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Tag Archive: The Five


Our borg Best of 2018 list continues today with the best in television.  If you missed it, check out our review of the Best Movies of 2018 here and the Kick-Ass Heroines of 2018 here.

Without further ado, this year’s Best in Television:

Best Borg TV Series, Best TV BorgHumans (AMC).  No other series touches on the ramifications of technology, specifically the perils of an onslaught of real-world cyborg technology, like AMC’s Humans.  This year three characters stood out, including Gemma Chan’s Mia, the cyborg Synth from past seasons, who sacrificed everything for the liberty of cyborgs in the UK.  Then there was Ruth Bradley’s Karen Voss, a Synth who refused to live segregated from the humans, opting instead for a normal life for the cyborg son she assumed care for.  And Katherine Parkinson’s Laura Hawkins, a human lawyer who fought so hard for the cause of the Synths all year, only to throw away all the good she had done, failing the first real challenge that was presented to her.  This year’s best TV borg is shared by Synths Mia and Karen, as each showed the uphill battle any future outsider must overcome when faced with humans.

Best Sci-fi TV SeriesThe Man in the High Castle (Amazon).  What had been a two-season build-up all came together in the series’ third season with the audacity of killing off key characters, wisely adhering to the framework of the source Philip K. Dick novel.  The use of science fiction to tell an often gut-wrenching array of subplots and unique characters has set up a fourth season with plenty to address.  Exciting, smart, scary, and even fun, it is an unusual science fiction show that isn’t merely trigger-happy sci-fi.  Honorable mention: Humans (AMC), Counterpart (Starz).

Best New TV Series, Best Reboot, Best Ensemble CastMagnum PI (CBS).  If you would have told us a year ago our favorite show this year would be a reboot of Magnum, p.i. starring Suicide Squad’s Jay Hernandez and an actress in the iconic role of John Hillerman’s Higgins, we wouldn’t have believed it.  And yet, even as diehard fans of the original, we had to acknowledge that many elements of the reboot series were even better in the new series.  With the dangerous risk of taking on a beloved property, the production maintained loyalty to the original while making it fresh, scoring Magnum PI high marks on all counts.  Every character was smartly written–suave and confident Magnum, energetic Rick and TC, and a savvy Higgins–every actor was perfectly cast, and each show was another round of nostalgic fun for fans of the original.  Best New TV Series Honorable mention for Best New TV Series: Counterpart (Starz), Lodge 49 (AMC).

Best Series, Best Drama, Best ComedyLodge 49 (AMC).  Lodge 49 told two stories: a darkly serious drama of real people dealing with real-life 2018 adversity, and the other a comedy farce like no other.  Hanging over our heads was the idea that this was going to be a fantasy show, complete with secret codes, hidden rooms, and psychic visions.  If you’re looking for all the elements of great fantasy the hint of it all could be found throughout this series.  And yet it wasn’t fantasy at all.  An oddball Cheers?  A southern Twin Peaks without the Lynchian weirdness?  Star Wyatt Russell’s hero Dud could be dismissed as a typical young man with no vision, or maybe he’s that idealist that everyone needs to strive to be.  Maybe we’ll learn more about that next season.  Honorable mention for Best Drama: Counterpart (Starz).  Honorable mention for Best Comedy: Baskets (FX).
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Review by C.J. Bunce

It’s such a strange thing to see over and over.  Whether it’s Broadchurch, Marchlands, Lightfields, Thirteen, The Missing, or Requiem, the British television studios can’t stop making series based on the story of a missing child.  And it’s not just the Brits that can’t get over the genre.  Americans tend to do it with a supernatural bent, in shows like Twin Peaks, Stranger Things, or Riverdale.  But finally they may have got one right, compelling characters, a solid mystery with twists, turns, and surprises, and the missing factor of most series in the genre, a satisfying ending.  That’s Harlan Coben’s ten-part series now streaming on Netflix called The Five.

Smartly directed by Mark Tonderai, who has directed episodes of TV series including Doctor Who, Black Lightning, Gotham, Time After Time, and Twelve Monkeys, The Five takes the story of a five-year-old who disappeared on an outing with his older brother and his three friends, and turns it into something completely fresh and compelling.  Twenty years later in modern day England, the DNA of the missing boy is found at the crime scene of a murder of a local woman.  The news upends the lives of the missing boy’s brother, a lawyer and part time P.I. played by Tom Cullen (Orphan Black, Downton Abbey), his separated parents played by Geraldine James (Rogue One: A Star Wars Story, Alice in Wonderland) and Michael Maloney (Mr. Selfridge, Henry V), and his three friends: a cop who is the son of the detective on the original case played by O-T Fagbenle (Doctor Who, The Handmaid’s Tale), a doctor who has returned after years in the States played by Sarah Solemani (Bridget Jones’s Baby), and a protector of street kids at a local shelter, played by Lee Ingleby (Harry Potter and the Prisoner of Azkaban, Master and Commander: The Far Side of the World).

Every player in this tale is a mess.  The cop can’t balance work and life and must care for a father with Alzheimer’s, the doctor is figuring her way through a failed marriage and early stages of addiction, the shelter manager cares a bit too much about protecting kids on the streets, and the brother of the missing boy runs the route where he lost his brother every day, unable to get past his loss.  As a police procedural, Fagbenle and detective Caine, played by Hannah Arterton (Doc Martin, Midsomer Murders), make for a solid policing duo, while Cullen and Ingleby are a great sleuthing team of private investigators.

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