caught up. These include A Wrinkle in Time, Mary Poppins Returns, Blade Runner 2049, a teaser for The Incredibles 2 (sort of), and a Blu-ray preview for Gifted starring Chris Evans.
Who is my favorite Universal Studios classic movie monster? I have always answered The Creature from the Black Lagoon. I first watched the web-footed and web-handed fellow with gills in 3D on local network television on one Friday night many years ago. I am not sure cable TV was yet making its headway across the country, but the “creature feature” was something marketed for a few weeks over the summer. The local CBS affiliate, if I recall correctly, teamed up with the local Hy-Vee grocery store to hand out those cardboard and vellum 3D glasses. I knew early on that The Creature was the first and only one of the classic monsters filmed and shown in theaters in 3D back in 1954. My trusty World Almanac told me it wasn’t the first 3D film released–that went to the African lion film Bwana Devil in 1952.
As part of my current quest to sample the best of 3D movies on Blu-ray, finding The Creature from the Black Lagoon on the very short list of released 3D films was a big win. Back in 1997 in Seattle where basic DVDs were first released in a major U.S. market, I remember digging through a short box at the big Suncoast store but feeling similarly dismayed, until I noticed A Boy and His Dog among the early conversions to digital video. The Creature is a great starting point for modern 3D, giving the current technology some historical context.
Thanks in large part to make-up guru Bud Westport’s incredible creature suit and mask, the film holds up as well as any modern classic. In fact, viewing The Creature back to back with Predator 3D (reviewed here earlier this month), it’s surprising how similar the films are. Take away the sci-fi intro to Predator and you have a jungle adventure with another otherworldly creature. As with Predator 3D, the multi-layered jungle comes alive in The Creature, and the careful placement of actors onscreen gives a crystal clear dimensional image that doesn’t waver. Better yet, you have to look hard to see The Creature’s air bubbles–mostly he swims for seemingly long stints underwater with no apparent breathing going on. And let’s not forget both of these films are part of the horror genre–each character gets picked off one by one by the monster until only a few are left for a final life-or-death showdown.
