Tag Archive: The Dark Crystal: Age of Resistance


Dark crystal exhibit

Today only, the Center for Puppetry Arts in Atlanta, GA, is offering a free virtual tour of Jim Henson’s The Dark Crystal: World of Myth and Magic, an exhibit scheduled at the Atlanta facility through June 28, 2020, but is now temporarily closed to foot traffic because of the COVID-19 pandemic.  Museum director Jill Nash Malool will be presenting the tour online at the Center for Puppetry Arts page on Facebook here.  It all happens today, Friday, April 10, at 2 p.m. EST/1 p.m. CST.

The exhibit revealed on the virtual tour features more than 50 props and other artifacts from 1982’s classic fantasy film The Dark Crystal, including the actual Jen, Podlings, Skeksis, and Aughra used in the movie.  Original Brian Froud artwork, animatronic prototypes, and other props, artifacts, and ephemera from the film are part of the exhibit.

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The museum invites fans of the film and last year’s groundbreaking television series The Dark Crystal: Age of Resistance, into the imaginative world of Thra.  The exhibition discusses how the movie was a passion project for Jim Henson and how he needed the fantastical work of Brian Froud to make it come to fruition.  It explores the intricate artistry that went into the creation of the world brought to life in the 1982 film that would become a lasting influence on the fantasy genre, including films like the Star Wars franchise, Jurassic Park, and more.

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Review by C.J. Bunce

Watching the incredible award-winning Netflix series Jim Henson’s The Dark Crystal: Age of Resistance, the seamless visuals and storytelling can’t prepare viewers for the amount of detailed craftsmanship required to create the series (which was our pick for Best TV Series, Best New Limited TV Series, Best TV Fantasy, Best Writing for TV, Best TV Costumes/Makeup, and Best TV Soundtrack in our year-end wrap-up last year here at borg).  It was far more involved than any other live-action project, CGI production, or animated series, and that feat is what Daniel Wallace’s The Dark Crystal: Age of Resistance–Inside the Epic Return to Thra is all about.

Like in Industrial Light & Magic Presents: Making Solo: A Star Wars Story (a diary of sorts of the making of that film reviewed here), creating this level of rich behind the scenes account for such a complex production benefits from being assembled during the development and execution of the series.  This is a complete story that begins where Caseen Gaines’ compelling The Dark Crystal: The Ultimate Visual History (reviewed here) ends, taking readers from 1982 into the development of Thra’s expanded universe of books, comics, and online resources, all waiting to be combined together to inspire and become the Netflix series.

But the biggest thing not found on the screen–the thing that glues together the book and process behind the series–is the imagination, influence, and contributions of Brian Froud.  Readers will find hardly a page of this volume without a key concept design personally envisioned, painted, or sketched by Froud, the visionary behind the look of the original The Dark Crystal film.

And that explains why the series feels so faithful to Henson’s original film.

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This year we found one series that could easily sweep most of the categories–a single television series that had everything: compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, all kinds of genre elements that were satisfying and left viewers feeling inspired.  Richly detailed sets and costumes.  An impossible feat to replicate.  No drama came close.  No other visual effects spectacle could touch it.  And its audience is everyone.  A truly epic addition to television viewing, that series is The Dark Crystal: Age of Resistance, the greatest television series to come along in years.  If you love genre like we do, this was as good as it gets.  And like icing on the cake, along came The Mandalorian at year end.

But we’re not going to ignore the other good things that happened on the small screen this year.

Our borg Best of 2019 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2019 here and the best Kick-Ass Heroines of 2019 here.

Without further ado, this year’s Best in Television:

Best Borg SeriesDoom Patrol (DC Universe).  With this year’s series Doom Patrol we got a look at two borgs, DC Comics’ Cyborg, an update to Martin Caidin’s original Bionic Man from the 1970s, and an older borg created before the word was even coined in the 1960s, Robotman.  Both characters revealed a glimpse at what life might be like with significant cybernetic enhancements (when brought together by a modern Dr. Frankenstein).  For 2019, it was the way to get your borg fix on the small screen.

Best TV Series, Best New Limited TV Series, Best TV Fantasy, Best Writing for TV, Best TV Costumes/Makeup, Best TV SoundtrackThe Dark Crystal: Age of Resistance (Netflix).  It was worth the wait.  Jim Henson’s seemingly impossible to replicate artistic vision was successfully achieved thanks to his daughters and the company he founded.  The kindest heroes, the darkest evil, a truly epic, legendary story for the ages.  Everybody is cranking out CGI extravaganzas, but how many are creating artistry so fundamentally real, with so many individual artists and artisans contributing and achieving so much?  Even that wouldn’t be enough if not for the layered mythology and epic adventure story.  Add great humor, high stakes, emotional impact, an all-star voice cast, Daniel Pemberton and Samuel Sim’s  imaginative musical score, and those puppets and all that go into them–it adds up to a rare thing–a Henson masterpiece.

Best TV Sci-fi Series, Best TV DramaThe Man in the High Castle (Amazon).  Amazon Studios could not have adapted a series more faithfully, making changes for the medium and the times, than its take on Philip K. Dick’s most celebrated novel.  The use of science fiction to tell a deep and twisty level of subplots and unique setting all came to a perfect conclusion in the series finale.  Exciting, intelligent, frightening, and the most thought-provoking series this year, it was also different from its sci-fi competition.  Honorable mention: The Mandalorian (Disney+)–but only if we allow space fantasy since the series is not true science fiction, The Orville (Fox)–for its two-part epic movie-worthy space story, “Identity.”

Best New Ongoing TV Series, Runner-up: Best TV Soundtrack, Runner-up: Best TV Costumes/Makeup The Mandalorian (Disney+).  Not a lot needs explaining with this series, which in only its first two hours we rated it closer to the original Star Wars and The Empire Strikes Back than anything with the Star Wars label on it since.  The Western motif is still alive, not all that hidden here in space fantasy garb.  And we won’t get started on the impact of The Child (aka Baby Yoda) on the genre-loving world and beyond.  Credit Jon Favreau’s visible enthusiasm and love for the original movies for the success of this surprisingly awesome arrival–the series is proof Star Wars is far from over.

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It’s time for borg′s annual look at the Best Kick-Ass Genre Heroines in film and television.  This year we selected 26 characters that rose to the top.  Again the studios gave us more to cheer about than ever.  We’re highlighting the very best from a slate of fantastic heroines, with characteristics to learn from and root for.  Determined, decisive, loyal, brave, smart, fierce, strong, you’ll find no one here timid or weepy, but all rely on their individual skills to beat the odds and overcome any obstacle that comes their way.  Over the years we have expanded the list to include any tough, savvy, gritty character played by a woman, so villains are welcome here, too.  Some may be frazzled, put-upon, war-weary, or human, but all have fought, some against difficult circumstances, others against personal demons (literally, figuratively, or both), and some against gun and laser fire.  And they all showed what a tough, kick-ass character is about.

Several characters who made previous years’ kick-ass heroine lists returned to TV and film and could very well make the list again, but we’re looking for new recruits.  So we’re not forgetting Lagertha in Vikings, Liv Moore from iZombie, Trish Walker in Jessica Jones, and Juliana Crain from The Man in the High Castle, all in their final seasons of their series, plus Eleven in Stranger Things, Juliet Higgins in Magnum PI, Liz Dudley in Lodge 49, the 13th Doctor in Doctor Who, Betty Cooper from Riverdale, and Sabrina Spellman and Ms. Wardwell from The Chilling Adventures of Sabrina.  At the movies Valkyrie, The Wasp, and Okoye were back, this time in Avengers: Endgame, Martha/Ruby Roundhouse returned in Jumanji: Welcome to the Jungle, and Rey was back one more time in Star Wars: The Rise of Skywalker.  This year we add a mystic, a former Russian operative, a DHS agent, an adventurer, an undercover cop, a bounty hunter, a general, a gang leader, superheroes, martial arts masters, special agents, survivors, former soldiers, resistance fighters, gelflings, warriors, witches, a bride, an emperor (not empress!), and even a cyborg–with a roster evenly split between television and movie characters.

Credit goes to both the writers and other creators of the characters and the actors and performers that brought them all to life.

These are the Best Kick-Ass Genre Heroines of 2019:

Aughra (The Dark Crystal: Age of Resistance).  If there was a greater woman character in the history of fantasy film, we don’t know who that would be.  We first met her 37 years ago thanks to Jim Henson in the original movie, and she hardly changed at all for the prequel series that arrived at last this year.  Voice actor Donna Kimball and Muppeteer extraordinaire Kevin Clash perfectly replicated the witchy sorceress whose wisdom, savvy, and mystic powers were stealthily used this season.  She went to death and back again, and was key to defeat the Skekses once again. (Henson/Netflix)

Black Widow (Avengers: Endgame).  After a decade of being the only superheroine in the Avengers, Scarlet Johannson’s Natasha Romanoff finally took center stage this year as the bravest of the entire bunch, giving her life to save not only everyone on Earth, but everyone across the universe destroyed by Thanos.  And yet she still didn’t get the fanfare that Tony Stark did.  We’re hoping she gets the solo film she deserves when she’s back one more time next year in her own movie. (Disney/Marvel)

Hattie Shaw (Fast & Furious Presents: Hobbs & Shaw).  As part of a big bad assassin family, whose mother was played by Helen Mirren and brother by Jason Statham, Vanessa Kirby’s Hattie might be the toughest of them all.  If you need to track down a missing deadly virus in the hands of a cybernetically enhanced superhuman, who else are you going to call to team up with Statham and The Rock?  (Universal)

Agent M (Men in Black: International).  Valkyrie Tessa Thompson is back on the list again, this time as the first movie lead Woman in Black, earning her nebulizer with the help of her Thor-world partner Chris Hemsworth.  As a little girl, Molly witnessed an alien as her parents were zapped by Men in Black, and she worked her entire life to be able to get into the CIA or FBI, hoping one would be the entry point into the secret organization.  Agents O and High T would recognize her value to the team, as she saved the planet from the latest menace. (Columbia/Sony)

Cyclone Mei (The Legend of the Condor Heroes).  Even as an evil witch, Viola Mi’s master of the Nine Yin White Bone Claw and Heart Destroying Palm techniques became a sympathetic villain after her husband died at the hands of young Guo Jing and she became blind.  Even blind she used internal techniques to defeat anyone she perceived as a threat.  Master of the whip with fearsome claws, beautiful and fierce Mei Chaofeng once joined her husband as the “Twin Masters of the Dark Winds” to possess a forbidden manual of martial arts, and would leave mountains of bodies in their wake as they sank deeper into the dark teachings.  (iQIYI)

Sarah Connor (Terminator: Dark Fate).  We were excited when we heard Linda Hamilton would return to the franchise 27 years after she had a major transformation from waitress into the woman who would save 3 billion lives.  One of Sci-Fi’s two best-known kick-ass heroines (along with Ellen Ripley), original terminator target Sarah Connor lost none of that drive and determination to continue to kill Terminators into the 21st century.  As a grandma surrogate and mentor to the next generation of leadership, we’ve no doubt the future is safe again.  (Paramount/20th Century Fox)

Special Agent Dinah Madani (Marvel’s The Punisher).  For the entire second season, Amber Rose Revah’s DHS agent was hot on the trail of taking down Billy Russo’s villain Jigsaw.  Who knew she’d need to get through his psychiatrist first.  She was always tough and good at her job, but proved herself in the final two episodes of the series.  (Netflix)

Leia Organa (Star Wars: Rise of Skywalker).  Princess or General, Carrie Fisher’s Leia Organa was one of the 1970s brand of kick-ass heroines, although we still wish she’d had the opportunity to show her stuff just as Rey was able to in the third trilogy movies.  We prefer seeing her as she continued after the original trilogy in Timothy Zahn’s novels, the Dark Empire comics, and the 20 years of the Expanded Universe stories, where we saw her realize power as great as Luke and the rest of the Jedi Order.  (Disney/Lucasfilm)

Captain Marvel (Captain Marvel/Avengers: Endgame).  Brie Larson’s take on Captain Marvel was an end-to-end story about being tough and taking charge.  An entry in the Marvel Cinematic Universe that didn’t fit the mold of past films, it allowed audiences to meet her for the first time and ramp up our appreciation for all she could do in short order.  Soon enough she’d be integral to relocating Thanos after The Snap, and she’d return one more time in the final battle to try to turn the universe back to the way it was.  (Disney/Marvel)

Cara Dune (The Mandalorian).  A master of hand-to-hand combat as well as crack sharp-shooter, the latest Star Wars heroine (played by Gina Carano) helped the Mandalorian take down an AT-ST in their first go. Once a shock trooper with the Rebel Alliance and a fighter after the Battle of Endor, Cara is just the help the Mandalorian and The Child need going forward in the series.  (Disney/Lucasfilm)

Sue Lynn Blackbird (Stumptown).  Always the smartest person in the room, and ten steps ahead of everyone else, Tantoo Cardinal’s Sue Lynn runs the local Tribal Casino, but she does much more.  She’s a businesswoman who always negotiates from the power position.  Her leadership role means she has the power to excommunicate anyone who isn’t acting in the best interests of the tribe–or give them another chance.  She’s also tough enough to forgive and mentor younger walking disasters she encounters from time to time. (ABC)

Emperor Philippa Georgiou (Star Trek: Discovery). We’ve always loved Michelle Yeoh, but the series writers for her latest character held back in the first season of the series. At last viewers got the full monte when the mirror version of the series lead character’s captain returned not only to help her, but to eliminate any who got in her way, and proceed to take over the secret spy agency of the prime world timeline. Up there with Jaylah from Star Trek Beyond, “Mirror Georgiou” is one of the new breed of badass Star Trek character.

Christine Gavin (Wu Assassins).  Vikings star Katheryn Winnick makes her second showing on the list, this time as San Francisco undercover police officer Christine Gavin.  Expecting to find the ringleader of a major crime syndicate, she began her work gaining the trust of a man in a local chop shop, only to discover a larger world existed beyond the world we see every day.  Possessing some major martial arts skills and a street fighting manner, she didn’t lose a fight all season long, and helped battle evil in both dimensions.  (Netflix)

Grace (Terminator: Dark Fate).  Sent from the future to save a young woman who has the potential to go forward and lead a rebellion against a new technological apocalypse, Mackenzie Davis’s Grace stepped up to fight a new brand of Terminator.  A human that volunteered to undergo enhancements to make herself into a full-fledged cyborg, she would fulfill her mission, giving the ultimate sacrifice for the future of humanity. (Paramount/20th Century Fox)

Huang Rong (The Legend of the Condor Heroes).  Quick thinking with a photographic memory, Yitong Ling’s Rong’er met her future husband on one of her outings in beggar garb disguised as a man, practicing her skills as a thief and 13th century grifter.  Young and easy to underestimate, with the witty banter of Buffy the Vampire Slayer and an almost supernatural ability to coerce anyone to do her bidding, her charismatic traits were only matched by her mastery of enough schools of martial arts to prevent anyone from learning who taught her.  Raised on Peach Blossom Island by her father, she learned how to confuse an enemy, and is able to convince Hong Qigong to teach her even more, all in exchange for her cooking–hey, you can be a badass and also a master chef.  (iQIYI)

Maudra Fara (The Dark Crystal: Age of Resistance). Refusing to recognize Seladon’s claim to the position of All-Maudra, she’d challenge her for the Living CrownFara assumed the title of Maudra after Vala, her mother, had been killed during the First Battle of Stone-in-the-Wood, and she would prove to be the fiercest of all the Gelflings, male or female.  Who wouldn’t follow her into harm’s way?  Alice Dinnean was the puppeteer behind the scenes, with Lena Headey supplying her voice.  (Henson/Netflix)

Grace (Ready Or Not).  Samara Weaving’s character Grace made for the perfect bride on her wedding day… who married into a family of psychopaths that required she first beat them in a wedding night game of hide and seek–to the death.  A horror movie that was also a suspense thriller, Ready Or Not ran circles around the similar Knives Out from an entertainment and excitement standpoint.  Grace had to shoot though her in-laws and extended family to survive the night, somehow finding the mettle to defend herself when the unthinkable became the thinkable–and for audiences it was so much fun!  (Mythology/Vinson)

Vedek Kira Nerys (Deep Space Nine: What We Left Behind).  In this year’s Deep Space Nine documentary, the creators of the series returned to give viewers a glimpse at what Season 8 would have looked like had they been able to continue, complete with Kira as Vedek, in charge of the space station and taking her seven year character arc into new places.  It’s the same grit Nana Visitor gave to her performance, and the spirit of the original shown through as she joins with her former Starfleet colleagues at the show’s cliffhanger.

Agent Francesca “Frankie” Trowbridge (Whiskey Cavalier).  Lauren Cohan’s Frankie had it all, and unfortunately for fans the show was canceled after only one season.  But what a season!  This agent was every bit 100% James Bond but she also used her looks and smarts to double as “Bond girl” when the mission called for it.  In hand-to-hand combat or with a weapon, whatever bad guys the writers threw at her, nobody could get past her for long. (ABC)

Zan Hui (Wu Assassins).  Cold and near emotionless, Hong Kong movie star JuJu Chan’s Zan was ruthless as henchwoman to the leader of the Triads.  But she was also ambitious, and at her first opportunity she didn’t hesitate to act.  Incredibly skilled in kung fu and street fighting as well as weaponry, she didn’t need the supernatural skills of the other characters to make an impact.  (Netflix)

Two (6 Underground).  Melanie Laurent’s Camille was ready to join One and his secret force of ghosts, undoing some of the damage she’d done while CIA operative.  Quiet and saying little most of the time, she reveals to the squad’s hitman she knows all she needs to navigate international politics.  Take down a government led by a murderous villain and replace him with someone better?  Count her in.  (Netflix)

Gunnhild (Vikings).  An entire series could be written around Ragga Ragnars’ strong and proud warrior.  As shield-maiden, she doesn’t hesitate to lead the fight with her sword onto the battlefield.  Also kind and humble, she also doesn’t hesitate to make sure her niece and nephew are protected when she has a dream that they are in danger.  As Queen of Kattigat she proves she’s the right person at the right time in history.  (History)

Dex Parios (Stumptown).  Taking a character from the comic books to the screen, Cobie Smulders made ex-Marine Dex her own.  Her P.I. is a walking disaster, always “this close” to succeeding, and always trying to claw her way back from the last worst decision she could have made.  Somehow she is able to look after her brother.  She makes Jessica Jones look like a lightweight, always her own worst enemy.  But if she keeps fighting back in this city, she may just make it after all. (ABC)

Amelia Wren (The Aeronauts).  Nobody else on the list had to climb to the top of a balloon in freezing cold temperatures with frostbitten, unusable fingers at a height of more than 30,000 feet.  And Felicity Jones’s Amelia Wren was based on a real person.  Does it get more badass than that?  That she was a composite character doesn’t matter–she’ll make audiences breathless as she performs one death-defying feat after another in her two-hour flight. (Netflix)

Bell Mallory (The Man in the High Castle).  In the series’ alternate histore, while the Eastern United States was still being fought over by the Nazis and a small band of resistance fighters, Frances Turner’s Bell Mallory rescued San Francisco and led a revolt that removed Japanese occupation from the entire west coast.  Undercover op?  Whatever it takes.  A strategist and brains behind taking out a slew of leaders, she knew who to trust and who not to, and her decisions helped put the U.S. back into American control. (Amazon Studios)

Deet (The Dark Crystal: Age of Resistance).  The nicest gelfling of the Grottan clan you could ever meet, she befriends plant and animal alike.  Once she experiences a vision by touching Vliste-Staba, the Sanctuary Tree located in the Mountains of Grot, the nature loving soul joins the resistance.  And when the Skekses are ready to destroy Thra, she is the only one who can muster the power to stop them.  An unlikely hero, we don’t yet know the extent of the price she paid for restoring the balance of Thra.  Performers Beccy Henderson and Nathalie Emmanuel couldn’t have created a better heroine.  (Netflix)

And that’s this year’s list.  Keep coming back the remainder of this month as we reveal the rest of our Best in Film, Best in TV, and Best in Print, and our borg Hall of Fame inductees for 2019.

Want to see previous years’ kickass genre heroines?  Here are 2018, 2017, 2016, and 2015.

C.J. Bunce
Editor
borg

Review by C.J. Bunce

Nothing in my lifetime in the fantasy genre has had an impact as great as Jim Henson, his creations, and influence.  That stretches to The Muppet Show and The Muppet Movie, tangent puppet creations like Yoda in The Empire Strikes Back, and Henson’s masterwork, the 1982 holiday release The Dark Crystal.  So nothing could be greater than to revisit The Dark Crystal in a new incarnation, and not only find the people behind it got it right, but set a new standard in storytelling along the way.  No visual storytelling medium is older than puppetry, and nothing reaches inside you like a story told with creations you know aren’t real, yet when done exceptionally well they convey every emotion as if they were real.  The Dark Crystal: Age of Resistance, now streaming on Netflix, sets a new bar because it expands on the original film’s story, bringing to life a larger, fully fleshed-out world and a timeless tale that firmly installs the name Henson (Jim and daughters Lisa and Cheryl) as equal to fantasists like the Grimms, Kipling, Milne, Howard, Tolkien, Lewis, Beagle, Harryhausen, Lucas, Jackson, and Rowling.  “Wonder” should be the Henson family hallmark.  Beyond that, the series surpasses the best fantasy of television and big-screen productions, so from here on audiences may ask comparatively, “Yes, but does it convey the emotion and wonder The Dark Crystal series created?”

Dynamic, thrilling, suspenseful, and full of action, mythology, sorcery, good and evil, despair and triumph, swashbuckling adventure, unimaginable beauty and love for nature and community, The Dark Crystal: Age of Resistance presents better than anything before what every other fantasy before it seems to stumble on: Stakes.  The preparation of the viewer for a world of dire fantasy stakes couldn’t have been more artfully revealed.  What is at stake in the film isn’t just another “end of the world” story, but something that reaches in and makes you believe a stack of rocks can be lovable, the innocent can rise against the darkest evil, where the world of humans and their conflicts is not a consideration, and where you may find you want a hug from a giant spider.  Glorious, ground-breaking, faithful to the original, with thousands of creators making a film in a spectacularly difficult way, it more than fulfills its promise.

You could heap all sorts of praise on the series, beyond Netflix for betting its money on a prequel, the Hensons and original visionary family the Frouds, beyond director Louis Leterrier, writers Jeffrey Addiss, Will Matthews, and Javier Grillo-Marxuach, haunting music by Daniel Pemberton, the spectacular assemblage of voice actors, from Simon Pegg and Warrick Brownlow-Pike (who perfectly resurrected Chamberlain the Skeksis, one of fantasy’s greatest villains) to Donna Kimball and Kevin Clash (resurrecting fantasy’s greatest sorceress, Aughra).  The unsung heroes will be those puppeteers and the designers of the production, the puppets, the costumes, and props.  There’s not a big enough award for this series or its many creators, artists, and artisans, and all that had to come together to make it.  A glimpse behind the scenes can be found in a must-see feature following the ten episodes of the series.

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Following the designs created under Daniel Falconer, art director and senior concept designer for Weta Workshop, the famed creation house of all things forged and fantastical, is releasing a new line of statues and replicas from The Dark Crystal: Age of Resistance, similar in style, look, and feel to Weta’s highly collected products from The Lord of the Rings and The Hobbit.  Many of these items will not be released until next year, but online collectible store Entertainment Earth is taking pre-orders now.  The statues and replicas are every bit the quality you’d expect from the company, known for matching the items seen on the screen with the products it delivers to the public.

First out will be four 1:6 statues, including Rian and Hup, both by Weta Workshop sculptor Steven Saunders.  Maudra Fara’s eyepatched companion Baffi the Fizzgig was created by Weta Workshop sculptor Jane Wenley.  The vile Skeksis Emperor is as creepily real, as sinister, and scary, as anything we’ve seen from Weta.  This statue is by Weta Workshop sculptor Hao Wang, and includes all four arms, plus a metal prosthesis for his rotting nose!  If you’re interested, you’ll want to pre-order the Skeksis Emperor now here at Entertainment Earth, as it will be limited to only 400 units worldwide.  The intricacy on this piece is unparalleled, and it will no doubt go down as one of Weta’s finest high-end statues.

 

A 1:1 scale prop replica of the Essence vial is crafted from glass and resin, with LED lighting to replicate the radiant essence seen on screen (operated via battery).  The Dark Crystal necklace is based on 3D scans provided by Netflix, shaped to be an exact replica of the Crystal seen on screen, its draconic claw is inspired by the Skeksis clasp system in the Castle of the Crystal.  It is a resin pendant complete with gunmetal-plated brass claw, includes a 20-inch stainless steel chain, and is encased in a gift box.

Find more information and learn how to pre-order any now from Entertainment Earth at the links above. Check out several high quality images below, courtesy of Weta Workshop:

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You may have gulped it down in one sitting or maybe you think it’s so good you’re (like us) enjoying this new series slowly, but there’s no doubt Netflix′s original series The Dark Crystal: Age of Resistance will be a contender for the best series of the year in any category.  Lisa Henson and The Jim Henson Company have created something special here, and we’re now seeing some of the first tie-ins from this reboot of The Dark Crystal franchise, which began only two years ago with Caseen Gaines’ authoritative look at Henson, his inspiration, and his original Thra creations in The Dark Crystal: The Ultimate Visual History (reviewed here at borg).  If you’re enjoying the new series, you’ll want to dive in to learn about the Hensons and how they created the world of Thra from the very beginning.

Funko has six 3 3/4-inch action figures to add to its earlier The Dark Crystal collection (first discussed here in 2016, these figures sell for top dollar on the aftermarket, with a few still on Amazon like Jen, Kira & Fizzgig, Chamberlain, Aughra, Landstrider, Garthim, and UrSol).  For the new TV series Funko’s first wave of figures have better sculpts and paint work than the prior series.  They feature gelflings Deet and Rian, Hup the podling, Aughra the Oracle, the Hunter Skeksis, and a Silk Spitter (see larger images below, and click on the names to learn more and order these at Amazon, currently about $10 each).

 

The tie-in books to choose from truly have something for all ages.  Look for The Dark Crystal: Age of Resistance: Inside the Epic Return to Thra, Heroes of the Resistance: A Guide to the Characters of The Dark Crystal: Age of Resistance, and Aughra’s Wisdom of Thra.  Below, check out a 10-page preview of the beautifully detailed behind the scenes art book The Dark Crystal: Age of Resistance: Inside the Epic Return to Thra Each book is now available for pre-order from Amazon, and the publisher descriptions of each book is included below:

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