Tag Archive: The Haunting of Villa Diodati


Review by C.J. Bunce

It’s always a big surprise when the holiday episode of Doctor Who is a critical not-to-be-missed episode.  When we last saw the Doctor, she was trapped millions of light years away in an alien prison.  The New Year’s Day 2021 special Revolution of the Daleks is not a filler, out-of-continuity holiday showpiece, instead continuing after ten months have lapsed for the Doctor’s companions back on Earth, and after the Doctor has been imprisoned for years in that same relative time span.  If you missed this episode you missed: the return of John Barrowman’s universal fan-favorite character Captain Jack Harkness, another Law & Order/Law & Order UK crossover/reunion, the last we’ll see of some major characters, a new Prime Minister, a preview of a new companion, and one of the best Dalek episodes in the 57 years of the series.  As the studio releases word that Jodie Whittaker will be soon leaving the series, Revolution of the Daleks reflects that both her performance as the 13th Doctor and Chris Chibnall’s running of the series has finally arrived.  It’s a timeless story full of important, lovely emotional beats, fantastic new sci-fi special and visual effects, and a return to the classic framework and themes of the show’s past.

Let’s take a look at why this episode was superb and offer up some candidates for the 14th Doctor…

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Today we move from the big screen to the small screen with the Best TV Series of 2020.  If you missed it, check out our review of the Best Movies of 2020 here and the best Kick-Ass Heroines of 2020 here.  We watch a lot of television, and probably love a good series even more than a great movie.  We preview hundreds of series, but outside big franchise content you want to know about, we only review what we recommend–the best genre content we’re watching.  The theory?  If we like it, we think you may like it.  The best shows have a compelling story, a full range of emotions, great characters, tremendous action, a sharp use of humor, and all kinds of well-executed genre elements that satisfy and leave viewers feeling inspired.  Even better if we see richly detailed sets and costumes.

Without further ado, this year’s Best in Television:

Best Borg SeriesAltered Carbon (Netflix).  Showing life in a world well past the merger of the organic and inorganic via stacks placed in human individuals’ vertebrae in the back of the neck, the second season of the series further revealed the dark side of being able to live forever.  What parts of life have the most value in a cybernetic world?  What crimes emerge when body and mind can be separated and re-shuffled?  Honorable mention: Star Trek: Picard (CBD All Access)–revisiting Star Trek’s old nemeses The Borg and introducing the cyborg-like nonbiological humanoids called Synths, the same term used in the BBC’s Humans.

Best TV Borg, Best TV VillainDarth Maul (played by Sam Witwer and Ray Park), Star Wars: The Clone Wars (Disney+).  The athletic performer Ray Park provided the best-ever lightsaber duel scenes in his co-starring performance in The Phantom Menace.  Watching the animated series this year it was clear Darth Maul wasn’t just another animated character.  Add another great duel to the books–Park’s motion capture abilities live on and continue to set the bar for Star Wars action sequences, and Witwer voices a character we never want to see go away again.  Honorable mention for Best TV Villain: Grand Moff Gideon, Giancarlo Esposito, The Mandalorian (Disney+).

Best Sci-fi TV Series, Best TV Fantasy, Best Western TV SeriesThe Mandalorian (Disney+).  Not a lot needs explaining with this series, which continues to be compared to the original Star Wars and The Empire Strikes Back more than anything with the Star Wars label on it since.  The Western motif is still alive, not all that hidden here in space fantasy garb.  And we won’t get started on the impact of The Child (aka Baby Yoda) now called Grogu, on the genre-loving world and beyond.  Credit Dave Filoni and Jon Favreau’s visible enthusiasm and love for the original movies for a series that only gets better with each episode, despite their short lengths.  Honorable mention for Best Sci-Fi TV Series: Star Trek: Picard (CBS All Access).

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Review by C.J. Bunce

Plumes are cool.  I wear a plume now.

This week the Doctor and friends turn up at the very event that was the real-life origin point of Doctor Who, the series, and in fact all of science fiction: Lord Byron, Percy Bysshe Shelley and Mary Wollstonecraft Shelley’s summer at the retreat at Villa Diodati near Lake Geneva in Switzerland in 1816.  It was the historic “year without a summer,” believed the result of volcanic ash in the atmosphere.  More importantly for the future of science and technology and science fiction, it was the convergence of celebrity that resulted in Mary Shelley’s spark to write her novel Frankenstein, the first science fiction novel and–notable for fans of all things borg–the first borg novel.

Only this is Doctor Who, and so something is different, as one of the famed guests of the villa is missing.  In its 56 years some of Doctor Who’s greatest episodes have featured a re-look at historical places and events, and the fantastic new episode, “The Haunting of Villa Diodati” may top them all.  The events of 1816 are well documented and writer Maxine Alderton (The Worst Witch, Emmerdale) used them to create the perfect blending of Doctor Who and history.  Directed by Emma Sullivan, Alderton’s story is expertly designed to weave together even the obscure historical facts and figures with the fantastical, while foreshadowing the focus of the season’s remaining episodes (find a peek at that below).  Just as the story of the creation of the first science fiction story takes center stage (also one of the early Gothic horror tales), so does the world inside Shelley’s novel peer into the world of the Doctor.

Save the poet, save the universe.

In a word, “The Haunting of Villa Diodati” is perfection, as the seed of all science fiction meets its latest incarnation both from within the universe of Doctor Who and viewing Doctor Who from the outside as a work of science fiction itself–delivering a perfect threat to a single point in time that, if altered, changes everything thereafter and could obliterate the world as the Doctor–and the viewer–knows it.  Plus… a haunted house, ghosts, and a decision that could throw the future into chaos?

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